sophie

@schlaufuchs.bsky.social

118 Followers 160 Following

flunky academic. head empty. i mostly post about random 50s and 60s music im listening to. she/her

four minute headways between downtown Seattle and Lynnwood once Crosslake opens
SpongeBob scene: Plankton: “Tell him off, SpongeBob! Assert yourself! SpongeBob: “That’s my ice cream cone” Plankton: “Great! Now let ‘im have it!” SpongeBob: “You can have it!”
roles". '. How did he envision the masculine role, then? "A real man provides discipline, and any talking back or acting out is asking for punishment," he said. Okay, but what else besides obedience does the real man need to feel loved? Bryan took a moment: "The feminists convinced women to be dominant. Where's the love in taking away a man's masculinity? Love isn't always in the cards when people don't know their roles. I'm trying to make enough money to support a family, which means I need someone who can be home and take care of everything there."
Michael Scott drinking white wine meme. The dialogue has been changed to read: “Sophie watching Couples Therapy. ‘This is a Dialogue heavy show without a lot of visuals.”
a screenshot of youtube email preferences. There are on/off switches that look identical except one is switched to the left and colored black, while the rest are switched to the right and colored blue.
Album cover: George Benson, The Other Sode of Abbey Road (1970)
a woman in a blue floral dress wearing lavender platform sandals stands beside a plaque overlooking the sea. Her hand rests on her chin
Album cover for Beck-Ola by the Jeff Beck Group. Cover is a reproduction of René Magritte’s The Listening Room. A painting of a large green apple fills the entirety of a small room with stone-block walls. An open window at left shows part of blue sky
book: Frauen : German women recall the Third Reich, by Alison Owings (Rutgers U.P., 1993) Cover description: A white woman with dark hair looks directly at camera, her face is partially obscured by a swastika. Below her are three blonde-haired smiling children. Looming behind and right is a Nazi (soldier? officer?). In foreground, top and bottom bordering the image is barbed wire, giving the impression that woman and children are trapped behind it
The group spent April 1969 rehearsing a live version of the show at the Hanwell Community Centre in Ealing including a final run down of the entire stage piece on 23 April.[44] The running order was changed, and four songs ("Cousin Kevin", "Underture", "Sensation" and "Welcome") were dropped entirely.[89] Townshend later said the group "did the whole thing from start to finish and that was when we first realized we had something cohesive and playable."[90]
A pair of pink socks which read “HOT HOMO”
a white trans woman takes a mirror selfie. she is wearing a gray sweater tucked into black pleated chinos with the hem cinched and rolled, and black high-top sneakers with patches of various colors
a black and white cat is curled up on an office chair. she has extended her paws to occupy more of the seat thus rendering it more difficult for a human-type person to also sit on it
Folks who live in the DC-metropolitan area, also known as the DMV: We absolutely welcome you to join, but you do NOT live on Delmarva. DMV stands for DC/Maryland/Virginia and is used to indicate the DC metropolitan area, while Delmarva stands for the Delmarva Peninsula including Delaware and the parts of Maryland and Virginia that are on the Delmarva Peninsula as shown on the map below. When you join, the Participation questions ask where you live and where you like to enjoy wildlife on the Delmarva Peninsula. If you live outside of the area you're asked to specifically acknowledge that this group is only for posts about Delmarva. If your answers or profile indicate that you live outside of Delmarva (including the DMV) and you don't acknowledge that the group is for Delmarva only, we decline your participation request. We welcome you to put in another request, but still need for you to acknowledge the geographic boundaries of the group so we're not then having to later decline your pi
a trans woman is taking a mirror selfie in a changing room. Her hair is tied back in a ponytail, leaving just her bangs visible. She is wearing a tight black t-shirt with amber/orange shin-length overalls on top. A gold necklace is very visible against the black shirt. Her shoes are patched black high top sneakers.
Discog notes for Safe as Milk by Captain Beefheart And His Magic Band (1967): The band recorded in the Spring of 1967 at Sunset Sound Studios, later for the finished work at RCA Studios, Hollywood, C.A., USA. The band members were: Don Van Vliet, aka Captain Beefheart, publishing in his real name and performing by his alias. (Vocals, Harmonica & Bass Marimba). Alex Snouffer, aka Alex St. Clair, also known as Alexis St. Clare Snouffer. (Guitar). Jerry Handley (Bass Guitar). John French, aka John 'Drumbo' French or simply Drumbo. (Drums & Percussion). Ry Cooder (Guitar, Slide Guitar & Bass Guitar) [A subsequently disaffected member & not appearing in photos]. Session or Guest Musicians [that are known. Others were present]: [highlighted]Taj Mahal (Percussion)[/highlight], Russ Titelman (Guitar), Milt Holland (Log Drums & Percussion), Dr. Samuel J. Hoffman aka Sam Hoffman (Theremin).
a trans woman is taking a mirror selfie in a changing room. She is wearing a white chunky knit sweater which is French-tucked, high rise straight leg jeans, white socks, and brown blundstones with rainbow stitching
a white trans woman takes a mirror selfie. She is wearing patched hightops, semisheer tights, a gray reflective dress, and a tan plaid jacket. A tortoiseshell is cat (Gertrude) is eating her dinner in the background
Section from the Wikipedia page for Country Joe and the Fish. “ED Denson, the co-publisher of Rag Baby, introduced McDonald to Chris Strachwitz, who owned Arhoolie Recording Studios, to self-produce the EP.[7] Sensing the band's potential, Denson assumed management control, and was responsible for [this passage is highlighted] coining the group's name—a reference to Josef Stalin and to Mao Zedong's description of revolutionaries as "the fish who swim in the sea of the people".[2] [end highlight] McDonald, who had recording experience, began utilizing Arhoolie Recording Studios to record four songs split equally between the band and a local folk musician, Peter Krug. It was during this time at Arhoolie Records that Country Joe and the Fish's folk sound and political protest prowess—an amalgam of their own Guthrie-influenced material and their folk music roots—began to emerge.
close up of a white trans woman in a white knitted sweater. she has turned her head to the left and has brushed back her hair to reveal an earring of a pressed plant (cilantro?) in an acrylic window.
a picture of cute tortoiseshell cat laying on a lap. Her face is turned towards the camera and her eyes are closed, giving the impression of contentment.
a very cute tortoiseshell cat sits in a person’s lap, looking up at the camera. A part of a home office is visible in the background
Album cover for “I Never Loved a Man the Way I Love You” - Aretha Franklin (1967). Aretha Franklin, aged 25 looks down at the camera. Framed in a white background, her eyeliner is on point, she wears a white halter dress and white dangly earrings.
an image of SpongeBob atop their pineapple home, a conflicted expression on their face. Their mouth is open suggesting they are speaking. The text “I’m ugly and I’m proud” appears over their head, only the word “ugly” has been amateurishly blacked out and the word “mid” is pasted over, so the phrase now reads “I’m mid and I’m proud”
Album cover for Forest Flower by Charles Lloyd (1967). The cover shows Charles Lloyd performing outdoors (at the Monterey Jazz Festival), closeup, shot from below. He is playing a soprano saxophone in the shade with the sun partially catching the top of his head. He is wearing a pair of sunglasses which show the crowd of the festival reflected in the lenses.
Album cover for Don’t Come Home A Drinkin‘ (With Lovin‘ On Your Mind) by Loretta Lynn (1967)
a tall white trans woman with light brown hair, in a black sleeveless a-line mid-calf dress, lavender platform sandals and a black purse waits in a hotel elevator room.
Album cover artwork for Between the Buttons. Heavily distorted image of the band, dressed in warm coats on a grassy hilltop in the early morning
Quiz results showing that I am 86% feminine, which makes me “extremely feminine”
a Facebook suggestion to follow the “Fluent English Club”. Below it are images of common road signs and their respective names in English.
Album cover of Shadows of Knight - Gloria (1966). Cover depicts the band (5 white men) in black pants and brown jackets surrounding a framed woodcut print(?) of a woman(?) playing a lute(?). One member’s jacket is open to reveal a white Superman t-shirt underneath
Excerpt from the wiki article on The Rolling Stones album Aftermath (1966). The excerpt describes how Brian Jones’s relationship with his girlfriend Anita Pallenberg, intimidated the other band members, caused huge band tensions, and eventually resulted in a love triangle between Jones, Pallenberg, and Keith Richards, but also sparked a sea change in Jones’s approach to music that was a huge catalyst in the band breaking away from being a simple R&B cover group.
picture of me in a black jumpsuit, my hair is tied back in a bun, with pink strappy platform sandals
Excerpt from the wikipedia page for Hang On Sloopy showing that the McCoys, the group that recorded the most well-known version of the song, changed their name to avoid confusion with Paul Revere and the Raiders, and that the frontman for the group was Rick Derringer
screenshotted excerpt of an excel list of albums from 1966 that I’m listening to. List is 32 items long and includes a variety of different artists and genres. I don’t know that I can include the whole list, im sorry it’s not very accessible. Comment, and I can include a link if you want to read through it in detail
Album cover: The Soul of the Man by “Bobby Bland” [sic]
me in mirror selfie, white button down, mid-calf green print skirt, strappy gray flats
selfie of me indoors, with a painting of Red Cloud in the background
snip of passage from the Wikipedia entry for the album Rip, Rig and Panic by Rahsaan Roland Kirk “The title of the album was explained by Kirk in the liner notes as follows: "Rip means Rip Van Winkle (or Rest in Peace?); it's the way people, even musicians are. They're asleep. Rig means like rigor mortis. That's where a lot of peoples mind are. When they hear me doing things they didn't think I could do they panic in their minds". Kirk made many references to pioneers of jazz. "No Tonic Pres" refers to Lester Young; "From Bechet, Byas, and Fats" is a homage to Sidney Bechet, Don Byas, and Fats Waller; and "Once in a While" was inspired by Clifford Brown. Kirk also mentioned the work of Edgar Varèse, the compositions Poeme electronique and Ionisation, as inspiration for the album.”
Album cover of “A Charlie Brown Christmas” by the Vince Guaraldi Trio
picture of the LP Hoodoo Man Blues by Junior Wells’ Chicago Blues Band with Buddy Guy. Album cover is a distorted b/w picture of Junior Wells (presumably during a performance) holding a harmonica
penne pasta primavera in a large pot on an oven
hair in a messy bun, red-rimmed sunglasses, blue athletic top under black short overalls, patchy converse