@sctttnnnt.bsky.social

@sctttnnnt.bsky.social

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Committed list-maker, friend of sounds

Six records on a wooden table. Top row: Nation of Ulysses: PLAYS PRETTY FOR BABY The Lilac Time: THE LILAC TIME XTC: ENGLISH SETTLEMENT Bottom row: My Morning Jacket: Z Alvvays: BLUE REV Fleet Foxes: FLEET FOXES
Four film posters, L-R: Rogue One Men Are Not Gods Things to Come Blue Heron
Four movie posters, L-R: My Man Godfrey Rembrandt The Odyssey The Story of a Cheat
Four film posters: Satan Met a Lady (1936) Swedenheilms (1935) The Searchers (1956) Burden of Life (1935)
Five LPs, clockwise from top center: REM: LIFES RICH PAGEANT Johnny Cash: THE FABULOUS JOHNNY CASH The Upsetters: BLACKBOARD JUNGLE DUB A Tribe Called Quest: MIDNIGHT MARAUDERS The Velvet Underground: THE VELVET UNDERGROUND
Four film posters, L-R: Les Miserables (Raymond Bernard, 1934) Platinum Blonde (Frank Capra, 1931) Rain or Shine (Frank Capra, 1930) The Private Life of Don Juan (Alexander Korda, 1934)
Thumbnails for four movies, L-R: The Rise of Catherine the Great (Paul Czinner, 1934) The Cat’s Paw (Sam Taylor, 1934) The Mandalorian and Grogu (Jon Favreau, 2026) Dos Monjes [Two Monks] (Juan Bustillo Oro, 1934)
“Nosferatu Man” contains probably the most rudimentary quiet verse / loud chorus on the album. On the heels of “Breadcrumb Trail,” it becomes apparent how this element of the band’s sound became synonymous with Slint-as-adjective. But at the same time “Nosferatu Man” feels less concerned with its juxtapositions and more focused on creating intensity through rhythm. The song is dizzying in its jumps from one time signature to the next. The first verse is in 5/4, followed by a pause in which Walford clicks a single bar in 3/4 before the band launches into a chorus in 6/4. They repeat this pattern for a second verse and chorus before moving to the bridge, where things get especially complicated. Story-wise the chase between the Prince and the girl escalates into a cat-and-mouse
Movie posters, L-R: A Man’s Neck, King Kong, The Private Life of Henry VIII, and 14 Juillet
Film poster thumbnails, L-R THE WEDDING REHEARSAL (Alexander Korda, 1932) POIL DE CAROTTE (Julien Duvivier, 1932) THE MOST DANGEROUS GAME (Schoedsack & Pichel, 1932) FANNY (Marc Allégret, 1932)
A pile of records. Clockwise from top center; Chris Staples, AMERICAN SOFT Jesca Hoop, MEMORIES ARE NOW The United States of America, s/t HC McIntire, LIONHEART The Browns, SING THE BIG ONES FROM COUNTRY Buck Owens, YOU’RE THE ONE (center:) REM, MURMUR
Thumbnails of four films, L-R: THE NEIGHBOR’S WIFE AND MINE (Heinosuke Gosho, 1931) À NOUS LA LIBERTÉ (Rene Clair, 1931) Kameradschaft (GW Pabst, 1931) Le Million (Rene Clair, 1931)
A pile of records. Top row: The Jam, THIS IS THE MODERN WORLD; XTC, WHITE MUSIC Middle row: Charley Crockett, WLECOME TO HARD TIMES; Metallica, MASTER OF PUPPETS; Metallica, AND JUSTICE FOR ALL Bottom row: Dolly Parton, JOLENE
Thumbnails for four films, L-R: FEET FIRST (1930); DAVID GOLDER (1931); OFFICE WIFE (1930); WESTFRONT 1918 (1930)
LPs piled on a table. Clockwise from top left: Nine Inch Nails: Pretty Hate Machine The Balancing Act: Three Squares and a Roof The Balancing Act: New Campfire Songs The Staves: Good Woman Fugazi: In On the Killtaker The Feelies: Only Life (Center) Goat: Commune
Testament is often credited as one of the last popular and influential bands of the thrash metal scene, as well as one of the leaders of the second wave of the genre of the late 1980s, and they are considered a significant member of the so-called “Big Six of Bay Area thrash metal” (along with Exodus, Death Angel, Laaz Rockit, Forbidden and Vio-lence).
Four LP, clockwise from top left: Earth: PENTASTAR; Animal Collective, SUNG TONGS; CMAT: EURO-COUNTRY; Roger Miller: ROGER & OUT
Five LP, clockwise from left: Squeeze, UK SQUEEZE; Dillard & Clark, THE FANTASTIC EXPEDITION OF…; Marty Robbins, GUNFIGHTER BALLADS AND TRAIL SONGS; Kris Kristofferson, THE SILVER-TONGUED DEVIL AND I; La Luz, FLOATING FEATURES
Four LPs, clockwise from top left: Patsy Cline, Sentimentally Yours; Willie Nelson, Red Headed Stranger; Loretta Lynn, Don’t Come Home a Drinkin’ with Lovin’ on Your Mind; the Beatles, Abbey Road
Three LPs: Band of Susans’ LOVE AGENDA; XTC’s SKYLARKING; and Girls at Our Best’s PLEASURE. Plus a little “pleasure bag” that was inside the Girls album
Young George Jones
Vinyl LPs, clockwise from top left: Spoon, Gimmie Fiction; Willie Nelson, Phases and Stages; Gene Clark with the Gosdin Brothers; Robert Wyatt, Old Rottenhat
LPs by Faron Young, Elvis Costello, Hank Snow, Love, Beatles, Simon & Garfunkel, Rolling Stones, and 13th Floor Elevators
A still from TOY STORY with a mutant toy lurking behind Woody.
A selection of LPs. Top row: Paul McCartney “McCartney” and AA Bondy “Believers”. Bottom row: Elvis Costello “My Aim is True”, David Bowie self-titled (aka Space Odditiy), and The Roches “Keep on Doing”
Andor season 2 promo image: storm Troopers walking through a wheatfield with black smoke in the distance
A painting of a man wearing a yellow house coat
A Google map screenshot of a Burbank neighborhood showing Beachwood Dr next to Sparks Street
A tiered list (in green, pink and blue) of albums from 2023. Josh Ritter; Blake Mills, Margo Cilker, Oozing Wound, Rose City Band, the Clientele, Yo La Tengo, Sufjan Stevens; Lillie Mae, L’Rain, American Analog Set, Tim Hecker, Chris Staples, Justin Walter, Colleen, Feist, Cut Worms, Lana del Rey, Andy Shauf
A hand-written list by Octavia Butler of “1964 Top Songs”