takuma

@noroadhome.itch.io

1619 Followers 666 Following

⚔️ transsexual game design creature volleyball dyke noroadhome.itch.io header: arai sumiko

a picture of the three juvenile cedar waxwings (probably) sitting on a large branch of the marionberry bramble
three teenage cedar waxwings in the middle of marionberry bramble looking maybe a little nervous
ocean_vuong @frthstrnd used to shovel ice off the court in winter to practice year round. eventually you get a cold jumper 🥶
a panel from the bartender manga where asakura says "each time everyone pushes that door... aren't they becoming an adult little by little?"
promo image for the bartender anime with asakura behind the bar and the title and a blue and yellow cocktail in front
a slightly unevenly browned focaccia in a glass baking dish
U is inspired, instead, by homesickness, by the search for a feeling and a place you can never get back. Growing up in San Francisco – “a beautiful city”, she says – Grey was both drawn to and repelled by west coast tech culture. She is pessimistic about tech’s future, yet romantically attached to its artefacts. “I find a lot of beauty in the way certain products are packaged,” she says, referencing the 2005 iDog, a dancing robot dog that lights up to music. Now living in New York, Grey feels “a little sad” whenever she returns to San Francisco. “It’s a literal ghost town. You have all these Waymo cars where there are literally ghosts driving the car. And all of these tech people that go to work in Mountain View are renting all these places but not staying there.”
Grey has long been fascinated by the interplay between real-world, commercial spaces and imagined, idealised ones. “When I was a child, I wanted to live in a hotel or an airport,” she says, recalling how she used to visit her grandparents in New York armed with a list of hotels she wanted to visit. “My grandma would go up to the front desk and say, ‘Excuse me, my grandkid really likes hotels, can we go up and see a room?’ Then we would go up and see the rooms.” The feelings of adventure and possibility that stirred in her then continue to thread through her tactile hyperpop today. A similar sense of searching restlessness appears on U, with its glitchy, shifting soundscapes that veer in unpredictable directions, echoing the fragmented instinctiveness of dream logic. “I often have dreams where a hotel is connected to a supermarket is connected to an airport,” Grey explains. “It’s this dream architecture that I’m talking about.”
dyke hoops IG account that says Here for a fun time, not a long time. 🏀 2022-2025
Scene Roll Roll on this table each time you play a card. Use the Upright or Reversed prompts based on the card's orientation. Your result sets the scene for your journal entry: how the scene starts, what happened right before it, or what kind of mood your character is in. Upright 1-2: In the middle of a crowd. 3-4: Your FamiliarZ tries to get your attention. 5-6: You feel magic nearby. Reversed 1-2: Tucked away in a quiet corner. 3-4: In transit. You see the city passing by you. 5-6: You feel weary. You rest for a moment.
Lebanon Solidarity Collective https://chuffed.org/project/lebanonsolidarity We are an independent network of people and grassroots organizers residing in Lebanon, providing direct mutual aid and on-the-ground support. This collective is built from long relationships anchored in trust, collaborative action and care extended over many years across different communities in Lebanon. Our collective believes in direct mutual aid to the most impacted parts of our beloved communities in a way that preserves peoples' dignity and agency. We are inviting you, our broader communities, to join us in these efforts and fortify our networks of care and resistance in this time of urgency. PLEASE CONTRIBUTE AND CIRCULATE WIDELY
THE DAILY APOCALYPSE Today we are looking at the MC's Agenda as written on pages 80-81 of Apocalypse World 2e: • Make Apocalypse World seem real. • Make the players' characters' lives not boring. • Play to find out what happens. Everything you say, you should do it to accomplish these three, and no other. It's not, for instance, your agenda to make the players lose, or to deny them what they want, or to punish them, or to control them, or to get them through your pre-planned storyline (DO NOT pre-plan a storyline, and I'm not fucking around). It's not your job to put their characters in double-binds or dead ends, or to yank the rug out from under their feet. Go chasing after any of those, you'll wind up with a boring game that makes Apocalypse World seem contrived, and you'll be pre-deciding what happens by yourself, not playing to find out. Play to find out: there's a certain discipline you need in order to MC Apocalypse World. You have to commit yourself to the game's fiction's own internal logic and causality, driven by the players' characters. You have to open yourself to caring what happens, but when it comes time to say what happens, you have to set what you hope for aside.
Takuma Okada (any pronouns) Takuma is a game designer creating tabletop games and music under the name No Road Home. They like to design games about strange and magical places, the everyday moments that occur there, and the sublime. $190,000 stretch goal: Top Secret Blackthorn Park 5th Level Clearance Only: Details parapsychology and psychic combat techniques taught to Blackthorn agents. Also includes extra items and alternate Blackthorn Park Prestige Abilities.
zoomed in bluesky map with users including friends at the table and my wife
bluesky map with my position in between clusters for ttrpg creators, video game industry, and creative industry
top 10 what's hot section of IPR 1. Alone On A Journey 2. Catcrawl 3. Ex Novo 4. Exclusion Zone Botanist 5. Necromancer Heretic 6. Perils and Princesses 7. Stewpot: Tales from a Fantasy Tavern 8. The Librarian's Apprentice 9. Thousand Year Old Vampire 10. VOID 1680 AM
katelyn-danger Jan 4 I need a shonen with women. I need it to have as much cultural impact as Dragon Ball Z. Imagine what society would be like if little girls had a role model based around eating big, lifting heavy, and beating the absolute piss out of anyone who threatened their friends.
panel from big love from ultra deep space, with princess lulu and ten in casual clothes on a shopping trip interrupted by a tiny tiny child.
Today, whatever the avatars of this concept may have been, we have to acknowledge that if in discourse the city serves as a totalizing and almost mythical landmark for socioeconomic and political strategies, urban life increasingly permits the re-emergence of the element that the urbanistic project excluded. The language of power is in itself "urbanizing," but the city is left prey to contradictory movements that counterbalance and combine themselves outside the reach of panoptic power. The city becomes the dominant theme in political legends, but it is no longer a field of programmed and regulated operations. Beneath the discourses that ideologize the city, the ruses and combinations of powers that have no readable identity proliferate; without points where one can take hold of them, without rational transparency, they are impossible to administer.
When you're working night shift, especially with a lot of other people, there's this weird energy. You've broken one major rule, that you should be asleep when it's dark out, and so other rules feel less tangible as well. There's a forgiveness, a looseness, a camaraderie. Nightshift has a warm fuzz over its sound and visuals that captures it perfectly. I felt more at ease working night shift inventory than any other job. You can be left alone to listen to season after season of an actual-play podcast. Or you can chat, get to know someone, hear some wild stories. Have a blueberry redbull in your tagging holster and feel like a ghost by the end of the night, but one in good company.
the first volume cover of she loves to cook she loves to eat with nomoto holding a frying pan and flipping a pancake and kasuga holding drinks and a huge stack of pancakes
Version 0.28 Every morning, take a full body picture, unclothed. Roll a die. 1. Right arm 2. Left arm 3. Right leg 4. Left leg 5. Upper torso 6. Lower torso Circle the body part. Examine the picture and your body closely. What seems off about it? Close your eyes. Count to 10. Count to 10 again. Count to 10 again. They’ve replaced it for you. Do you notice anything different? You shouldn't. But a lot of people think they do. Every 10 days, they replace your head. Sometimes, they forget a memory. A small mistake. What memory do you think they've misplaced? Repeat until
email that reads: Hello Takuma, Thank you for your email. I appreciate your perspective and will keep your concerns in mind. With best regards, Liz Barbour State Representative, Hillsborough-35 | Hollis Vice Chair, Environment and Agriculture Committee (603) 321-5011 www.LizforHollis.com
first two albums by sara renberg on cassette tapes, the tall calm and night sands. they still have the thrift store price tags on the cases
black and white picture of gas works park in seattle of the path between the structures and two figures in the distance running across the grass
a great egret standing in a pond with its beak opening wide to swallow a fish
a raccoon approaching our deck door and touching the glass and then grabbing some insulation and playing with it
a raccoon on our deck at night eating meat off a bone. at one point it reaches between some boards to pull a scrap of meat out to eat it
figure drawings of a model. she's standing with one knee on a couch looking off to the side in the first one. the second she's sitting on her legs with her arms tucked in
figure drawing of a model sitting and kind of hunching over supporting with one arm
@mathissweet -if I use a slightly different odds ratio calculator, the results of the primary endpoint (the most important results) show no significant difference between the azelastine group and the placebo group when it comes to the COVID-19 positivity rate. however, using their slightly different calculator the P value dips just below 0.05. if we cut off the data closer to the 56 days that they say the endpoints were related to, even using their calculator there is likely no statistical difference in COVID-19 positivity rates between those on azelastine vs. placebo spray
Comments @mathissweet Hi! This study has a number of issues including: presenting the data in quite a misleading way, violating their own protocols, not reporting P values for secondary endpoints, reporting data from ITT and PP populations when they should only be reporting on PP populations for every endpoint aside from safety analyses as they stated themselves (one example of violating their own protocols, as the ITT population includes those who dropped out, didn't follow the study protocol, etc. and are therefore not meant to be included in any analyses besides the safety ones)
Estrogens, Total Result Notes 740 unit: pg/mL
rear side view of a silver toyota supra
小島秀夫/ゲームクリエイター 帰りの機内。本も読まず、原稿も書かず、心の赴くままに映画を観た。何本も観た中で、唯一、頭に焼き付いて離れなかったのが「テレビの中に入りたい」。 ジェーン・シェーンブルン監督の手腕に脱帽。 The flight home. I didn't read any books or work on any scripts, and watched movies because I was in the mood. I watched many, but out of all of them the only one burned into my brain, the one that sticks with me, is "I Saw the TV Glow". Hats off to director Jane Schoenbrun's skill.
Il. League Format Underdog Indoor Volleyball has several unique rules regarding the coed format and match scoring. A. Team Gender Ratios The primary gender rule is that there are to be no more than 3 men on the court for a team at one time, and no fewer than 2 women. There are no maximums or minimums for non-binary players. • Some of the acceptable gender combinations for play are as listed to the right. • Teams must have a minimum of 4 players to have a legal team as long as they have at least 2 female players within that 4. • 3 males and 1 female or 3 males or 1 non-binary player is not a legal playing combination as it does not meet the 2 female requirement. • 3 women and 3 men • 4 women and 2 men • 5 women and 1 man • 3 women, 2 men, 1 non-binary • 2 women, 3 men, 1 non-binary • 6 women and 0 men • 2 women and 3 men • 3 women and 2 men • 2 women and 2 men
The Knife in the Sea A GMless murder mystery Central Library. A fresh corpse in the middle of the lobby. A perfect circle of blood pooling around it, with no visible wounds. A sharp, sweet scent in the air. On your turn, choose one: -Connect two or more prompts. Connections must start very simple, with 1-5 words. -Add detail to a prompt. -Add detail to a connection. -Change a prompt, e.g., “A scrap of paper with a phone number scrawled on it” becomes “A scrap of paper with a passcode scrawled on it”. -Play out a scene. You may assign characters to be played by certain players, with their approval. Write down notes on your investigation. Once you have assembled enough evidence, gather the crowd and explain what happened. Inspect the corpse Assorted items found on the victim’s body. -A scrap of paper with a phone number scrawled on it. -A ticket stub for a small movie theater’s showing of The Diver and the Void. -A large coin. One side has two crossed swords. The other side changes every time the coin is flipped.
two of us shooting asiatic bows at some sticks stuck into the ground. i hit it on my last arrow and was really excited about it
mochi brownies -1 box of mochiko/rice flour (16 oz) -1 can of coconut milk (about 12-16oz) -1 can of coconut cream (about 10-16oz) -2 cup white sugar (can do 1 cup white 1 cup brown for more of the coconut brown sugar mochi flavor) -1 cup cocoa powder -1 tsp kosher salt (1/2 non kosher) -1 tablespoon vanilla extract -1 tablespoon baking powder -1 tablespoon miso (more or less to taste, use less salt if adding more) -1/4 cup cooking oil -top with a cup or two of chocolate chips mix dry ingredients together: mochiko, sugar, salt, cocoa powder, and baking powder.
The FF-X7-Bst Core Booster
mochi brownies -1 box of mochiko/rice flour (16 oz) -1 can of coconut milk (about 12-16oz) -1 can of coconut cream (about 10-16oz) -1 cup white sugar -1 cup brown sugar -1 cup cocoa powder -1.5 tsp salt -1 tablespoon vanilla extract -1 tablespoon baking powder -1 tablespoon miso (more or less to taste, use less salt if adding more) -1/4 cup cooking oil -top with a cup or two of chocolate chips
extremely thin volvo assembled by chuck bleeg in portland
the opening page of I'm the only one for Miyaji Miyuki. Miyuki is side profile crying, and there are four speech bubbles saying her name different ways: Yuki-chan, Miyuki, Yuuuki, Miyacchi. Floating text on the left side says My past, catching up to me... Four faceless girls, memories from childhood, stand in a half circle in front of her. One with a shaggy bangs covering her face and longer hair in the back past her shoulders, one with short lighter hair and a clip, one with long bangs and sort of short hime cut look, and the last girl sticking her tongue out with a just above shoulder length and half up with bangs look with a bit framing her face.
white spanish bluebells in our backyard
screenshot from the beaver grocery store of a ping pong ball that says "This isn't the only ball that got wet in Beaver, WA"
bugs bunny lord forgive me but it's time to go back to tha old me
art of keiko "pitchfork" tuesday from the cenotaph, an art example of the soldier playbook from the beam saber rulebook. she's in the middle of a road surrounded by rubble and wrecked buildings, aiming a rocket launcher off to the side, probably at a mech/AWV
picture of me on an unusually sunny but still windy and cold day. My hair's messy and getting in front of my eyes a little. I look like I'm glaring at the camera but I think I was just squinting
a picture i took of myself in our entrance mirror on my camera last month on my hrtversary. i had a little witchy outfit on, took the hat off before this though. the rest of my outfit is a black mock neck and checkered skirt, black wool overcoat, black gray and white scarf, and a steel necklace that's a fist on a chain
In the end, neither man made it into the popular mythology about Scott’s journey. Pennell left a trove of letters and diaries behind, but they sat largely unconsulted for a century. The romance hidden inside them was a gift waiting for the right moment to be discovered. In 1913, after knowing Atkinson for some three years, Pennell finally confessed to his diary: “I am quite absurdly in love with him.”
All the while he missed Atkinson. He discussed Jane frequently with the ship’s biologist, Lillie, a quirky fellow prone to spouting mystical theories about reincarnation when he wasn’t studying the life cycles of whales and dolphins. Lillie had confessed at one point to another shipmate that he felt his nature was “split”—that he was really a woman trapped in a man’s body, and that he blushed when he saw another man naked. Whether Pennell knew of this or not, he grew close with Lillie, in part because of their mutual admiration of Atkinson. “It is difficult to realise how one likes one’s messmates till they are out of reach. Lillie & I cannot be together more than an hour without talking about Jane,” Pennell mused in his diary.
yuria from hdwr wrapped up in a blanket looking like a little bug saying "I-I'll let you see them in here."
A juvenile bald eagle about to land on a branch with wings spread out against a cloudy sky.
sketches of mitsuki and aya from the guy she was interested in wasn't a guy at all. they're older, and their relationship appears strained. aya is crying in one of the sketches
a black brant standing in the middle of a group of sandhill cranes and cackling geese foraging in a field, with a large group of snow geese that are kind of indistinguishable in the background.
poster for the stage adaptation of can i get you to go from 2DK G-Pen Aftertime, sasaki and ueno seated at a little table looking fondly at each other