Mx. Fitz

@mxfitzfolio.bsky.social

254 Followers 123 Following

Misfit Mx. Fitz - 👋 Elle Eclectic. ​Experimental. Alt Artist; Design ☆ Photo ☆ Poetry 📷 ✍️ 📽 www.thefitzfolio.com IG: @the.fitz.folio 31, cats 🐈 >> capitalism ( they / themme )

A femme individual stands in center of the frame, with a tilted head and relaxed expression.
An illustration of a goldendoodle dog sits on the left of the visual, while a pink minimal California graphic sits on the right. The text reads "Callie Girl".
A minimal illustration of film director David Lynch is centered in the image. The design features zigzag lines reminiscent of Twin Peaks, and his name is handwritten on both sides of his portrait.
A digital illustration of a man in aviator sunglasses, an orange shirt, and white jacket. The text reads top left, "MAD MEN '85" and "PHIL BRAUN" bottom right.
A rosy pink dollhead is centered with white, Kurt Cobain oval sunglasses. There is handwritten text surrounding the doll, stating, "Protect the dolls."
A minimal drawing of a woman with dark hair and rosy cheeks. There is handwriting that reads, "Hello, I love you."
A woman strides in front of a graffiti wall with her Infowars / Onion tote bag.
A fan design mashing together inspiration from the shows Taxi and It's Always Sunny in Philedelphia as a tribute to Danny DeVito. A taxi cab car is placed in front of a silhouette sun in center. Danny is peeking out from the top checkered pattern, and there is another checkered graphic mirrored at the bottom.
An original parody design of Nirvana's 'Nevermind' album cover. A fish hook with a lit-screened phone is dangled in the top left corner. The artist added a self-portrait in center, partially nude, in a fetal position. 'Nevermind' is distorted as wavy text in the bottom right corner.
Graphic design and fan artwork for "Grave Conversations with host David Dastmalchian" set against a black background. It features vertical red title text on the left and a large red coffin on the right. Inside the coffin is a black, distressed Vitruvian Man image above a microphone and audio waveform graphic.
A black cat with green / yellow eyes lays atop a mattress and floral sheet. A half moon in yellow is added to her forehead, with her paws out in front of her.
An image collage and design inspired by The Beatles' Strawberry Fields. The images each feature the artist in different poses by a metal silver tree. A painted strawberry is centered on the collage. "STRAWBERRY FIELDS" reads above, top left, and "NOTHING IS REAL" is placed below the images bottom right. The background is a trippy, warm, transparent and wavy pattern.
A blue-tinted image of filmmaker David Lynch's face partially submerged in water up to his nose. Above his head is a simple line drawing of a lightbulb with a fish inside. Handwritten text reads: "but if you want to catch the big fish you've got to go deeper."
An individual stands atop a smaller rock within a cave, bathed in a pocket of light, wearing their leather jacket, red tie, and sunglasses. They swoop a hand through their hair.
Graphic fan art poster for the Apple TV show Pluribus, featuring a melting yellow and black yin yang symbol. The yellow side is a dripping smiley face with vertical #1 lines for eyes, and the black side contains three realistic white sheep. The text reads "PLURIBUS", "WE JUST WANT TO MAKE YOU HAPPY, CAROL," and "SO YOU CAN JOIN US."
The artist posts an original design and micropoem. The poem reads, "My mind mimics a maze with no way out. But a dead end is more an illusion than a definite." The design is minimal with a brain at the bottom and a minimal, transparent maze pattern underneath.
Art featuring stylized, colorful text reading, "Looking through a glass onion." The central image is a blue line-art onion with a rainbow-colored eye inside it. The white background is decorated with wavy rainbow stripes, stippled illustrations of hands holding magnifying glasses, and circular inserts showing a "Child Clown Outlet" storefront and a devilish figure in flames. The work comments on The Onion's takeover of Infowars, and Alex Jones desperately delaying this by any means necessary.
Graphic design on a green background featuring a yellow hazard triangle containing the faces of the cast from "It's Always Sunny in Philadelphia," with Frank peering out of a trash can. Arched text reads: "It's Always Sunny: A Requiem For The Unredeemable." Yellow biohazard symbols and caution tape frame the image.
A black and white selfie of the author, wearing an African animal print black dress in a living room setting.
Stylized graphic inspired by Pink Floyd's "The Wall." The words "FREE PALESTINE" are written in bold red and green text over a white brick background with blue mortar lines. Two clusters of watercolor red poppies grow from the bottom of the frame.
Graphic illustration on a solid green background featuring a central circular portal. The portal has a thick turquoise and black border, framing a light yellow interior. Inside, the top half of a person's face with dark hair, tortoiseshell glasses, and a neutral expression looks out from the bottom. Above them floats a stylized eye with an antenna and a red-and-black spiral iris, mimicking the "Sick, Sad World" logo from the animated show Daria. Red, stylized, bubble-letter text arches around the outside of the circle, reading "SICK" at the top left, "SAD" at the top right, and "WORLD" at the bottom left, with a handwritten lowercase "el." in red at the bottom right.
A dark, surreal fan poster design for the movie Donnie Darko. At the top, the iconic countdown numbers "28:06:42:12" are written in a shaky, white handwritten font against a solid black background. Below the numbers is a horizontal lifeline scale anchored by the red text "FEAR" on the left and "LOVE" on the right, with the movie title "DONNIE DARKO" centered in purple text beneath it. The middle of the image features two character visuals on a black backdrop: a young man (Donnie) wears a dark hoodie on the left, and on the right another image of him stands with intense blue eyes under a chromatic aberration glitch effect, holding an axe over his shoulder. Centered in the foreground is the eerie, full-body figure of Frank the Bunny in his silver-grey, textured rabbit suit. At the bottom, the phrase, "They made me do it." is scrawled in an erratic, white handwritten style around the bunny's legs.
A phone photo taken of the author of the post. The author is wearing an outfit they thrifted; a purple t-shirt with "Goosebumps" written in green slime, and green pants.
An individual stands in the center of a golden doorframe, crouching, and the photographer tilts the point of view.
A collage digital design inspired by the Smashing Pumpkins' album "Mellon Collie and the Infinite Sadness" – the title was reworked for the Office Hours Live podcast's Holy Trinity, reading, "Holy Trinity and the Infinite Madness." Comedian Tim Heidecker pops out of a star's center opening, with his eyes going back like Mellon Collie. DJ Douggpound and Vic Berger IV, who co-host with Tim, are on opposing sides of him. Doug is in his 'Clown Pound' character with a horn. Vic is shown emerging from a cloud with 'Jeb 4 Prez' tattooed on his neck. Space pioneer and funny man, Phil Braun, tips his hat as he travels through the album cover universe with planets above his hot air balloon. Stars, a cherub, and butterflies otherwise fill the design.
The post's author sings an acapella rendition of the beginning verses of "Heart-Shaped Box" by Nirvana.
An individual is photographed in an intense blue light, with warm colors contrasting. They wear a space helmet with different flowers peeking through the open front and covering parts of their face. They hold more flowers to their chest, and they are looking down dramatically. The background is pitch black.
A humble collage of two black & white portraits of the artist. The concept uses monochrome baby's breath imagery projected as angel wings in the top pic. The bottom is an outtake with the scattered light projected on the subject's face.
The subject in the photograph looks off to the side with a hand behind her neck. Warm, orange lines are projected onto her.
An individual stands in the middle of an open field, wearing a pastel plaid shirt over a Sublime tee with black jeans. They look downward, and extend one hip out.
An individual crouches where the white lines of a blue tennis court meet. The subject wears white and black lace and a veil.
A person stands and looks down at their dog while holding and posing in their outfit.
A portrait image in color of a subject posed in Y2K attire and accessories.
The post displays a layered design and photography / mixed media work by the artist. There is one image of the artist centered within a moon, drenched in red, bottom left corner. A contrasting blue moon image & portrait is placed in the top right corner, upside down. The text reads, "When the blood moon & blue moon eclipse – something really shifts."
A subject sits under a strong red light, and leans into the table next to them. They wear a Björk t-shirt and mostly all black.
A Richard Avedon-inspired design using photo snaps and language from Office Hours Live with Tim Heidecker, DJ Douggpound, and Vic Berger. Text reads, "We like to have fun, we like to laugh."
An abstract, fine art portrait of a young man hiding behind two matching flowers - with an unlit cigarette inbetween his lips. The image is monochrome with the whites of the flowers and cig particularly standing out.
A portrait showing the photographer's partner, posing by a Splatterhouse arcade game downstairs in a St. Louis bar.
A portrait of an individual, dressed in a simple, masc leather jacket and red tie. The subject stands in a pocket of warm sunlight within a cave.
Portrait of artist's goldendoodle, sitting on a couch, with sunlight-drenched curtains as background.
Design and title card for Elle Fitz's original poem, "Black Sheep." Title and artist's name are placed in opposite corners around an inverted photograph of the artist with glass marble tears beneath the eyes. Black sheep hover along the top and bottom borders; one bigger, layered sheep (both black and white) is centered with a target graphic on the artist's forehead.
A woman walks at golden hour along Venice. She is the sole subject in the shot, wearing a cast / boot on her back leg. She carries a small white bag, and continues moving forward towards other businesses along the beach. The photographer's shadow and others' can be seen within the frame as well.
Children playing at golden hour, amongst dispersed crowds of other people enjoying a day at Venice Beach.
A layered double exposure final image. The photographer aligned their own portrait, specifically one of their eyes, with another photograph they took at night featuring Gargoyles and a stained glass eye window.
Photography and mixed media design inspired by the Massive Attack single "Black Milk" from MEZZANINE (1998). A black stag beetle is positioned to almost consume the dark angel just above. Said femme figure shown is the artist herself - a separate image she took of baby's breath was added and inverted to make strange, skeletal angel wings.
Portrait of a young woman with a yellow moon image and parallel pink lines projected on her. Very vivid and moody feel with the woman looking off to the left, fingers touching beneath her chin.