Maxim Leyzerovich

@round.is

5064 Followers 7220 Following

design at flora.ai brooklyn

German Panther balloons, air, glue, 960 x 370 x 300cm Städtische Galerie Nordhorn
Operation Midnight Hammer Whiteman Air Force Base Photo: USAF/DoD
Modern Sewer Design book
A cute, anthropomorphized Amtrak train with big, sparkling eyes and rosy cheeks holds a red heart-shaped gift. Above the train, playful handwritten text in red reads, ‘Will you be my Valen-train?’ Below, there are two checkbox options written in black: ‘☐ yes’ and ‘☐ YES!’
"Looking back at our conversation, there were 8 back-and-forths between us where you reported an issue and I attempted to fix it: "html file doesnt reference the script files properly" "ok better but now when i get to the select box it doesnt let me pick markdown files" "still not letting me select markdsown files" "still not letting me pick any files" "still cant pick ANy files" "k that worked" "now its processing! great job." "now i get: <div>heloksdfsdlo</div>..." This gives us a good sense of the progression of debugging - we started with script loading issues, moved through file selection problems, and now we're at the actual file processing stage."
Mr. Yuk
WEF
The Internet Scares Me It’s OK To Go Slow On The New Superhighway! Set Your Own Speed Limit! Written By: John Boyd
What are we to make of these experiences? It has been customary to “interpret” reports like these - to find in our way of thinking analogues making such experiences rationally acceptable. Thus Lommel says that the quest for the missing ceremonial link is “an authentic account of the nature of artistic creativity [which shows vividly] the connection of an artist’s creative potency with tradition - with the ancestors” Eliade never tires of showing that shamanic experiences are prototypes of our own religious beliefs. Psychoanalysts interpret in the direction of instinctual needs and unconscious processes. I accept these interpretations. But they are not complete. Shamanic experiences are real and whole. Our interpretations diminish and fragment them - we want to make the experiences “other-worldly,” transcendental,” or “fantasies.” But these experiences are the result of something which Cassirer notes about the thinking of oral peoples. “By a sudden metamorphosis everything may be turned into everything. [There is] the deep conviction of a fundamental and indelible solidarity of life that bridges over the multiplicity and variety of its single forms.” Everywhere there are overlaps, exchanges, and transformations. Experience is not segregated onto hierarchical planes. It is not that everything is the same, but that all things are part of one wholeness, and that among things unlimited exchanges and transformations are possible.
In Pie Counter, Thiebaud used vernacular foodstuffs to explore composition, color, light, and texture. Unlike most of his Pop art contemporaries who were eliminating the nuances of touch in their work, he exploited the physical properties of paint to mimic the look and feel of the substance depicted. Here, the paint imitates the gestural strokes a baker might make when frosting a cake or spreading whipped cream across a pie. By combining this physical treatment of paint with the rigid geometry of triangular pie slices and circular plates, arranged in a grid composition against the counter’s neutral background, Thiebaud made a work that is simultaneously representational and abstract.
Amtrak Moynihan Train Hall at New York Penn Station