moult

@moult.bsky.social

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be yr own wooly jumper they/them, 42 moult.co.uk

a two-panel comic. a sea lion woman sits in the cab of a parked van in a winter field, writing on an index card resting on a clipboard resting on the steering wheel, with books and papers on the passenger seat. her sheep husband then appears in the window offering her a mug of tea
a limited-palette drawing of a yinglet and a sheeptaur. they have just begun a game of gin rummy; the yinglet looks pleased and a little smug as they say 'gin!' and the sheeptaur exasperatedly responds 'HOW'
a quotation from the late J Nash's 'The Record Straight About My Game': 'To emotionpiXLanalyzine Thank you for the eight-page feature examining the strangely orange sequence in my game. This was caused by my accidentally selecting an unsuitable palette and I have now corrected the error.'
a drawing (in a restricted palette) of a poodle woman sitting on a tram and looking down into the screen of a camera
bust and full-length drawings of a middle-aged sheeptaur person. their lower body is that of a stocky, grey-wooled sheep. their upper body is humanoid and dressed in an oversized lilac sweater. they have a sheep's head with pale fur and a single horn which curls around their right ear; more grey wool encircles their neck and forms a shoulder-length hairdo with thin multicoloured streaks
a screenshot of a MacOS Terminal. i've run the script daily-project-id.sh (which generates the three-character codes i name my projects with), and it's responded with 'Daily id *uwu* copied to clipboard!'
a sunset-coloured sketch of a hare woman, a poodle woman and their son, a hare boy. he is lifting himself over a railing to look at a view of hills behind a lake, as they link hands behind him and look lovingly at each other
a timelapse of the preceding sketch page (plus some weird fleeting floorplans at the start before i changed tack)
a sketch page of Alex the skunk man and Maura the stoat woman. Alex assures his employee Phaedra 'I wouldn't do that. I'm not a total asshole. ... I'm only as much of an asshole as being a boss under capitalism entails,' which she takes very warily. Maura is having difficulty eating something at a restaurant, prompting Alex to ask whether she's okay; the meal receives a sub-verbal three thumbs down from her
a page of sketches of an opossum woman and a fox woman in various moods and scales, including the former staring at a large abstract canvas that the latter has painted and is expatiating about
a page of sketches, heads and full-body. half are of a sheep-taur person, including putting a can in the recycling and working (in loaf position) at a computer; the other half are of a yinglet, including humming to themself as they walk about and hiding poorly behind a rock while thinking 'behind zhis zhey never shall see me'
a page of sketches, heads and full-body, of a tall and glamorous Siamese cat woman and a short and smart Cavalier King Charles spaniel man
a page of sketches, heads and full-body, of a small pigeon woman and a big horse woman
a page of sketches, heads and full-body, of a sturdy sheep man and a round sea lion woman
a page of sketches, heads and full-body, of a fluffy poodle woman and a leggy hare woman in a couple of outfits apiece
a page of exploratory sketches of a sheep-taur person with long lilac-streaked grey wool and one horn
a limited-palette drawing of a turqoise-scaled indigo-haired eastern dragon in a yellow turtleneck and indigo calf-length jeans, standing before an orange roundel and casually pointing to something out-of-frame with a smile
a drawing of a badger woman in chain mail and surcoat raising a tall gonfalon in the aroace pride colours, while a chihuahua man in a bright tunic carrying a herald's trumpet with rainbow banner attached looks up impressed
a drawing of an afghan hound woman raising a medieval standard in trans pride colours while an older spaniel woman in a rainbow flag shawl offers support
a limited-palette drawing of a female yinglet on her parked motorcycle, helmet in her upper hands and the breeze in her hair. a roundel behind her says 'hatched to be wild'
a drawing of a casually-dressed adama academic in their office. they are indicating a diagram on their whiteboard as they explain a point of maths to an unseen listener
a drawing of a middle-aged yinglet, orange with yellow underparts, a shock of raspberry hair, a long tail and a forked shell-tooth. they are wearing a vermilion robe; they have wrapped scarves around their neck and, for some reason, their arms and legs as well? they look ready to run away the moment you say anything to them. in the corner is a cameo of them asking, apparently sincerely, what leg warmers are
a drawing of a modern-dress theatrical production of Shakespeare's Julius Caesar. a fox woman in a cramped posture delivers an angry speech to a wolf woman standing upright and looking offstage with concern. they stand in front of a backdrop of large political posters, and leaflets dot the stage
Pinkie Pie, Twilight Sparkle and Rainbow Dash from My Little Pony: Friendship is Magic, drawn as more realistically-proportioned (but still cartoony) horses, standing in a colour field and talking
a drawing of a wolftaur man and a donkeytaur man leaving a supermarket. they have a satchel and a rucksack respectively on their upper backs, and panniers on their lower backs
a drawing of a middle-aged fox woman and a middle-aged opossum woman standing face to face with their hands clasped together in a kitchen. the fox is cheerfully saying 'Gooood *feelings*!' the opossum grudgingly replies 'yeah, fine.'
a vertically-oriented drawing of four friends walking down a path lined with bare birch trees. in the front row a sheep man in a neat jacket and scarf is speaking earnestly to a snowshoe hare woman in a salmon sweaterdress and bobble hat. in the back row, a poodle woman with lilac-dyed ears, a pink fleece and jeans is making a joke to a sea lion woman in muted sweater, overcoat and deerstalker (the joke does not seem to be landing but it's fine)
an illustration of a brown rabbit sitting up with a big star ornament in its paws and a bemused air; a white mouse sniffs the star curiously
a chipmunk man and a moose woman talking as they work on computers in a small office, drawn in an oekaki-ish pixel style with lots of dithering
a smiling nonbinary Eastern dragon lady, pictured smiling earnestly in cameo and rather more coyly in a full-length three-quarter view
Prue, a small pigeon woman, pushes mock-aggressively against her wife Matilda, a horse woman a good foot taller than her
a sketch of Opal the wolverine and Phaedra the poodle, Opal laying out the way *they* see it and Phaedra interested to hear it
foggy image of an anthro seagull walking past a wall with barbed wire and an obscure building behind it
several foxes run between flowering gorse bushes, following a trail of flour patches
a badger woman sitting on the kerb of a city street at night. she has taken the front wheel off her bicycle, and seems to have been mending an inner tube puncture, but is now leaning back, looking up at the stars
ida the snowshoe hare, dressed like randy newman from the 'born again' cover, is squinting at stephen the spaniel and dinah the siamese cat, who are dressed as the hlabtgita gnomes IDA: You're... some gnomes. STEPHEN: pick me up! IDA: Or the Pet Shop Boys from that one tour? STEPHEN: you have failed the challenge! DINAH (loudly): Sir!! IDA: ...nope, sorry.
alex and maura are dressed as the main characters from quentin dupieux's deerskin. phaedra, dressed as ingmar bergman's death, is very excited about this PHAEDRA: Oh my god! Yes! Killer style! ALEX (to maura): I told you. Killer style. MAURA: ok yes fine killer style.