pfp

@pfpp.bsky.social

223 Followers 146 Following

⚠️ i am an adult. artist in many mediums. tired. i have a 🧔🏾‍♀️type🧔🏾‍♀️. use alt text, dear reader. https://manningkrull.com/digital-philosophy/alt-text-101-for-bluesky/ keep this close by. https://artfight.net/~pfp

snippet of lyrics from the song mentioned above, captured through musicolet a feature-rich music library android app. "now the sound of music comes in silver pills / engineered to suit you, building cheaper thrills / the music of rebellion makes you wanna rage / but it's made by millionaires who are nearly twice your age"

the quickest mugshot sketch featuring dorian pavus from dragon age: inquisition. brown man with a receding hairline on his short sides-shaved hair, it's neatly styled. heavy eye makeup and a beauty mark just below. a big twirled moustache, neatly styled. he's gonna' talk about how great he is. collar of his mage robe is visible, the collar flap is oversized. he is loud. dorian gives you a death-stare. i exaggerated how shiny his eyes are. the left side of his face obscured by line streaks reminiscent of vapour. backdrop is the same colour making up his complexion extended into a rectangular frame hugging the canvas.

mugshot portrait of a familiar man, fundemental shapes more settled-in due to a reference image having been used which i'm proud of ol' me for. camera's slightly overhead and gravity concerning his hair suggests the reference image was taken with the man laying down. the familiar man is depicted as a humanoid entity of fire here: neck length tight rings of curls heated ablaze in bright orange at the tips, fire sparks suround his head o' locks. droopy narrow eyes two spots of tiny flames on black sclera. his skin is greyish and dimly lit in an assumed cyan-tinted environment for more notable contrast beween the parts aflame and everything else. there's thin lines of surface cuts on the familiar man's nose bridge, above his jawbone, on his left index and middle fingers. his skin appears slightly bleached in complexion in a handful of faint swirly streaks taking on the shape of smoke. he's posed with his head turned a wee bit his left - that's your right - opposing his front-facing body, got his left hand idle on the chin, he looks at you. perhaps an invitation. canvas has two lighting sources; soft-lit by natural light coming from the right side of your screen, faint reflected splotches of orange lighting where flame comes close to skin namely over the cheek bones from his eyes well as a few spots along the outline of his face and shoulders from lit-up hair tips. render is gritty in texture and stays quite consistent. solid black backdrop.

full-body art of my characters rake and mitch. rake is a raceless citrus human child. lush short green hair with orange blossoms in it to signify their young age, orange skin with freckle-like dark bumps, hollow eyes, one tooth loose, band aids all over, patterned pale-blue hospital gown. they're kneeling down holding mitch, head turned towards the camera with a wildered expression as if they've been caught doing something they shouldn't. mitch appears in the form of a black cat with orange eyes and spiked fur on the cheeks, along the spine, on the paws. he looks calm and content, also turning his head to look at the camera. rendered piece, light source looks like natural sunlight which hits from the front and casts a shadow of the subject characters.

a familiar man in photo form flaunts his 'do; black shiny face-framing length 3A curls slightly plagued by summer frizz at top. he's masked and clothed in black although the picture cuts him at the shoulders. all that's visible of his face are the forehead, one slightly droopy pool of honey for an eye, and his complexion that's a notch on the paler side for a brown guy. his closet, bedroom door, desk chair accompany his mug in the background, all black. this guy must not like any other color.

bear with me here. fullbody drawing of my character, bad byte the pegasus, created for the my little pony: friendship is magic universe. slick dark-blue fur hairs, big round red eyes, pale pink mane with a dull green strip. straight short mane and tail. mane has a curled cowlick idle on bad byte's forehead. glitchy white rectangles for a cutie-mark. she smiles smugly, posing with her head tilted and body curled standing with confidence. holding a wing up. backdrop mainly left uncolored around a broken abstract frame in lime-green behind my subject. light hits bad byte from in front of her slightly to her left, casting a shadow on the canvas accordingly.

rough sketch of a horse posed in a gated area blanketed with hay. black horse slightly off-centre and in-frame just above its knees. head and body are rotated at an angle from one another. red brick wall cut off at a wire gate behind the horse at a relatively close distance. faint view of a rocky road behind gates. there's a patch of bristle grass to the left of our main subject, the horse. everything in the picture is sunbathing presumably a couple hours before it sets. canvas is fully colored and rendered although done so hastily.

bust sketch of a random young woman. looks to be white. slicked hair down to the neck. loads of eye makeup implied. wide collared tee showing cleavage. she wears an unimpressed facial expression and is likely to call over your manager. canvas in grayscale with a strip of olive-green plastered over off centre. lighting akin to that of a sunset through blinds.

horizontally oriented card of my preferred pokemon, infernape. monkey creature spouting flames from its crown. embezzeled with gold disks for shoulder pads, knee knobs, wrietlets, chestplate. red mass of flesh over its sinuses. card is dark blue-gray with red accents. portrait of infernape is to the left of some text that from the top-down read its name, my user, and a description of why i like it as follows - "kiddie me's decided magnum opus of the anime. stuck with me since." the card is captioned at top middle; "every pokémon is someone's favorite". at middle bottom, in thin lettering, is the link to the website that makes you these cards.

full body sketch of my character sana, anthropomorphic brown bear. styled straight hair down to the shoulders in pale green well as her thick eyebrows. tired eyes, big snout. she gives you a stern look, folds her arms back onto her stocky body. streaks of bleached fur in jagged shapeless scribbles on sana's shoulders and thighs match her lighter fur that's following standard brown bear color patterns. dandelions in her ears and a lone leaf of their kind over her snout bridge. detached scenery of road cacti and the sun behind her stature, in white over the gritty green backdrop.

bust-shot sketch of a random woman, this time done using my right hand. i'm ambidextrous but have assigned writing and similar tasks to my left, making this one special. wavy hair down to her shoulders. smooth face shape, slightly hooked nose. concerned expression. she wears a slouch beanie, top showing her cleavage and a cardigan draped over. blue canvas, rough patches of a lighter color hitting her from front. line strokes making the canvas are smooth as ever been.

head shot sketch of a random man. his short wavy hair in a side-part. scowl on, big eyes looking to the side, straight nose, lips in a pout, soft jaw. prominent collar bone. he's colored in with blue. streaks resembling corals, waves, bubbles respectively around his eyes, down the neck, behind his stature all in glowy magenta. faint but focused light hits him from the right side of your screen.

four sketches of my character fibo resembling card suits. fibo has a lit-up yellow orb for head, clean of details save for an expressive blue mouth. blue spherical shapes for hands and feet. formless torso that'll transform to any shape long as four pokes are saved on fibo's figure to resemble their limbs. from top-left to bottom-right; fibo of spades smirks arms akimbo. fibo of hearts does a handstand. fibo of diamonds is slammed spread. fibo of clubs is vertically mid-slide. grainy texture plastered where light hits fibo's body and also where their head emits it. solid gray backdrop.

rough sketch of a familiar man and original character zain respectively from left to right although the hair styles are swapped - here we see the familar man depicted with curly hair overgrown to neck length framing his usual featureless face with only an expressive mouth and scruffy chin stubble, soft large build. he appears puzzled - or perhaps unfazed - while scratching his head. similarly zain is shown sporting long straight hair parted in the middle and sitting just above shoulder length as well as his usual features including tired eyes with prominent eyelashes on the bottom eyelid behind prescription glasses with round wire frames, neatly-trimmed moustache and beards left on only the chin, bulky build shorter than the familiar man stood next to him. his crossed arms and weary expression tells you of his discomfort. canvas consists only of scratchy line-art cut at the men's torsos. no backdrop.

full-body drawing of my character "fool" who is an abstract beast. they are depicted as a humanoid silhouette in muddy pink with a column of inverted star symbols down the vertical symmetry-line of their body. all their features are blended and obscured. their arms are pressed against the chest and their hips sway to the side. an eye is visible, looking at you. canvas shaded throughout with every line stroke prominent, light source is in the front. solid black backdrop.

rough sketch of my character zain passed out on a hypothetical floor not depicted. man with curly overgrown hair down to the neck, straight brows, pointy nose, neatly trimmed moustache and beards on the chin, full lips, bulky build that got sort-of lost in how quickly i wrapped the piece up, height on the shorter side. assumed top-view - you see zain from the side, sleeping peacefully, hands on the ground in front of his face. despite me not having used any of my references he looks exactly how he is supposed to. nothing but a blanket over him waist-down. uncolored canvas, although zain is tinted in blue throughout, shaded softly and the light source hits from overhead. dark gray backdrop adorned with sharp vertically-aligned squiggles all over.

drawing in the style and proportion of science diagrams featuring skylar specs the personification of spectacles from date everything! as its centerpiece. she has straight hair parted on the side - tips are swept in the air but would otherwise go down to her chest area. tall forehead, curved eyebrows, big eyes with a happy spark, straight nose, big smile, narrow jawline, broad shoulders, slim build. wears a pair of wire-frame sun shades with a heart symbol in metal on the part of it that sits on her nose bridge. also wears a bra shirt that scrunches in the middle, neatly-fitting cropped blazer, what i assume to be a pencil skirt adorned with heart symbols plastered all over - its details left out in my rendition of the characrer, nice-looking high-heel boots. she poses with her head tilted a bit downwards, a hand close to her face palm-down and the other hand held out beaming heart-shaped particles from the pointer fingertip, hips swaying to the side, one knee bent with its foot in the air. surrounding her are six more drawings in a smaller scale allowing her the spotlight. they are as follows, top-left to top-right - cauldron brewing love potion. hand holding out a gift pouch. the earth orbitting around its sun. your frowning parent holding up your atrocious exam paper. a lady mantis depicted with her now-headless male after mating. the extremely inappropriate gesture of holding hands which has shaken me so much that it had to be cropped until it is barely visible. text beneath the entire setting reads "fig. I (note; one) - love in all forms". uncolored canvas aside from skylar's sun shades in pink-and-orange as well as her heart particle beam. backdrop is a simple lightly-textured pale brown that mimics a weathered textbook page.

quick sketch of a humanoid alien in a fetal position. it is pale, looks soft and has a great cranium. glowy umbicial cord in cyan attached to the alien, rune-like symbols hover about especially around its hollow socket for an eye - the symbols have sharp angles. canvas roughly shaded and the light is focused mostly on the left of canvas. dark green backdrop accompanied by outline of seaweeds in a lighter shade as well as a muddy vignette.

quick half-body sketch of sir grapes the anthropomorphic jolteon facing left, arms crossed, head down, bored gaze on you. uncolored canvas, more lush line strokes since i used my non-dominant hand. no backdrop.

bust-shot sketch of my characters souko and yulith. the two friends look at you like you've pestered them. souko is a person of japanese descent and they have permed hair down to the neck, eyebrows plucked short, oval shades, straight nose, soul patch and neatly-trimmed beards on the chin, a babushka scarf wrapped loose around the neck, fit build, top drawn with no important detail. yulith is a chinese woman with short straight hair shaved on the sides, a symbolic arrow through the head, thick straight brows, flat nose, dangly earrings consisting of three connected circles each, a simple choker, large build, short-sleeved top with its collar low enough to show off her cleavage. uncolored canvas but the characters' tops are filled in with black, some outlined shadow scribbles on the inner sides of their silhouette, light blush on the faces and chest. solid turquoise backdrop.

nine panels, eight of my art through the year and one in the center a selfie. the panels are as follows - dark-skinned fox goddess in a bodysuit, no backdrop. scenery of sir grapes and a cat missy sat in their café table, canvas is prominently orange-tinted. an animal creature mid-motion taking a leap, they have features that glow, canvas has murky washed-out colors. two people at breakfast time in their shared home that is embezzled with colors and patterns everywhere, no color is accurate to what you'd expect of the subject's real-life counterpart including the people. a familiar man's selfie, he has a cat-patterned bandanna and a hood on, he makes a call-me gesture. portrait of a fox, canvas has green tones and an orange squiggle runs through the whole thing. bathtub in the shape of a woman over a cereal box that reads "oops! all robe", colors are not accurate to life, squiggly lines in the backdrop that look like water ripples. a more accurate depiction of jesus as he needs for some thorns to be taken out of his flesh, tile-like patterns all around him in the backdrop. sir grapes lying down on a white void and growing a blood-colored plant out of his chest area.

poster-esque drawing sketched off an image of two arab men about to kiss. they are in traditional attire. man on the right has fairer skin, appears slightly younger in general. his hand's on the other man's face, the other man's hand rests on this one's waist. canvas is in grayscale with washed-out tones because the reference image fried my retinas with its saturation and contrast, the faces are more detailed than everything else, light source looks to be hitting from front. muted orange backdrop, the men's silhouette is thinly as well as sparsely outlined with white and a light spark graphic is in the free-space between their faces also in white.

simplified sketch of a familiar man in a jail cell looking down at his handcuffs in disappointment. the familiar man has straight hair parted in the middle and down to the neck, only detail on his face being an expressive mouth, messy stubble, soft big build. a sign above the jail cell reads "lustful". uncolored canvas.

rough sketch of my character zain sitting down facing left, a knee up, one arm resting on the knee, head resting on that arm. zain is an arab man, soft curls overgrown, straight brows, round frame glasses, small tired eyes, pointy nose, full lips with a prominent cupid's bow. muscular build on bulkier side. he smiles looking to the side/right with a relaxed expression. he is wearing only a vest and a tie. canvas in black-and-white, some blush on the face, chest and where there's joints on the body. solid pale-yellow backdrop.

sketch of sir grapes the anthro jolteon lying on the ground, limbs spread, neutral expression. viewer's eye likely at a forty-five degree angle. uncolored canvas.

drawing of sir grapes the anthro jolteon lying down peacefully watching the sunflower that has grown from his chest digging its roots into the ground. his hands are rested below the chest. sir grapes is angled at a side-view and you are noclipping into the white void's floor allowing you to see both whats above the ground - the jolteon and the sunflower - and what's under it - roots - at once. the symbolic sunflower is outlined in the color of blood, otherwise uncolored. canvas is shaded, lightsource hits from above and the shadow tinted strongly blueish. no backdrop.

fullbody of nadya, a border collie puppy with narwhal features. base of fur is a murky purple fading into a deeper tone on the tip of limbs and ears, pale yellow on the snout torso and tip of tail as well as a thin patch around the eyes. yellow on the snout ascends over to the forehead in the shape of a "shooting star". parts in darker purple have white squiggles all over, probably a placeholder for something more personal to the world nadya belongs to. narwhal protruding bone on the nose bridge, fin-like extensions on the limbs, eyes and snout all white as well. face very standard for a puppy - unfocused round eyes, short snout, frizzy cheek fur. neutral expression. canvas is shaded with a soft brush contrasting the rough outlines, light source hits from the left and nadya's stature casts a shadow onto the white void. no backdrop.

sketch of a familiar anthropomorphic black vulture assumed to be mid-motion facing right holding a book you distracted him from reading. the only visible half of his face shows a surprised expression brow-raise included, little shock emote lines next to his head. big tall build, long feathers all over very pronounced in volume. one arm supports the other arm that's holding his book. uncolored canvas although some minimalistic harsh light hits from top-left. solid teal backdrop with squiggly vignette framing the character.

cropped section of a drawing shows three pale-blue ceramic sparrows with a twirly pattern on their wings. first one from the left is front-facing, middle one looks to the left, last one looks to the right. they sit atop a curly, brunette, gold-embellished head of hair. no backdrop.

poster-esque drawing of four candles in the likeness of a cowardly monarch held horizontally and shown through stages of burning and melting first one on top being a complete candle-person and the last one merely a stump with the flame put out and emitting smoke. the monarch is lanky, has straight hair down to the neck, eyes wide in fear, straight nose, grimacing mouth. they have their hands together pressed onto the chest and their legs stuck to eachother making their silhouette close to a rectangle's. they are wearing a simple royalty's outfit consisting of a shirt with shoulder ruffles and trousers both decorated with string laces. the phrase "THE MONARCH WILL SOON KISS THE FLOOR" is written word per word on the candle bodies and the gaps inbetween them. everything on the canvas a solid white, details like the monarch's hair and outfit trimmings in pale blue. solid dark-brown backdrop with the text mentioned above being a slightly lighter shade of gold-brown.

quick sketch of an anthro greyhound, an anthro snow leopard and sana the anthropomorphic brown bear from left to right. the three of them are drawn entangled and close together. the greyhound has cool-toned dark gray fur as well as light gray on the snout and front side of the torso and a curly mullet in blue. he is wearing a collar on a leash. gentle expression with his eyes closed, being the tallest of the bunch he crouches down to kiss the snow leopard's hand. the snow leopard has cool-toned light gray fur that's white on the chin underside of limbs and front side of torso as well as the specie's usual black spots throughout and long straight peach colored hair shaven on his right side. flustered expression, his eyes are turned to the greyhound while his face looks towards sana. his other hand rests on the back of sana's head. sana has warm-toned dark brown fur that's a lighter brown on the snout and the inner side of her rear below her tail, pale green hair teased to oblivion, a yellow dandelion in each ear and a dandelion leaf on her snout bridge. she has a smirk on her face, being the shortest of the bunch she looks up at the snow leopard with her hand holding the greyhound's leash rested on the snow leopard's buttocks whose body is closely stuck to hers. canvas mostly flat and heavily tinted orange but leaving the white and black parts out for contrast, characters are slightly off-center to the right. no backdrop but three small floating hearts on the solid white as well as a thin frame outline around only the three characters' heads.

quick bust shot of an unnamed anthropomorphic black vulture. he is mostly front-facing head tilted slightly to the left and looking to the right, no visible pose or gesture. uncolored canvas but shaded through, light source hitting from front-top-left. solid blue backdrop with vertical strips of opposite-facing triangles.

bust (i tell ya.) shot of yulith, a light-skinned chinese woman with straight hair so short it stands up spiked and buzzed off on the sides, thick straight brows, big hooded eyes, flat nose, thin lips, slightly pudgy build. she wears her signature arrow through the head symbolizing her ignorance and a little black dress we only see the top part of. she looks straight upfront with a neutral but dumbfounded expression. canvas is shaded throughout with the light source hitting from front. no backdrop.

halfbody drawing of river the humanification of water from dateeverything with a hand rested on her neck, chin up and looking at you. river is femme-presenting with tan skin, shiny straight teal hair that sits on her shoulders, droopy eyes, flat nose, full lips, rectangular-frame face, wide shoulders atop a slim build. her outfit is bedazzled with rhinestones: water drop earrings, a three pearl necklace set with water drop pendants, tie-dye blue and white gown with geometric shapes on the collar and a strip of rhinestone water drops on the waist band. canvas is shaded throughout with the lightsource resembling "golden hour" hitting from left. light brown backdrop with a swirl accross like water waves.

poster-esque halfbody drawing of hero-hime the humanification of an anime figurine from date everything! stretching as if warming up for a match. light-skinned asian femme with a slim build, bright red straight long hair middle-parted on her fringe and tied up a with tennis ball hairtie in a ponytail down to her rear, white sports bra with cat's head graphic in pink, pink sports shorts with some white along the seams over starry lime and black boxers that hang lower than her skimpy shorts. she stands upright and holds out her arms in front of her performing a stretching exercise. her body looks to the right, her face to the front and her gaze to the left. eyes half-open as if relaxed and mouth agape as if midst sigh. canvas shaded throughout with soft contours and the light source hitting from right. backdrop in blues purples and pinks and looks kind of holographic, with dotted-out white waves on top and a strip of white along edges of the canvas over just the top and bottom.

sketch of mitch for designing purposes/concept. short-legged black cat with big concentrated orange eyes, no visible mouth and spiked hair on his back along his spine. canvas shaded with a soft brush as light source hits from above-front. solid gray backdrop.

horizontally oriented bust shot of amir the humanifications of mirrors from date everything! lying down on a bed as a thin streak of sunlight wraps around his face hitting his eyes. amir is a brown man with soft curls below shoulder-length, eyebrows slumped down to be closer to his narrow set of eyes, straight nose, neatly trimmed moustache and beard, medium thickness lips. his face is flushed and he looks to the side. wears reflective earrings made of three square shapes suck together, geometrically placed square glitter flakes on his body and nothing more if ya' catch my drift although since we are looking at the side of his body the arms block any spicy details there shall be, one hand curled below the shoulder and the hand farther from you draped besides his head on the bed. the light that hits amir's earring is reflected back in the form of speckles accross his face, on his shoulder and on the blue bed sheet covers. backdrop unintentionally resembles wallpaper with holographic details.

simple sketch of two people's eyeballs touching. person on the left is greyed out averts eye contact and has sweat droplets all over. person on the right is bright looking directly at them and they are blooming with patches of grass and white flowers. pale bluegray backdrop.

half-body drawing of zain facing you, looking to the side draping one arm over the other. he's a brown man with shapeless curly hair down to the neck assumed to be overgrown from a previous haircut, thick brows, thin wire frame glasses, tired eyes, pointy nose, full lips with a prominent cupid's bow, youngin's facial hair trimmed down to be left with only a moustache and beards on his chin, thick short neck, toned build with big forearms. he wears a compression top in dark red. no backdrop.

half-body drawing of sana the everchanging brown bear standing with a hand under her chin and other hand anchoring that arm up looking at you with a smile. her chin is tilted slightly upwards meaning you see her face from a below-angle. her hips sway to the opposite direction (left of your screen) of her head and upper torso. sana has spiky styled pale green hair down to her shoulders, yellow dandelions for ear fluff, a dandelion leaf on her muzzle bridge, lighter fur on her muzzle, plus-sized. canvas is yellow-tinted. solid yellow backdrop with a seven-sided polygon drawn with dotted lines and some parallel lines going through it.

massive drawing of eight feminine humanified objects from date everything! posing next to a familiar man. the characters are from left to right: windolyn the window with karen-like hair in the color of sunset, fair skin, white curtain jacket, window frame top and trousers, heels. standing looking to the side with her arms crossed. lucinda the lavish edition dlc with a small tophat made of stacked coins and a bright orange feather, reddish-brown long flowy hair, tan skin, black choker, teal skimpy top, puffy sleeves and tight leggings in black all decorated with diamond shapes in gold. sitting looking at you with one knee bent and an arm over it. phoenicia the phone with shaved head, dark-skin tan, phone screen dress, telephone high-heels. sitting and chatting on the phone. rainey the record player with a vinyl as sunhat, short curly hair, dark skin, dress resembling a drawer with records in it heels alike. dancing to some tunes. fantina the fan with a fan head for hair, dark-skin tan, heart stickers on her cheek and arm, reflective jumpsuit in black and silver, autograph in gold marker on her side. sitting daydreaming and content with her received autograph. betty the bed with a headband made of tiny pillows, pink messy long hair, pale skin, bedsheet jacket, bedframe top, mattress trousers. laid down leaning onto the familiar man rendered fully in gray with straight long hair parted in the middle wearing a fantastic red shirt decorated with ruffles and studs, briefs, socks, flip flops. sitting with a hand under his chin holding the gold marker he used to sign fantina. skylar the spectacles with straight long pink hair and yellow highlights, sunglasses, white jacket, pink top, skirt with pink and yellow hearts, boots. sitting leaning onto the familiar man. kopi the coffee machine with machine settings for a hat, coffee bean hair, latte art shirt, machine body skirt, coffee pouch apron, trad. coffee maker boots. standing holding peace signs. blue tiles backdrop.

two portraits of the same person facing and looking at themselves. the person has feminine features, looks to be of mixed descent. they have very short curly hair, straight brows, their eyes bulge sightly, a flat nose, full lips, slim face frame. one of them is showing their teeth that have long fangs. the base color i picked for each portrait is slightly different as in the one with an open mouth has their skin appear cooler in tone as opposed to the other portrait that uses a warmer tone. canvas is shaded throughout with the light source hitting from the front. pale blue backdrop with a textured white spiral over it.

poster-style half body drawing of bathsheba the humanification of bathtubs from date everything! composed to look like a package of cap'n crunch's all berries cereal. bathsheba is femme presenting with brown skin, wet curly hair in a ponytail, thick brows, big eyes, a tall nose, medium lips, medium bust, slim build. she wears an elegant white and gold shower head as a headband, bath bomb earrings, gold sink tap for a choker, drain plug necklace, fur-lined black bath robe with bubbles for fur and secured with a gold waist band barely visible in the drawing because bathsheba is sitting down one knee over the other, hands rested on the upper knee, body twisting just enough that her head faces you, opposing her lower body that faces left. she looks at you with a smirk. her skin is wet and glistening with the light source hitting from left. canvas is brightly colored - making bathsheba's skin appear neon pink and her gold accessories neon yellow - and messily shaded throughout. backdrop is an unfortunately corporate-looking blue with cyan wavy lines similar to water ripples, the bath robe's bubbles spreading into air, and on top-left is written "oops! all robe" in reference to how she is not wearing her usual bodysuit under her robe and instead has it over her bare skin.

four sketches of fibo imitating playing card suits placed in a two-by-two format. fibo is a simple character consisting of a detached pale yellow glowing orb for a head with no detail on it other than an expressive mouth in blue, four small detached blue orbs for hands and feet, an everchanging torso with its key appearance being four pointy shapes that resemble limbs. the four fibos are in order an angry spade in dark bluegray, a sneaky heart in red, a pleased diamond in orange and a groovin' club in dark green. no backdrop.

three simple sketches of a very simple character, fibo, in their festive forms. fibo has a detached glowing pale-yellow orb for the head with nothing but an expressive mouth in blue, four small detached blue orbs for hands and feet, and a fluid torso, both in shape and color, pointed in four places for limbs. the three fibos from left to right are one standing with arms draped down in green to resemble an evergreen tree, next one cheering with limbs splayed in yellow similar to the star on top of a christmas tree, last fibo takes on a threatened stance with all limbs stuck close together except for one arm that swings behind them all in red and white stripes in the likeness of a candy cane. the fibos stand next to eachother in a straight line. no backdrop.

bust shot of chairemi the humanification of chairs from date everything! facing left, looking at you smiling with her hand rested on her chin. she's got olive-tone pale skin, straight short pale blonde hair, thin eyebrows that perk up in the inner corners, big hazel eyes with a slight droop, long fake lashes, tall pointy button nose, thin lips, long round face frame. she wears a warm-toned full face of makeup with glitter, green nailpolish, a stripey green armchair as her shirt collar with the framework of her desk chair shirt visible and two white dining chairs on her upper arms. behind her is glowy doodles in cyan symbolizing scenarios in play from top-left to bottom-right an open fire, interrobang sign, a raincloud, three-dimensional cinema glasses, a launching spaceship, three archer arrows, a small revolver with splattered bullets, underwater bubbles. asymmetrical clown eye triangles are drawn on top of chairemi's face in the same glowy cyan. canvas is shaded throughout with its light source on the left assumed to be the sun based on looks of the sharp highlights. orange backdrop under doodles.

simplified drawing of a familiar man facing away from you standing with a backward lean in front of a full length mirror. his reflection having an unwelcome guest in it, amir the humanification of mirrors from the visual novel date everything!, who rests a hand on the man's shoulder. the familiar man wears a flustered annoyed face, thin messy beards on his chin, his wavy hair down to the neck, oversized tee, oversized shorts with a zigzag pattern on its right leg, flip flops. amir with a content expression looking at the man, his beard trimmed, his flowy soft curls that reach the shoulders, necklace with a mirror pendant, a reflective gown in geometric shapes, leggings, reflective boots in geometric shapes. uncolored canvas aside from amir's skin in light gray to let your eyes locate and recognize his hand on the other man's shoulder and the familiar man's blush in pale pink.

the same drawing of sana the bear as the quoted post, this time bright light with warm tones hitting her face from below. this version looks much more lively that it feels as if i'm tricking myself regarding the mediocrity of my artstyle. similarly bright orange backdrop.

a simplified two-panel comic of sir grapes the jolteon and riddle the soul shifter sitting at a table next to eachother resting their arms on it and having a conversation. sir grapes is a regular jolteon stylized to be pointier on the ears and wherever there's long fur. riddle is a humanoid figure with wide shoulders and nullified features except its bright bulging right eye that contrasts with its dark colored body, also having arms that end below the wrist with no hands attached. panel one is them sitting as described having a talk. sir grapes says "i'll be making a game so massive it might cost me my lifespan." riddle asks "what's the strategy?" "sir grape answers "make it up as i go.". to the right of this conversation is the second panel with a closeup of riddle's head. riddle reacts to sir grapes' answer "i don't think that's", the rest of riddle's text box is then blocked by freddy fazbear's head drawn in likeness to one of the five nights at freddy games' jumpscare cutscenes, in dimmed out tones to be extra dark. the textboxes are typed down in a font similar to arial. canvas is in grayscale, horizontal gradient backdrop from white to black with the darkest point being the very edge of the second panel where freddy fazbear's head is. i have included a five nights at freddy's character in my comic cause animdude, the guy who made the games, coughed up the plot on the go like what i'll be doing for my ambitious project.

a drawing of sana the brown bear but just her head. her fur has warm tones, pale turquoise puffy layered hair parted in the middle and down to her neck not-depicted. a young dandelion in each of her ears in place of in-ear fluff. raising one of her thick round eyebrows looking at you with her shiny dark eyes, a dandelion leaf carefully placed onto her snout bridge just above her big round snout and her playful smirk. pale pink backdrop with a sharp fade to white in a curved motion.

simple drawing of a blobby figure with stick limbs an absent neck and a torso modeled after one of a female human gestures dramatically as wind sweeps their flowy long hair back. eyes closed leaning forward and their back arched as if they are being magnetized towards something, arms stiffened straight behind them and legs sort of limp. their breasts perk up and you can see their buttcrack. uncolored canvas.