The Nightbound Library

@nightboundlibrary.bsky.social

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✨ A cozy, cosmic sanctum turning stories into stars. Pick your portal. Leave the waking world behind. Written by Alexis N. ⭐ Black, Queer, Pan, Poly, Witchy, 420 Helps My Brain ⭐ thenightboundlibrary.com

white text on a gray background that reads: “Hello?” I called into the yawning void that was the innards of a dead tree. Nothing called back which, on the creepy scale, trended up, but trended down on the 'well, what do I do now' side. I had done the fucking around. Why was 'finding out' taking so damn long? I peeked my head into the void—this is a judgment free zone—and braced my hands on either side of the opening. The bark felt real and rough against my palms, so I wasn't hallucinating. Point for me, I guess.
Banner for The Book of Delight. The title appears in large pale lavender serif lettering against a vivid crimson sky. A massive black tree frames the upper right corner, while the silhouette of a woman with long windblown hair stands beneath its branches, gazing upward. Along the horizon are black silhouettes of grass, bare trees, and a distant church. A subtle TNBL crest is watermarked on the left, creating a dramatic, dark fantasy atmosphere.
A dark, moody aesthetic moodboard for the fantasy romance The Book of Delight. The collage features deep reds, black, parchment, and gold tones with imagery of a signed contract, intertwined hearts, red thread wrapped around a hand, the definition of "worship," ripe strawberries, an antique bedpost carved with symbols, an old map, a handwritten prayer reading "Dear God, You know my heart desires," raised mugs of beer, dried roses, hooded figures in crimson robes, a shadowy serpent, a silhouetted tiefling woman with horns and a tail, glowing gold magical hands, a woman reading from a book, elegant fantasy clothing, and the words "Insatiable" and "It's suffocating, isn't it?" Together the images evoke themes of devotion, desire, faith, contracts, forbidden religion, mystery, old gods, and self-discovery.
Black text on a white background that reads: My first meeting with Death. “It’s very aggressive,” my doctor explained to me, glasses tucked into the pocket of his white lab coat, red-brown hair standing at odd ends from how often he had run his hands through it. He squinted at my chart as if the words would magically rearrange themselves and make this entire conversation less stressful. “We would have to do a very aggressive form of chemo to even—” “Let’s do it,” I had said quickly, not caring that I had interrupted him. “If it’s our best shot, then let’s do it.” But I knew better. I got my hair cut that week—just a few inches. From mid-back to shoulder-length. It was the first time in my life I’d had short hair.
A dystopian cityscape with partially collapsed high-rise buildings and smoke rising into a gray sky. Over the center of the image is a translucent rounded rectangle with text. The title reads “In Lexe’s Timeline” in a blue-to-purple gradient font. Below it, in white text, it says: “only the uber-rich wardens know what happened to the world. But they can’t know everything.”
a black box with white text that says "we cannot coexist with people who think raping children is acceptable"
A warm-toned collage evoking summer and luxury: silhouettes of people clinking wine glasses at sunset; three pairs of sunglasses arranged in sand like smiling faces; ocean waves washing over sand with the words “TIME TO RELAX” written in it; a close-up of intertwined hands with the quote “Once we do this, there will be no going back”; bare legs stretched out beside an infinity pool with a cocktail and sunscreen nearby; tall palm trees against a bright blue sky forming a smile; and a title card reading “Low Tide, written by Alexis Nightengale.”
A six-image character mood board with a gritty, masculine aesthetic. Top left: a cluttered black tabletop covered in empty beer cans, liquor bottles, cigarette packs, stickers, and bar clutter, suggesting nightlife and social chaos. Top right: a black-and-white photo of a muscular man in a fitted black T-shirt gripping his own forearm, emphasizing strength and physicality. Center right: a gym scene with dumbbells and bold text reading ‘Your words mean nothing when your actions are the complete opposite,’ and another sign that says ‘Turn a bad day into a good workout.’ Bottom left: red-toned image of hands gripping a wrist, evoking intensity and physical connection. Bottom right: a person in a hoodie seen from behind in a gym, with text reading ‘I’m tired. It’s too cold. It’s too hot. It’s too late. It’s raining. Let’s go.’ A caption elsewhere reads, ‘How is “pretty boy” supposed to be an insult. I’m the prettiest goddamn boy in town.