pizza party

@pizzapartycomic.bsky.social

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Comic by @joanwestenberg.com

A four-panel stick figure comic. Panel 1: “I wrote a program to solve my problems.” The stick figure stands alone. Panel 2: “Now I have 1 problem plus a buggy program.” The figure stands above a box labeled “ERROR.” Panel 3: “So I wrote another program to fix the first one.” Now two “ERROR” boxes appear beneath the figure. Panel 4: “Now I maintain an entire tech ecosystem.” The figure is surrounded by multiple boxes, representing software components.
A black-and-white stick figure drawing with a jagged castle shape and text above it. The text reads: “Every day JK Rowling wakes up in her castle made of cursed Funko Pops and logs on at 4am sharp to invent a new magical slur for trans people. the wand chooses the bigot.” The stick figure is gesturing toward the castle with a wand.
A four-panel stick figure comic featuring the Grim Reaper. First panel: A stick figure stands facing the Grim Reaper, who holds a scythe. The Grim Reaper says, “Your time has finally come.” Second panel: The stick figure protests, “You can’t take me! I have immunity!” Third panel: The Grim Reaper responds, “Executive privilege doesn’t work here.” Fourth panel: As the stick figure is being taken away, they yell, “The Supreme Court will hear about this!”
A three-panel webcomic featuring two stick figures having a conversation. Panel 1: One stick figure says, ‘My therapist says I’ve made huge strides.’ The other stick figure listens. Panel 2: The first stick figure continues, ‘I no longer wish I’d never been born.’ The other stick figure remains silent. Panel 3: The first stick figure concludes, ‘…Now I wish everyone else had never been born.’ The second stick figure, raising a hand, responds with ‘progress.’”
A four-panel stick-figure comic with a minimalist art style. In the first panel, a stick figure stands alone with text above that says, “my therapist says i should pursue my passions.” In the second panel, the stick figure looks at a small black square with tiny white dots, representing the void. The text reads, “but my passion is staring into the void.” In the third panel, the void now has two white circles resembling eyes and a small smile. The text says, “and it’s starting to stare back.” In the fourth panel, the void continues to stare with its eyes and smile, while the stick figure holds out a small piece of paper labeled “$5.” The text above says, “it wants a monthly subscription fee.”
A four-panel webcomic features simple stick figures. In the first panel, a stick figure stands alone with text above them that says, “i have lost all faith in government, society, and the economy.” In the second panel, the same figure remains in place, now with text that reads, “but i still believe in the guy who sells me off-brand benadryl.” The third panel shows two stick figures behind a gas station, one handing a small box to the other, with text above saying, “out of his backpack behind the gas station.” In the final panel, the first stick figure stands with arms raised next to a small box, with the text, “support small business.” The comic humorously contrasts the character’s broad distrust in institutions with their unwavering trust in an informal street vendor.
The comic features two stick figures. In the first panel, one says, “Happy International Women’s Day!” to the other. In the second, they hand over a cupcake, saying, “Here’s your cupcake.” The third panel is silent, showing them standing there, the second figure now holding the cupcake. In the final panel, the first figure bluntly says, “Now fuck off.” The comic satirizes the superficial way companies and institutions acknowledge International Women’s Day, offering symbolic gestures instead of meaningful action.
A four-panel comic in a minimalist stick figure style. In the first panel, a stick figure stands next to a box with text above saying, “we have updated our terms and conditions.” In the second panel, the stick figure sees a pop-up button labeled “Accept,” while the text above states, “your soul is now the property of ACME Tech Limited.” In the third panel, the text continues, “we also own your firstborn son,” as the stick figure remains in the same stance. In the fourth panel, the stick figure raises its arms in distress, with “FUCK” written boldly above. The comic humorously critiques how people blindly accept terms and conditions without reading them, exaggerating the consequences to absurd levels.
The image shows a four-panel comic strip with stick figures and triangles: Panel 1: A stick figure stands next to a triangle with text "why is there a warning sign?" Panel 2: The same stick figure with text "Warning: Reading Warning Signs" Panel 3: The stick figure now has multiple triangles appearing around it with text "May Cause Infinite Warning Sign Loop" Panel 4: The stick figure is surrounded by many triangles with the word "FUCK" at the top, suggesting frustration as the warning signs multiply
A stick figure excitedly announces, “Check out my new boomerang!” and throws something. The second panel shows a curved trajectory in the air. The third panel is empty except for an ellipsis, creating suspense. In the final panel, the stick figure stands still with a brick on their head, accompanied by the text “brick,” revealing that whatever they threw wasn’t a boomerang at all.
The image is a 4-panel comic strip depicting a person's reaction to technology monetization: Panel 1: "we've added AI to your toaster!" - shows a stick figure person next to a box labeled "AI" Panel 2: "it analyzes your toast preferences!" - shows the person next to a toaster Panel 3: "now it needs a $20/month subscription" - shows the person next to the toaster again Panel 4: "FUCK" - shows just the stick figure person, expressing frustration The comic satirizes how everyday products are increasingly incorporating AI technology only to introduce subscription fees for previously simple functions.
The image shows a four-panel comic strip with simplistic stick figure drawings. Panel 1: Two stick figures stand next to each other with text above saying "what did you get done this week?" Panel 2: A single stick figure stands with "..." text above it, suggesting silence or hesitation. Panel 3: Another single stick figure stands with "..." text above it, continuing the silence or hesitation. Panel 4: A single stick figure stands with the text "ketamine" above it, implying this is the unexpected answer to the original question.
A four-panel webcomic features a stick figure wearing a red “Make America Great Again” hat. In the first panel, the figure stands next to a small appliance and says, “I’ll destroy my $500 coffee maker.” In the second panel, they stand next to a pair of sneakers with a small flame nearby and say, “I’ll burn my $200 sneakers.” In the third panel, the figure is depicted with crossed-out dollar signs around them, saying, “I’ll shut down my own economy and die from the common cold.” In the fourth and final panel, they stand alone and say, “Take that, libs.” The comic satirizes self-destructive political protests by some conservatives.
A stick figure in a bowtie sits at a bar and starts to say, “Martini. Shaken, not—” before being interrupted. Another stick figure, marked with the Prime Video logo, cuts in: “Actually, our analytics show stirred performs better in key demographics.” Silence follows as the first figure processes this. Then, finally, a quiet conclusion: “I miss M(GM).” The joke lands on the tension between data-driven corporate oversight and the classic identity of James Bond, with a wordplay nod to MGM’s legacy.
A four-panel comic using minimalist stick figure drawings and text critiques the modern content consumption cycle. In the first panel, a stick figure stands under a curved pipe labeled “content,” receiving a stream of content like food, with the caption, “getting my daily slop from the content pipe.” The second panel shows the same figure with a dashed line above its head, accompanied by binary code (“01001 10110”), symbolizing algorithmic control, with the caption, “the algorithm demands 3 hours of shorts.” In the third panel, the figure is disintegrating into engagement metrics, represented by scattered dots and icons like a reply symbol and a thumbs-up emoji, with the caption, “engagement metrics consuming my flesh.” The fourth panel depicts the figure fully transformed into binary code, with floating circles where it once stood, symbolizing complete digital assimilation. The caption reads, “becoming pure data (finally optimized).”
The comic has four panels, each featuring a simple stick figure and text criticizing Twitter. In the first panel, the figure stands alone with the caption, “There is no good reason to be posting on Twitter.” In the second, the figure holds a book or a sign, and the text reads, “Nobody on there can be saved.” In the third, the figure is sitting in a corner, with the caption, “Nobody on there is worth saving.” The final panel replaces the stick figure with three hooded figures resembling the Klan, with the text, “You’re just another DAU at the digital Klan rally.” The comic portrays Twitter as a pointless and morally compromised platform.
A black-and-white four-panel webcomic depicts a tattooed person reacting to news on their phone. In the first panel, they hold a phone while drinking coffee, labeled “Assorted Crises,” and say, “Oh god…” In the second panel, they slam their phone down next to their coffee. The third panel, labeled “5 seconds later,” shows them picking the phone up again, now labeled “More Crises,” and muttering, “…JFC…” In the fourth panel, they stare blankly ahead, looking resigned, and say, “Why am I like this?”
The image is a four-panel minimalist comic featuring a stick figure. In the first panel, the text says, “Every day, we scroll through 8,749 pieces of content,” while the stick figure looks at a phone. In the second panel, the figure is surrounded by floating circles with the text, “Searching for that one perfect thing that will make us complete.” In the third panel, the circles are replaced by rectangles, and the text reads, “Until we realize we’ve spent 47 years looking at other people’s lunches.” In the final panel, the figure stands alone with the words, “And then we die.” The comic captures the absurdity of endless digital consumption and the fleeting nature of existence.
The image is a four-panel hand-drawn comic with a rough, sketch-like style. In the first panel, a man wearing a red “Make America Great Again” hat and sunglasses is depicted gesturing with his hand. The text above reads, “You can’t save MAGA.” The second panel contains a simple abstract symbol, resembling an eye or a fish, with the text, “You can’t change their minds.” The third panel shows a roughly drawn asterisk-like shape, accompanied by the words, “You can’t fix ’em.” The fourth panel features a square divided into two sections labeled “Truth” and “Lies,” with an arrow pointing toward it. The text at the top says, “They can only do that themselves.” The comic conveys a message about the futility of trying to change the beliefs of certain individuals and suggests that personal realization is the only way to transformation.
A black-and-white hand-drawn comic strip with four panels. 1. Panel 1: A hand holding a smartphone, radiating light, with the text: “I’ve been trying to spend less time on this thing.” There is a note pointing to the person’s arm saying “regrettable Harry Potter tattoo.” 2. Panel 2: A person with tattoos on both arms, looking slightly disheveled, saying, “Y’know. Avoid the shitshow out there.” 3. Panel 3: A close-up of an e-ink “dumb phone” labeled “Lite Phone 3,” with simple app options: “Notes,” “Messages,” and “Maps.” The text reads: “Part of me wants to get one of those e-ink dumb phones.” 4. Panel 4: The person scratching their neck, looking uncertain, saying: “…but even I’m not that much of an asshole… am I??”
A four-panel comic with simple black line symbols and text: 1. First panel: A symbol resembling a stick figure with a red hat on top. Text above reads: “you can’t save MAGA.” 2. Second panel: A symbol resembling the Christian ichthys (fish) with a vertical line through it. Text above reads: “you can’t change their minds.” 3. Third panel: A symbol made of intersecting lines, forming an unbalanced shape. Text above reads: “you can’t fix ’em.” 4. Fourth panel: A square with the words “TRUTH” and “LIES” divided by a horizontal line. An arrow points to the square. Text above reads: “they can only do that themselves.”