clara

@persimmonfans.bsky.social

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conductorless orchestra 🏳️‍⚧️ https://persimmonfans.bandcamp.com/ https://www.newfocusrecordings.com/catalogue/clara-kim-our-little-matches/

RUN AMOC* FESTIVAL
JUNE 28 AT 7:30 PM
Julius Eastman: A Power Greater Than
NEW YORK PREMIERE

screenshot from deltarune chapter 1. ♪~The Field of Hopes and Dreams is scrolling from the right

me outside at a park, wearing a green shirt

How to Get Through Tough Times

1. Gaslight Yourself. Tell yourself that it's making you stronger and the universe is just testing you.

watching a band rehearse before an outdoor noise concert under trash bridge, brooklyn

inside westsider records in upper west side, nyc. shelves lined with lps and old audio equipment and 45 rpm vinyls on the wall

baby grand piano with lid open, with two condenser microphones facing the open side. a nylon jazz brush and a friction mallet are resting on the right of the stand

me in front of a framed (copy of a) plainchant manuscript, wearing a grey jumper and looking a little tired

Trent Ramsaran, 37, a freelancer who lives in Brooklyn, New York, said many European leaders of traditional U.S. allies clearly have conflicting views with Trump, particularly on immigration.

“I’m starting to see the pattern there where it seems like all these quote-unquote allies are in favor of having immigrants take over the country,” he said. “His vision is really not the same as these allies. So he’s saying these allies are not on the same page.”

But Ramsaran said he’s not at all worried about the U.S. someday needing allies it has alienated, given how much the country spends on defense and high-tech weapons.

“If America ended up being attacked, I’m totally confident that we do not need the help of our allies to defend this country,” he said. “We’ve got Tom Cruise. He can teach people how to dogfight in ‘Top Gun.’”

splash screen for avid sibelius ultimate :(

do not disturb, i'm watching revolutionary girl utena

the save point from the undertale/deltarune verse

stage setup with a jazz trio in vaporwave lighting with four chairs facing it

my reflection on the window in front of a very pricey flowershop in munich

ok honestly this is probably such a stupid rant but i've been thinking about it for a few weeks now but like. nobody takes anything fucking seriously anymore. it makes me feel so crazy and annoyed because i am constantly bombarded by jokes constantly. it's not even just me, i see it with literally every artist across multiple genres and mediums. and listen, i LOVE to laugh and i love funny shit but like. we are in an irony epidemic. there is such a loss of sincerity and everything has to be a joke at all times. the number of times i have to read the same stupid shit like "yes you ate that like isaiah ate ethel" over and over, it makes me SO mad. it's not everyone obviously but it's such a huge portion of the people who engage with me online and in real life that it's truly inescapable. i feel like no matter what i make or what i do, it will always get turned into a fucking joke. it's genuinely so embarrassing. i hate feeling like i'm constantly complaining but i'm honest to god so turned off by so much of the way people engage with the shit i do and with most things in general. it's so beyond frustrating. i am so stressed out already anticipating the stupid shit i'm gonna have to see about perverts lol. it literally makes me never want to share anything again, i miss when i had like 20 fans who actually had something interesting to say in response to what i was making. I HATE IT HERE

#i know it might sound like i'm taking shit too seriously but #i feel a lot of people don't take things seriously ENOUGH #what happened to being passionate

excerpt from the last piece of claus-steffen mahnkopf's 5 kleine lakunaritäten feat. crazy irrational meters + nested tuplets

sketches for the formula for my current project (gazan poets cycle)

Melancholy
You create from melancholy. There is an aimless sadness that pervades your life. It's not as though there's anything in particular you're grieving, but you still find yourself possessed of a peculiar somberness. This melancholy seeps into your art, where it becomes a directionless lament. You long to make your senseless sadness into something beautiful and bittersweet, so you depict it countless times throughout your work. It sets the tone of everything you create, filtering all you craft through a melancholic lens. There is a nostalgia for what never was, a grief for something you never had, a longing that doesn't know what it craves. These are the feelings that serve as your inspiration: vaque, listless lamentations.

This place is not a place of honor…no highly esteemed deed is commemorated here…nothing valued is here.

What is here was dangerous and repulsive to us. This message is a warning about danger.

The danger is in a particular location…it increases towards a center…the center of danger is here…of a particular size and shape, and below us.

The danger is still present, in your time, as it was in ours.

The danger is to the body, and it can kill.

The form of the danger is an emanation of energy.

The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited.

hawk tuah

* me in the work bathroom

strawberry owl

You have discovered an eerie cavern. The air above the dark stone floor is alive with vortices of purple light and dark, boiling clouds. Seemingly bottomless glowing pits mark the surface.