Solarpunk SΞΞD

@solarpunkseed.bsky.social

1360 Followers 1949 Following

Science, Education, Exploration, Design. 実 Actualizing the #solarpunk #postcapitalist commons. #DeSci. Free community fab lab café forming on Kalapuya Land / Oregon!✨🌱🌈🌻 solarpunkseed.net

Resilience - Art by Jessica Perlstein. A vibrant solarpunk cityscape with buildings covered in lush greenery, vertical gardens, and rooftop wind turbines. The street is lined with colorful flowers, edible plants, and geometric art structures. A glowing green sprout bursts through a cracked street at the center, its roots glowing and extending underground. Butterflies flutter upward into a radiant sky, where light beams fan out behind a distant geodesic dome. The overall scene evokes harmony between nature and urban life in a futuristic, eco-friendly world.
Artwork for Solar Gardens by Daniel Clarke - Darrington Press - Board game coming Summer 2025.
The image shows a moss-covered tree trunk in a forest with small mushrooms growing on it. Overlaid on the image is text that reads: "i never see you at the club" ok well i never see you at the moss-cloaked mushroom tree The image humorously contrasts nightlife socializing with spending time in nature, evoking a whimsical, forest-dwelling aesthetic.
"Cover of 'L'Incal intégrale' (The Incal - Complete) by Jodorowsky and Moebius. The image shows two volumes with a bright yellow background. The front volume features a character running, wearing a red jacket and purple pants, surrounded by futuristic flying mechanical objects. The second volume in the background displays a faint geometric structure. The text 'L'INCAL intégrale' is prominently displayed at the top of both covers."
Cover for Low/Tech journal in French. Solarpunk issue, with beautiful cover art by Dustin Jacobus. Featuring a community center in the garden, with solar oven, flowers, solar panels, birds, food being made in an outdoor kitchen, and a variety of people of all ages and skin tones talking.
The image shows the cover of a book titled "When Technology Fails" by Matthew Stein. The subtitle reads: "A Manual for Self-Reliance, Sustainability, and Surviving the Long Emergency". The cover mentions that it is revised and expanded, and highlights topics such as: Self-reliance Sustainability Peak oil Climate change Emergency survival Supplies & preparations Energy, heat & power Low-tech medicine & healing Metalworking Utensils Engineering Machines & materials Water quality & treatment Food Shelter & buildings First aid Clothing & textiles Low-tech chemistry A quote at the top by James Howard Kunstler praises the book as "an indispensable basic manual for the real-life issues that await us in the decades to come."
The image shows the cover of "A Wrinkle in Time" by Madeleine L'Engle. The cover art features a centaur-like figure with rainbow-colored wings flying against a cosmic, otherworldly backdrop. Below the figure, there is a floating, green-tinted head enclosed in a blue sphere. The title "A Wrinkle in Time" is prominently displayed in large yellow text at the top, with the author's name below in white. This edition highlights the book as a "Newbery Award Winning Classic."
The image shows the cover of the book "My Side of the Mountain" by Jean Craighead George. It features an illustration of a boy wearing a brown tunic-style shirt with laces at the neckline, standing outdoors against a backdrop of green hills and trees. He is holding out his gloved left hand, on which a falcon is perched with wings partially spread. The Newbery Honor Book silver medallion is displayed in the lower-right corner of the cover.
The image features the cover art for The Alien Life of Wayne Barlowe. It depicts a humanoid alien with an orange, textured, and segmented face, resembling a mixture of an insect and crustacean. The alien has multiple antennae-like appendages extending from its face and large, fin-like structures on either side of its head, adorned with cracks and organic patterns. The alien is wearing dark, formal clothing, similar to a suit, giving it a sophisticated appearance. The background consists of a grayish, abstract rocky texture. The title text, "The Alien Life of Wayne Barlowe," is prominently displayed at the top in bold, stylized lettering. The artist's signature is at the bottom right corner.
The image shows the front cover of a children’s book titled “A Ripping Day for a Picnic.” The cover art is colorful and whimsical, featuring playful characters: an orange bird-like creature, a purple horned being, a small blue creature carrying a basket, and a tall, wooden-looking character juggling orange balls. The setting is a bright, grassy landscape with a winding path. The book’s author and illustrator is Keith DuQuette, whose name is displayed prominently at the bottom. The cover design has ornate, decorative corners and a cheerful yellow border.
Cover of The Neverending Story by Michael Ende, translated by Ralph Manheim. The illustration features a golden lion-like creature with a child standing on a lotus-shaped pedestal in front of it, glowing brightly. To the lion's right is a small, dragon-like creature with horns and wide eyes. The background depicts a fantasy landscape with mountains, trees, and a castle. The border of the cover includes decorative floral designs, and the title text is styled in a whimsical, fantasy-inspired font.
The image shows the book cover of Idoru by William Gibson, author of Virtual Light. The design features a futuristic aesthetic with a stylized, almost digital-looking image of a face, overlaid with abstract geometric lines and glows. The title "IDORU" is prominently displayed in bold white letters within a black oval, centered over the eye of the face.
This is the book cover for The Garden of Abdul Gasazi, written and illustrated by Chris Van Allsburg. The cover features a beautifully detailed illustration of a mysterious garden filled with large, well-manicured topiary bushes shaped like animals, including a giant rabbit and a swan. A boy in striped clothing is seen running through the garden, following a small dog. The garden's intricate and surreal appearance reflects Van Allsburg's signature artistic style, known for its dreamlike and mysterious atmosphere. There is also a Caldecott Honor medal visible, recognizing the book's distinguished illustrations.
The image is the cover of a book titled "Micro Shelters" by Derek "Deek" Diedricksen, the creator of RelaxShacks.com. The design features the subtitle: "59 Creative Cabins, Tiny Houses, Tree Houses, and Other Small Structures" in bold text. The cover is divided into four sections: The top left displays the title "micro shelters" in bold yellow and white text on an orange background. The top right shows a photograph of a small, modern tiny house illuminated at night. The bottom left contains a cozy open micro shelter with colorful cushions and walls made from upcycled wood, set in a forest. The bottom right features a whimsical, round, wagon-like tiny house with wooden detailing and a curved white roof, set outdoors in the sunlight. The layout emphasizes creativity and the charm of small-scale living spaces.
"Cover of the book The Ministry for the Future by Kim Stanley Robinson. The design features a person silhouetted against a bright light at the end of a large, futuristic tunnel. The moon is visible in the sky, and a spacecraft hovers in the background. The title and author are prominently displayed in bold text, with quotes praising the novel and its author below."
"Book cover for 'Abundance: The Future Is Better Than You Think' by Peter H. Diamandis and Steven Kotler. The design features a crumpled metallic silver background with a torn section revealing a yellow fabric with red text reading, 'The Future Is Better Than You Think.' A red and yellow seal in the bottom right corner states 'New Evidence for Abundance.' The book is described as a 'New York Times Bestseller,' with a quote from The Wall Street Journal stating, 'A manifesto for the future that is grounded in practical solutions addressing the world’s most pressing concerns.'"
"Book cover for Neal Stephenson's novel 'The Diamond Age: Or, A Young Lady’s Illustrated Primer.' The design features a mechanical gear on the left and a vibrant, futuristic illustration of a woman's face merged with geometric and technological patterns on the right. The background is a muted teal color, with bold black text displaying the title and author's name. A quote from Newsweek at the bottom praises the book, comparing its impact to Stephenson's earlier work, 'Snow Crash.'