Nathaniel Jams

@nathanieljams.com

81 Followers 130 Following

yes: coffee. records. fast cars. no: requests.

animated gif of Meryl Streep, a white woman with white hair and glasses, yelling joyously
Woody from Toy Story
A screen cap from the Fallout video game series with the phrase “[Everyone disliked that.]”
Person in sunglasses and tank top exclaiming “Bro, I’m straight-up not having a good time.”
Cover art for the single “Light Your Ass On Fire” by Busta Rhymes and Pharrell
Upper panel: Tina Fey as Liz Lemon saying “What a race, huh?” Lower panel: Alec Baldwin as Jack Donaghy saying “Lemon, it’s lap 5”
Man in car yelling “This is the maddest I’ve ever been!”
Eric Andre shooting Hannibal Burress with Mercedes logos over both their faces, with the caption “Why would Ferrari do this” in Tiffany Green color.
A very satisfied Antonio Banderas.
A screen cap of Jon Lovitz looking offscreen with great interest from The Wedding Singer
Selfie wish one arm flexed.
A selfie with a very deliberate pose that I struggle to describe. 39 year old Filipino-American with light brown skin, black hair, and glasses shot from the upper-chest and up, wearing a black shirt and a gold chain necklace.
A white vinyl record on a turntable in front of the record cover for Copeland’s “Beneath Medicine Tree”
Two turntables with a mixer between them. Two records sit behind the turntables. Above the turntables are two brass desk lamps. Behind these objects is a window showing green trees and a blue sky.
A wall shelf of vinyl records.
WWE wrestling stable “The New Day” wearing red track suits. Xavier Woods, center, holds a microphone. Below him, the caption “You telling this story.” Big E, right, clutches a bucket of popcorn with a look of captivation. Below him, the caption “Me reaping the benefits.”
A triptych of TikTok user “Pinkydoll” doing an NPC livestream
A black terrier mix dog laying down on a dark grey couch with its head rested on its front two outstretched legs.
The book cover for High Fidelity by Nick Hornby
the record sleeve for Bloc Party’s “Silent Alarm” album sits behind a record turntable with the tone arm placing the stylus on a black record.
An assortment of about 25 different record cover spines aligned vertically.
An uncapped pen made of largely translucent materials with dark magenta-purple ink inside the barrel. The nib is silver, with multi color edges. Multi-color accents are to be seen on the cap and clip.
A brown leather journal with minimal patina, with a forest green elastic band wrapped around it horizontally. On the right side of the journal is a small brass pen held to the side of the journal with a brown leather sheath. In the background is a computer keyboard in various shades of blue.
Front center: A matte black coffee urn sitting atop a black and grey kitchen scale that reads “193.2” on the LCD display. On top of the urn is a clear glass V60 pour-over cone with a beige filter inside the code. Dark brown coffee grounds are visible within the filter. Back left of frame: A matte black electric kettle sits atop a matte black digital heating dock. Back right of frame: A matte black and chrome espresso machine. All objects are placed atop of a dark brown wood counter top. All objects are set against a white wall in the background.
Filipino-American man with tan complexion and medium-length black hair pulled back wearing blue denim shirt with the sleeves rolled up above the elbow, two gold chains, and a pair of studio headphones around his neck. His arms are slightly stretched toward the front of the frame, delicately lifting a black vinyl record up from a silver turntable.
On dotted grid paper written in small capital letters: “WHAT THE HELL IS JONAH HILL DOING?”. Across the frame is a grey ribbed fountain pen barrel, uncapped, with a black section leading to a silver and gold nib.
Charlie Day as “Charlie” on It’s Always Sunny in Philadelphia: A disheveled white man with unkempt brown hair, unshaven, wearing a short sleeve light blue button down, collared shirt with a striped brown tie, tucked into a pair or khakis with a brown belt. He has a frantic expression on his face as he gestures to a wall with several assorted sheets of papers stapled and pinned to it, a strand of yarn sprawling in multiple directions in several angles. Behind Charlie’s head is the name “PEPE SILVIA” in all caps, scribbled using a thick black marker.
Werner Herzog, a white man in his his late 70s, in costume for the television show, The Mandalorian, speaking to someone out of frame. In closed caption text, the phrase “I would like to see the baby.”