Pavel Andrade

@pavelandrade.com

1977 Followers 689 Following

Form & space c20-21 Mexican & LatAm lit, theory of the novel, world literature, architectural humanities, peripheral modernism | pavelandrade.com

Movie poster. Pather Panchali, dir. Satyajit Ray (India, 1955)
Movie poster. The Priest and the Girl, dir. Joachim Pedro de Andrade (Brazil, 1966)
Movie poster. Memories of Underdevelopment, dir. Tomás Gutiérrez Alea (Cuba, 1968)
Movie poster. Emitaï, dir. Ousmane Sembene (Senegal, 1971)
Movie poster. Sambizanga, dir. Sarah Maldoror (Angola, 1972)
Movie poster. West Indies, the Fugitive Slaves of Liberty, dir. Med Hondo (Algeria, Mauritania, France, 1979)
Movie poster. Red Sorghum, dir. Zhang Yimou (China, 1988)
Movie poster. Cronos, dir. Guillermo del Toro (Mexico, 1993)
Movie poster. Taste of Cherry, dir. Abbas Kiarostami (Iran, 1997)
Movie poster. Monsoon Wedding, dir. Mira Nair (India, 2001)
Movie poster. The Pearl Button, dir. Patricio Guzmán (Chile, 2015)
Movie poster. Wild Tales, dir. Damián Szifron (Argentina, 2014)
Movie poster. Tótem, dir. Lila Avilés (Mexico, 2023)
A page from Colson Whitehead's The Underground Railroad. Quote reads: Work needn't be suffering, it could unite folks. A bright child like Chester might thrive and prosper, as Molly and her friends did. A mother raise her daughter with love and kindness. A beautiful soul like Caesar could be anything he wanted here, all of them could be: own a spread, be a schoolteacher, fight for colored rights. Even be a poet. In her Georgia misery she had pictured freedom, and it had not looked like this. Freedom was a community laboring for something lovely and rare.