obnoxiously gay

@obnoxiously.gay

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three puppygirls in a trenchcoat

t-gel shampoo
The flag of the International Federation of Vexillological Associations
the meme of two spidermen pointing at each other
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Illustration of hypothetical damage pattern on a WW2 bomber. Loosely based on data from an unillustrated report by Abraham Wald (1943), showing that a similar plane survived a single hit to the engine 60% of the time, but a hit to the fuselage or fuel system closer to 95% of the time.
Paul passing the gom jabbar
“Untitled” (Portrait of Ross in L.A.) Date: 1991 Artist: Felix Gonzalez-Torres American, born Cuba, 1957–1996 ABOUT THIS ARTWORK Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions. Regardless of its physical shape, the label lists its ideal weight, likely corresponding to the average body weight of an adult male, or perhaps the ideal weight of the subject referred to in the title, Ross Laycock, the artist’s partner who died of complications from AIDS in 1991, as did Gonzalez-Torres in 1996. As visitors take candy, the configuration changes, linking the participatory action with loss—even though the work holds the potential for endless replenishment.