abby

@prosodi.bsky.social

396 Followers 307 Following

I draw stuff. 🔞 https://acgavit.com/ For 2026: Handcrafting THE VILE DEED - https://ko-fi.com/s/ba01482128

A black and white illustration of Sherlock Holmes. He has his back turned toward the viewer, with his hands clasped behind his back as he looks out the window of 221b. Mrs. Hudson is reflected in a mirror hanging on the wall.
A digital illustration of Sherlock Holmes and John Watson in front of the 221b fireplace. Holmes is taking smoked tobacco samples from a pipe; Watson is "helpfully" contributing to the work by smoking more. Holmes has his feet up in Watson's lap while he works.
A wrap cover book illustration. Against a green field, within two mirrored arches: the front cover features two men under a shaded tree sharing a Significant Look. A pink ribbon loops from the front to the back cover, where it becomes tangled in the foliage of the tree that's extended from the front cover. On the spine is a line drawing of an ornate shovel with a tree cutout of the blade.
Book cover for "In the Garden of the Demigod". A digital painting of two men sharing a Significant Look under a tree; the man in a 1950s style sporting fit is sitting in the tree looking admiringly up at his romantic interest, a heavier set guy in a thick sweater who looks capable of deadlifting the former over his head.
A short written preview of the VILE DEED, chapter two text: "‘I’ll keep watch,’ I told Naius when he had laid down. ‘I don’t trust him.’ Never mind that the old Monk had disappeared promptly to a cot behind a curtain and had begun to snore soundly before we had so much as dressed our beds. ‘You’ll be tired in the morning.’ ‘I won’t.’ ‘Keep sharp then, if you mean to stay up,’ he said, though I knew he was only humoring me. Then he went to sleep. After a short while, it was as if I were alone there in the dormitory with only Naius’ brother's sword in my bed for company. No moonlight fell there; once I blew out the lamp beside us, only darkness lingered. Eventually, the old monk’s breathing lowered. It seemed to stop completely, and then to saw again, and then to go quiet again all in a rhythm like the soft thumping of my spirit inside me. I waited, as one does, for a ghost. I imagined him coming across the tired garden plot and shuffling, brittle, through the room where the skete’s monks had once supped together in fellowship and now lay empty. If he meant to appear then I knew he must arrive by standing in the doorway, that blacker patch of air beyond the curtain of the farthest unused cell. I looked into it for as long as I was able. Slowly, I believe I saw him there. He was a shape in the dark. He was the chalk taste of dust on the air. ‘Go home,’ I whispered. ‘You’ve done your duty. There’s no work for you here.’"
Skeleton Point at the Grand Canyon
Digital fanart of Saga and Alan from Alan Wake 2. Against a dark background, Saga is in the middle in shades of red looking at the camera; Alan is fractured around her in shades of green.
An excerpt from chapter one of THE VILE DEED: "When April comes, she brings her stick. Every house is opened, every square of linen beaten clean, every furrow dug. Meat fattens on winter's bone as brome grass swells to fill the meadow. Here is the time for the birds to flutter in their bowers, and for good animals to be led to each other, and for all seed to be laid. Let every window be opened. Let every sheet be turned. Let the daylight come back into the places that forgot it and lie about on the sills and on the floors like the great red banded tom I knew he, Naius, loved. Naturally, this is the customary time when men such as we must travel. So it was that in that season, he and I put on our good clothes—he in his robe and fine scapular too care-fully made for walking in, and I with the sword I was told his brother had wished on his deathbed would be mine—, and set off on horses gifted to the abbot with the intention that he would hand them to down us for this very purpose. Do you know how long the road to Domehrin is? No, neither do I. As any man in my place should do, I have studied the way to Hrotir and could stand before you and recite the twelve stations that sit between the abbey yard and the old heart of the world. I could name their keepers. I know which limbs must be gathered and where the fine delicate things that should be used for our appeal are expected to grow about them. But that place, Hrotir, is empty now. Burned and vacated. As all things grow back differently in the spring once they've been winter cut, now the nose of every horse in the world finds itself turned in a new direction. Now there is the new road, and it is unfamiliar to me. But what of those holy places? Those way-markers? Those martyr stones? What of the stripling trees grown only to be shorn in kindly service to their shrines? What of the bones meant to witness us, and their faithful neighbors who would have dug them up out of good clay known to redden as it neared [...]"
Digital illustration of Aveline from Dragon Age 2. A woman with red hair dressed in fantasy plate armor holding a bouquet of white blooming yarrow. In front of her, a living hand is reaching back for her; a deas hand holds on to her shoulder.
Kingdom Come Deliverance fanart. Digital illustration of a manuscript page with elaborate fruit and leaves margin design. In the center over a scribe's desk, Antonius is lecturing Henry for goofing off on his copying work.
Cover art for Kingdom Come Deliverance. A boy is kneeling behind a braced sword, looking downtrodden.
Digital illustration of Hans and Henry from Kingdom Come Deliverance under a tree at the edge of a summer landscape. Henry is sleeping and Hans is leaning forward in anticipation of him waking up.
Wood panel circle with a wood burned pear cactus panel. A bright acrylic painting of a blooming pear cactus is in the middle.
Digital illustration of a manuscript page featuring a central illustration of Kingdom Come Deliverance's Henry and Pious Pavel in monks robes leaning over a scribe's desk doodling on a manuscript page. There is an ornate plant themed illumination around the border; small figures of Lucas (sitting on a bench under a tree), Siskin (behind a pillar with a sack of money and a dagger), and Jodok (sneaking out a door with a jug of wine) are hiding in the plants.
A color illustration of holmes and watson in front of a lit fireplace.
Digital portrait drawing of Hans Capon from Kingdom Come Deliverance in a limited yellow and red color palette against a blue background.
Book cover mockup for The Prince and the Silver Platter. The front cover features a dark haired man pouring coffee for a blue haired man sitting on the counter of a vintage diner. They're looking directly at one another; both are styled in 1930s wear. The back cover is styled to resemble a menu. The spine features a stylized spoon.
Color painting of Carver and Bethany Hawke from Dragon Age 2. They're sitting in a barley field below the Lothering windmill. Carver is napping; Bethany is sitting with her face turned away, holding a small sprig of white flowers.
Digital art of Aveline from Dragon Age 2. She's holding a bouquet of white yarrow flowers and reaching for a man's hand entering from off frame. A second corpse's hand is reaching after her from the opposite side to touch her shoulder.
Digital color sketches of Henry from kingdom come: deliverance. Kcd1 henry's design has pink hearts chalked around it, and an arrow labeled "wow" pointing at him. Kcd2 Henry is there too.
A color drawing of mutt the dog from kingdom come deliverance in a medieval illustration style surrounded by ferns and poppies.
A vintage 1940s style color illustration of a man and a woman standing in an open door frame with a backdrop of floral wallpaper. She's in a bright red coat. He's in dark blue. He's kissing her on the nose.
A series of digital sketches of hands holding a ball or pitcher
Series of hand studies, digital sketches.
A black and white illustration of two women in the woods sitting by a small fire. On the left is a blonde curly haired woman in the left wearing a cloak and holding a short sword. The woman on the right has a dark braid, is wearing a black and holding a quiver of arrows. Smoke curls up from the fire.
Black and white digital illustration of Helly from Severance. She's closing her head in a copier, light spilling from the scan tray, and is surrounded by a circle of copies scattered around her.
Crying kermit puppet hugging phone with an explosion of heart emojis around him.