Stephanie Bencin

@stephbencin.bsky.social

387 Followers 241 Following

Your neighborhood archival producer, director of award winning short film GREETINGS: https://www.youtube.com/watch?v=kVDonpKxhEw. Don't follow me if you can't tell the difference between Bill Paxton and Bill Pullman.

- Tidal will identify and tag AI-generated music in our app. Listeners will see an "AI" badge next to music we detect as wholly AI-generated. - Tidal will not tolerate AI-generated music that impersonates an artist or group, or that facilitates fraudulent activity. We're implementing automatic tools to remove these releases immediately and on an ongoing basis. - Tidal will not allow music that is 100% AI-generated to be monetized. No royalties will go to such releases, nor will AI-generated uploads be eligible for direct-to-fan sales. - We will expand these policies to music that is substantially AI-generated when AI detection technology is sufficiently reliable to do so.
Paul Schrader savages Disclosure Day on Letterboxd.
Woman in the Dunes in the Saved by the Bell logo font.
Gene Tierney in Leave Her to Heaven.
Joe Pera
Timothy Dalton standing in front of a portrait of himself in Hot Fuzz.
Elaine May and Charles Grodin on the set of The Heartbreak Kid.
Billy Crudup and Denis Leary in Jesus' Son, right before they break into a house to steal copper out of the walls.
Denis Lavant at the end of Beau Travail.
Holly Hunter and Albert Brooks in Broadcast News.
Brooklyn Hall of Fame plaques for Elliot Gould, Anne Meara, Harvey Fierstein, and Rosie Perez at the Brooklyn Botanical Garden.
Tina Weymouth's outfit and bass from Talking Heads' Stop Making Sense.
A man in a scarf with the caption an immersive theater director.
The title Back to the Beach in the Dune font.
Jessica Lange saying "there's not going to be a Rapture, you stupid slut"