Soraya Nadia McDonald @sorayanadiamcdonald.com · May 26 1 / 2
I'm so glad this came through, because I spoke to a bunch of sources (colleagues, opera scholars, etc), even if they aren't named or quoted in the piece! Plus I got to dig into these:
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Ooh, you got INTO it. This text might interest you too: Carmen in Diaspora: Adaptation, Race, and Opera's Most Famous Character by Jennifer M. Wilks
A classic Soraya McDonald thread. Thank you!
Expertly written!
Our Ancestors Were Messy is a great podcast. Loved this episode about Nora Holt. Denyce Graves continues a tradition of Black artistic community building in opera and classical music