Amedeo Modigliani

@modigliani.bsky.social

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Fan account of Amedeo Modigliani, an Italian painter and sculptor who worked mainly in France. 1884-1920 Automated #artbot thanks to @andreitr.bsky.social and @botfrens.bsky.social

The Mr. and Mrs. Klaus G. Perls Collection, 1997
Mr. Heyden of Dublin
The Servant Girl
Bequest of Joseph Winterbotham
Portrait of a Woman with a White Collar
Portrait of Mario Varvogli
Woman with a Fan (Lunia Czechowska)
The Pretty Vegetable Vendor
Marcelle
Bequeathed by Mrs A.F. Kessler 1983
Flower vendor
Boy in a Blue Shirt
Portrait of the Mechanical
A girl in yellow dress
Dark Young Woman Seated by a Bed
Man with a Glass of Wine
Jean Alexandre
Hanka Zborowska
Head of a Woman
Bust of Manuel Humbert
Little Serving Woman
Max Jacob
Presented by Miss Jenny Blaker in memory of Hugh Blaker 1941
Woman with Scottish Dress
Bust of a Young Woman
Portrait of Beatrice Hastings before a door
Portrait of Beatrice Hastings
Andre Rouveyre
Gift of Abby Aldrich Rockefeller
Seated Woman
Woman's Head
Jacques and Natasha Gelman Collection, 1998
Chakoska
Portrait of Leopold Zborowski
The Beautiful Confectioner
Portrait of Celso Lagar
Portrait of Diego Rivera
Sitting man on orange background
Elvira Resting at a Table
Thora Klinckowstrom
Pierrot (Self Portrait as Pierrot)
Two girls
Louise
The Servant
Portrait of Madame Zborowski
Rosa Porprina
Gift of Mr. and Mrs. Nate B. Spingold, 1956
Victoria
Portrait of Picasso
head and upper torso of nude woman who looks down to PL in red In Paris, where he moved in 1906 from his native Italy, Amedeo Modigliani stood out from the ebullient avant-garde with his mysterious, long-necked portraits—paintings of arresting solemnity. From 1911 to 1913, he explored stone sculpture, creating a series of geometric heads inspired by African masks. Poor health forced him to abandon the labor of direct carving, but the feel and gesture of sculpting resurfaced in Female Bust in Red, along with memories of a much earlier art. Here the forms are condensed into solid blocks, and the vigorous brushstrokes seem to mimic the chisel’s blows. The head bows with silent elegance in a modern echo of Gothic Sienese paintings depicting the Virgin Mary.
Woman with Blue Eyes
Woman with a Green Necklace (Madame Menier)
Portrait of Henri Laurens
Marios Varvoglis
The Blue Blouse
Pierre Edouard Baranowski