| Éireann |

@rinnywee.bsky.social

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| History #PhD submitted! | #Librarian | Plumpton College | Priestess | Ceridwen | Lilitu | Inanna | Shāhmārān | #MultipleSclerosis | 🇦🇺🇫🇷 in 🇬🇧 |

Victorian-style painting of a frog in formal clothing with overlaid text: "Gentlemen, it is my great pleasure to inform you that I have successfully defended my thesis." A humorous meme celebrating the completion of a PhD viva.
A studio photograph of the man, the myth, the legend, PHIL COLLINS seated at a drum kit, holding drumsticks and leaning casually on a tom drum. He faces the camera with a calm, confident expression. Large cymbals and stage lights frame him from behind, giving the scene a warm, professional concert-style atmosphere. Above text reads: "PSA: If you hit play on "In The Air Tonight" by Phil Collins at 11:56:20PM this New Year's Eve, the drum fill will welcome you into 2026. Start the year the right way."
A black and white photographed page titled “Christmas Arrangements” from the Sussex County Asylum, dated December 1871. It lists the Christmas Day schedule in decorative handwritten script, including workshops and laundry closed, divine service at 11 am, patients’ dinner at 1 pm, a country walk in the afternoon, and evening activities in the class room. It also notes that the porter will lock the doors and ring the bell for lights out at 11.15 pm. Below, it lists entertainment in the recreation hall on December 26, a patients’ Christmas ball on December 27, and a household ball on January 2, 1872.
Screenshot of my thesis title page. It reads: 'I Cannot Conceive a Man Without Thought': Life Courses and Care of Patients at the Sussex County Asylum, 1890-1913, by Erin Louise Johanson, University of Sussex
Photo of a printed academic paper laid open on a desk, heavily marked with handwritten notes in pen and multiple sections highlighted in orange. Marginal comments include phrases like ‘rewoes to cover whole period’ and ‘this feels pompous.’ Several paragraphs discussing patient labour, moral conduct, and bodily discipline are underlined and bracketed, with footnotes visible at the bottom of the page.
A circular collage titled “Most Interacted” showing dozens of user profile pictures arranged in a dense cluster. At the centre are three larger icons: a cartoon-style portrait of a person in a red hat, the Sussex Past logo, and a red emblem with a stylised figure. Surrounding these are many smaller circular profile images, including photos of people, animals, logos, and artwork, all evenly spaced to form a colourful sphere indicating engagement statistics.
A close-up of a decorated library holiday tree featuring miniature book-cover ornaments hanging from purple and blue ribbons. Warm fairy lights are woven through the branches, and small printed book covers from different countries are visible among the greenery.
A person sits on a wooden bench with one leg crossed, wearing blue jeans and black boots with yellow stitching. Next to them is a purple paisley-patterned suitcase. A luggage tag on the suitcase reads “DON’T TOUCH MY SHIT” in bold white letters. The ground is a smooth, speckled concrete surface.
A Facebook post from the page “Dull Men’s Centre” reads: “When I was in my teens I used to write letters to the Guardian (a British newspaper) under the name Amos Goodge and pretended to be a crotchety 53 year old. I’m 53 next year and am thinking of starting again but writing as an outraged 16 year old.”
Circular hypocaust system on display at the Zeugma Mosaic Museum, showing a partially reconstructed Roman underfloor heating structure. The floor tiles are supported by evenly spaced stacks of round ceramic discs (pilae), revealing the open space beneath where hot air would circulate to warm the room above. The surrounding area includes excavated earth and remnants of the original flooring.
Circular hypocaust system on display at the Zeugma Mosaic Museum, showing a partially reconstructed Roman underfloor heating structure. The floor tiles are supported by evenly spaced stacks of round ceramic discs (pilae), revealing the open space beneath where hot air would circulate to warm the room above. The surrounding area includes excavated earth and remnants of the original flooring.
Remains of a Roman hypocaust heating system in the Perge Ancient City, Turkey. The image shows a rectangular underground chamber with rows of short, square brick pillars that once supported the floor of a bathhouse or heated room. The surrounding stone and brick walls are partially intact, and remnants of floor tiles and heating channels are visible on the ground.
A partially overgrown Roman hypocaust system, showing small brick pillars that once supported a raised floor for underfloor heating. The ancient structure is weathered and surrounded by green vegetation, including fig and vine plants, with some broken stone slabs scattered nearby. The background reveals a crumbling stone wall and signs of archaeological decay. Aphrodisias, Turkey
Ancient Roman ruins showing a hypocaust system with rows of short, cylindrical brick pillars used to support a raised floor. The surrounding walls are made of weathered stone and brick, partially crumbled, revealing the archaeological structure of the thermal heating system once used in bathhouses or villas. Ephesus, Turkey.
Alt text: View of the Istanbul skyline from the water, showcasing the domes and minarets of the historic New Mosque (Yeni Camii) in the foreground, with the iconic Hagia Sophia visible in the background. Several passenger ferries and boats are docked along the waterfront, and the cityscape is filled with a mix of Ottoman and modern architecture under a clear blue sky.
A woman wearing headphones and glasses is sitting at a desk in front of a computer monitor, with a black and white cat standing on the desk looking at the screen. Behind her is a bookshelf filled with books and plants, a framed sunflower painting, and various desk items. A video call interface is visible at the bottom of the image.
Three people are posing for a cheerful selfie outdoors on a sunny day. The person in the center, wearing a large black sunhat and oversized sunglasses, smiles brightly. The individual on the left is adorned with elaborate face paint and a vibrant floral crown, while the person on the right is dressed in an intricate costume made of green leaves and foliage, with their face painted green to resemble a forest or nature spirit.
A romantic, mystical illustration of a forest scene featuring two figures in an embrace—one representing the Green Man with antlers adorned in leaves and branches, and the other a radiant May Queen in an elaborate red and floral gown with feathered elements. The pair appear to be dancing in a clearing surrounded by softly glowing, golden-hued trees. Flowing ribbons and botanical details swirl around them, capturing the spirit of Beltane. The artwork has a warm, earthy palette and a dreamlike quality. Signed “Natasa Ilincic” in the bottom right corner.
This is a historical photograph of the Treasury Building in Melbourne, circa 1870, captured by Charles Nettleton. The image shows the elegant stone structure surrounded by unpaved roads and landscaped gardens in the foreground. The building's intricate architecture reflects the grandeur of the period, while the surrounding area showcases the developing cityscape, with additional buildings and greenery visible in the background.
This is a historical photograph of the Princess Theatre in Melbourne, circa 1865. The image captures the building located at the corner of Spring and Little Bourke Streets, with a panoramic view of the surrounding urban area, including rooftops and a distant church spire. The photograph is credited to Charles Nettleton and provides a glimpse into Melbourne's architecture and cityscape in the mid-19th century.
This image appears to be an old photograph titled "Parliament Place – East Melbourne c. 1868" attributed to Charles Nettleton. It captures a historical view of East Melbourne, including prominent buildings like churches and surrounding structures, showcasing the architecture and urban layout of the time.
An embroidered patch featuring a red star with green accents and candy cane decorations. The text reads 'Whamageddon 2024 Fallen' with 'See you in Whamhalla' at the bottom, referencing a challenge about avoiding the song 'Last Christmas' by Wham! during the holiday season.
A snow-covered hilltop features an ancient circle of standing stones, weathered and tall, glowing faintly with an ethereal light. Frost-laden oak and holly trees frame the scene, their branches glistening in the cold. The sky is dramatic, with thick clouds tinged in shades of gray, purple, and fiery orange as the first golden rays of the solstice sun break through. A soft mist swirls around the stones, enhancing their mystical and sacred aura. The overall atmosphere is serene and reverent, celebrating the magic and renewal of the winter solstice in a Brithonic-inspired setting.
The image shows a stylized, top-down view of a hypocaust with a tiled ground, surrounded by walls made of stone or brick. In the center of the courtyard are small, cube-like structures arranged in a grid pattern. The walls are textured with a mosaic-like pattern, and some areas show vines or foliage creeping up. The overall aesthetic is warm and earthy, with a focus on soft tones like yellow, green, and orange. The bottom right corner features the logo for "Tiny Glade."
This image reveals a charming and serene courtyard within the castle walls, filled with lush grass, vibrant blue and purple flowers, and rustic decorations like wooden barrels and hanging lanterns. The scene features a raised garden bed at its center, surrounded by stone pathways and medieval architecture. The "Tiny Glade" logo again reinforces its calming, whimsical theme. The detailed castle textures, soft lighting, and natural elements hint at an experience focused on peaceful building, exploration, and creativity.
The image shows a passage from a text discussing Charles-Édouard Brown-Séquard's claims in the 1880s about rejuvenating his body with an "extract of animal sex-glands." He suggested that injecting seminal fluids could revitalize an aged body. The text concludes by noting that Brown-Séquard died five years later. Handwritten commentary by me at the bottom reads: "I fucking bet he did." Text is from Jenny Delasalle's thesis "Senility before Alzheimer: old age in British Psychiatry, c. 1835-1912".
This image shows a modified or edited book title page that reads: (handwritten) : Harry Potter And (original book title) A Text-Book of Mental Diseases.
Handwritten medical notes on a lined form document. The text is divided into sections titled "Further Remarks," "Bodily Condition on Admission," and "Mental State on Admission." The notes detail the admission of an elderly male patient who was apprehended by the police on August 7, 1906, for causing a disturbance. Descriptions include his physical condition (e.g., "fairly nourished old man," "tongue coated and tremulous," "bruises on front of chest") and mental state (e.g., "tremulous, lost, confused," "speech indistinct and thick," "emotional, burst into tears saying his wife is dead"). It also mentions his disorientation and lack of awareness about time or location. The handwriting is in cursive and varies in legibility.
Illustration of a mystical scene featuring a woman with long white hair holding a lit candle in a snowy forest, wearing a flowing, earthy-toned dress. Behind her stands a majestic stag with large, glowing antlers adorned with sparkling lights. Text above the illustration reads: 'Winter Solstice Ceremony & Celebration, Wednesday 11 December :: 2:30 - 3pm, Meeting House :: University of Sussex.'
A stage setup with a medieval aesthetic, featuring a drum kit and a microphone stand in front of a backdrop resembling a stone archway with a wooden gate. The stage is decorated with ornate items, including tall candles on stands, a drinking horn, and goblets, giving a ceremonial or gothic feel. A banner at the front of the stage reads "Trobar de Morte" with an image of torches and an eclipse-like design. Subtle purple lighting adds to the atmosphere.
An open historical book with handwritten notes in cursive, placed on a cushioned book rest. The pages are aged, showing faint yellowing, and the handwriting is dense and detailed, filling most of the available space. A small piece of paper is inserted as a bookmark between the pages. A laptop and some office items are visible in the background on the desk.
A woman is standing and smiling at the camera. She has shoulder-length dark, wavy hair and is wearing a black dress with a light-colored cardigan over it. Her hands are clasped in front of her, and she is accessorized with a small necklace. The background shows part of a patterned sofa.
A woman is standing and smiling at the camera. She has shoulder-length dark, wavy hair and is wearing a black dress with a light-colored cardigan over it. Her hands are clasped in front of her, and she is accessorized with a small necklace. The background shows part of a patterned sofa.
A black and white cat sits attentively in front of a dual-monitor setup. On the left monitor, a document with historical records is displayed, and the right shows a database with entries about people. Between the monitors is a photograph of an elderly woman celebrating her 95th birthday, smiling with a cake adorned with roses. Various items, including lip balm, pens, and a photo of a child, are arranged on the desk below the monitors. The scene captures a cozy and personal workspace with the cat observing intently.
This image shows a historical ledger page titled "Detained in Workhouse," documenting entries related to pauper lunatics held in workhouses. The format includes detailed sections filled in by hand, likely by medical officers and administrators, who recorded information about each patient's mental and physical condition. Key sections include: - **Certification Details**: Notes by medical officers about the patients' mental state and reasons for their detention in the workhouse. Each entry describes symptoms, including "delusions," "aimless" behavior, and conditions such as "heart decline." - **Discharge Information**: Includes the dates and reasons for discharge, with annotations like "To County Asylum," "To House," or "Died." Some entries list specific dates alongside reasons or destinations. - **Examination Results on Discharge**: Mentions physical observations such as "no marks or bruises," as well as "heart decline & dropsy." The document provides a glimpse into the historical treatment and classification of mental health cases within the workhouse system, using language indicative of the period’s medical understanding.
Lego set of the scene in Raiders of the Lost Ark where Indy and Marion get thrown into the Well of Souls with all the snakes.
Shelves showing binders (one with 'Mast' written on the spine. Various books about asylums and lunacy. Lots of lego. A fake plant. An orange notebook.
Pile of 5 books, from top to bottom: 150 Years of British Psychiatry, 1841-1991; Workhouses of London and the South East; The Most Solitary of Afflictions: Madness and Society in Britain, 1700-1900; Institutionalizing the Insane in Nineteenth-Century Britain; Madness in Civilization: A Cultural History of Insanity.