Dee Forrest (commissions open)

@studiodoggebi.bsky.social

195 Followers 577 Following

Illustrator and Software Engineer in the suburbs of Chicago. Buy stuff: studiodoggebi.etsy.com Other socials: https://linktr.ee/studiodoggebi

EXT. MED-SEC CTR -- DAY PHELPS Patrolling, weapon casually over shoulder. Passes a mirror. Something is off. He looks closer. Not his face. A horror covered in eyes and tentacles. He draws his weapon. Flats his back against the opposite wall. But the reflection is normal. He glances down at his field wrapping. Tiny eyes staring up through a tear.
Alt text: Stylized portrait of the Baroness from G.I. Joe. She faces forward with a slight downward tilt of the head, wearing round green-tinted glasses that reflect light. Her expression is cool and unimpressed. She has long black hair, pale skin, blue-toned lips, and a small beauty mark near her cheek. One red Cobra emblem appears on her shoulder while the other is worn as an earring. The uniform is dark with a high collar. The art uses bold ink lines, halftone textures, and vivid colors—especially green, blue, red, and orange—for a graphic, pop-art feel.
A wide banner showing seven hand-drawn fantasy tabletop miniatures, each on a round base and framed like a character card under a “Basic Hero Stuff” logo. The figures are rendered in a muted grayscale with subtle color accents and strong ink lines. From left to right: a human cleric or paladin-type with a mace-like staff topped by a symbol, wearing layered armor and robes; a stocky dwarf warrior crouched low with a heavy hammer and round shield, covered in thick plate and gear; a tall, slender elf archer mid-stride with bow drawn and cloak trailing; a massive, heavily armored fighter with oversized pauldrons, a tower shield, and a broad sword, dominating the frame; a small halfling fighter with a round shield and short sword, posed aggressively with a wide stance; a robed mage holding an open book and a staff topped with a skull, with a black bird perched above; and a hooded thief in light armor with daggers and bandoliers, standing ready and alert. Each card includes a small stat block beneath the character’s name, styled like classic tabletop RPG sheets.
Hand-drawn illustration of a punk-styled woman inspired by Tank Girl, shown from the chest up against a bright yellow background with orange halftone dots. She has a shaved head with jagged green hair along one side, multiple ear piercings, and a small bandage on her forehead. Her expression is fierce and slightly unhinged, with one eye narrowed and heavy lashes. She bites down on a cigarette, with a red pentagram earring visible near her ear. She holds a large, exaggerated, sci-fi-style firearm slung over her shoulder with no clear real-world analog. She wears only dog tags and small pieces of black tape as pasties, with antifa-styled tattoos visible on her ribs and shoulder. The drawing uses loose, energetic ink lines with Copic marker fills in green, yellow, gray, and red, emphasizing a chaotic, punk aesthetic.
Blister-packaged miniature labeled “HIVE SCUM – BLADES” on a gritty red-and-black sci-fi card with illustrated figures along the sides. The bold red “HIVE SCUM” title dominates the top. Inside the clear plastic, an unpainted gray resin figure stands holding two long, curved blades, posed mid-stride with arms spread wide. In front of the package, a painted version of the miniature stands on a square base with sandy terrain. The figure is advancing forward with a relaxed but threatening posture, one blade lowered at the side, wearing layered scavenged gear and armor for a worn, post-apocalyptic look.
Blister-packaged miniature labeled “HIVE SCUM – LANTERN” on a gritty red-and-black sci-fi card featuring illustrated figures. The bold red “HIVE SCUM” title dominates the top. Inside the clear plastic, an unpainted gray resin figure is visible through a crinkled bag, posed holding a lantern raised overhead. In front of the package, a painted version of the miniature stands on a square base with sandy terrain. The figure is hunched and cloaked in tattered robes, arm lifted high with the lantern, creating a dramatic, almost ritualistic silhouette with a worn, post-apocalyptic aesthetic.
Here’s alt text for this one: Blister-packaged miniature labeled “HIVE SCUM – PISTOL” on a gritty red-and-black sci-fi card. The packaging features illustrated figures in a dystopian setting, with bold red lettering at the top. Inside the clear plastic, an unpainted gray resin figure stands holding a pistol, partially obscured by the bag. In front of the package, a painted version of the same miniature stands on a square base with sandy texture. The figure is posed mid-stride, arm extended with the pistol, wearing layered scavenged clothing and gear, giving a rugged, post-apocalyptic look.
Wide black-and-white work-in-progress drawing of Dark Angels Space Marines advancing over wrecked stone steps in a gothic exterior setting. In the foreground, Captain Lethaniel—a heavily armored Space Marine in a hooded robe—moves down the broken stairs, holding a large bolter across his body. To the left, a Mark VI “Corvus” (beakie) armored Marine aims his bolter downrange; the weapon is fitted with a bayonet. A third Marine advances behind them. Behind Lethaniel, a corridor entrance recedes into shadow, with a hovering servo-skull nearby. The surrounding architecture features tall arches and a long row of buttresses carved with massive helmeted faces, looming over the scene like stone guardians. The piece is partially inked, with some areas rendered in solid blacks while others remain loose and sketchy, with visible construction lines showing the evolving composition and depth.
Wide, work-in-progress sketch of Dark Angels Space Marines moving through a vast, cathedral-like interior. The piece is drawn in rough black lines with blue construction guides and perspective grids still visible. In the foreground, a heavily armored Space Marine with a large shoulder plate and oversized rifle descends a set of steps toward the viewer. To the left, another Marine advances cautiously, aiming his weapon down a long corridor. A third Marine follows behind, partially obscured. The background is dominated by towering gothic architecture—arched colonnades and a long row of buttresses. Carved into those distant buttresses are massive, stylized helmeted faces, looming over the scene like stone guardians. The image remains unfinished, with loose sketch lines, overlapping forms, and visible planning marks emphasizing depth, scale, and motion.
A blister-packed miniature labeled “HIVE SCUM – HAMMER” fills the frame, styled like a gritty sci-fi toy card in black and red. The card art shows armed, ragged figures in a dystopian setting. Inside the clear plastic, a gray resin figure of a hooded fighter raises a hammer overhead mid-swing. In front of the package, a painted version of the same miniature stands on a square base with sandy texture. The figure wears layered, scavenged armor and a hood, posed aggressively with one arm lifted to strike. The paint scheme is muted and dusty, emphasizing a worn, post-apocalyptic look.
Photo of a painted 28mm “Hive Scum” ganger miniature standing on a square base covered in sandy texture. The figure wears bulky scavenged gear and a helmet with goggles, and is holding a long staff raised upright in one hand. The miniature is positioned in the foreground on a light-colored surface. Behind it stands the blister-style product packaging. The card backing is mostly black with large bold red text at the top reading “HIVE SCUM.” The background art on the card shows several illustrated hive-city style gangers in red and black tones. A clear plastic blister on the packaging holds the unpainted version of the same miniature and a small separate arm piece. The painted miniature in front mirrors the pose of the unpainted model visible inside the package.
Dee Forrest (scare actor) intensely lit with low key high contrast red light. He's dressed as the Anticardinal, upside down cross carved into his furrowed brow. Text: Anticardinal: I want to hear your confession. Guest: I am a defense attorney, I was on the Drew Peterson defense team. Anticardinal: Ooo. That's naughty. Wait Prove it... Is Drew Peterson a piece of shit? Guest: Yes. Anticardinal: It IS true!!! Ok. Off to hell with you.
lack and white drawing of a man with long hair and a beard wearing a suit and tie, standing against a red background. He has an angry expression. A speech bubble near his head says, “No gods. No masters.”
a very boring and generic page saying I modified my account.
Gray unpainted resin miniature of a hooded figure in ragged robes, crouched dynamically while raising a staff with mechanical details. Stands on a square base textured with grit.
Ink and wash drawing of a rugged fighter in patchwork armor with a hooded cloak. A stitched doll hangs from their chest as a talisman. They wield a heavy club, their stance radiating defiance.
nk and wash illustration of a grim-faced medic. Wearing a patched apron over gear and tools, with a large backpack and cap. She grips a tall staff in one hand. Background splattered with ink shadows.
Ink and wash illustration of a masked warrior in segmented armor. The figure wears a barred helm and holds two large jagged swords, surrounded by ink splatter that emphasizes their dark and dangerous presence.
Ink and wash illustration of the same character. A futuristic mercenary with braided hair, high collar covering mouth, and layered tactical armor. They carry a machine pistol with suppressor, smoke and shadow effects surrounding the figure.
Two comic panels inspired by the movie Big Trouble in Little China featuring Jack Burton, still covered in Grace Law's lip-stick. Captioned... "You know what Jack Burton always says at at time like this?" "who?" "Jack Burton!" "ME!"
A Victorian bruiser with mutton chops like blades. Dagher is all fists and grit. He doesn’t see the Vaesen—but he believes.
Wading through flames, a dragon slayer raises his rather heavy looking spear. He's draped in dragon skin, black fur, and metal brilliantly reflecting the white-hot flames licking his shield.
Panel 1: In the haze a beleaguered knight riding his mount through the ruins of a burnt town. Panel 2: The knight's mount steers him toward a mountain. Panel 3: Our knight climbing about a million stairs, broad winding through the crags. Panel 4: The knight enters an ancient ruin carved into and built out from the rock. Panel 5: He walks down a corridor lined in stone gods. Panel 6: At last a "head shot", his helm, which covers the top half of his face only bears one eye slit. "Thirty years in the service of Lord Strathcona. Commander of the North Circle forces during the Cain Rebellion For Ten. In My Youth, A questing Knight of the Sha-Leesh Wars. I've been all over this land. And spat in the eye of every foe to have crossed my path. All but one. She spit back."
Lo Pan in his regal wedding attire.
A witch with flowing blue hair, trinkets, talisman and a crackling bolt of electricity emanating from her hand.
A green haired, blue skinned satyr like forest spirit with glowing red horns.
The corner of a room with several pieces of art on the wall, but the subject is a poster of a African onnabugeisha in samurai armor denoting the Nobunaga clan. The lighting rig for the set up is clever, LEDs made to look like the branch of a cherry tree, with glowing pink blossoms.
An unassembled portrait and cardstock mat next to a quarter for scale. The image is a red-faced demoness with corpusant hair
A trio of divine or demonic figures—it's unclear which. All are humanoid, horned, and winged, with features reminiscent of succubi or fae. The first is a caprine forest nymph with glowing yellow horns, green hair, and bluish-green skin. Her eyes are featureless black with white, goat-like pupils. She stands against a dark background, her horns appearing phosphorescent in the night. Next to her is a full-figured warrior sprite—unapologetically nude—wearing mismatched armor on her right arm, leg, and shoulder. Her expression is fierce and direct. The third panel shows a pair of glowing sprites perched on a jagged branch. The night is midnight blue hues contrasting their luminous yellow hair, suspended in the dark forest canopy.
A small, hand-painted gouache illustration of a horned forest spirit with long green-blue hair, spiraled cheek markings, and glowing yellow-orange horns. The character has a stern, otherworldly expression and is framed in black matting. The artwork is displayed on a black wooden mini-easel against a white background. The painting style is bold and angular, with stylized linework and saturated colors.
A cleric, thief, magic-user, elf, dwarf, halfling, and fighter, mounted on plinths like 28mm game pieces.
On old "Six fan-art character" meme. Includes Gunnery Sargent Roberta Draper of the Martian Marines from The Expanse. Sexy space-vampire and primarch of the Blood Angels from Warhammer30k/40k. Miyazaki's tree sprite Totoro. Todd McFarlane's super zombie Spawn. And finally the lanky assassin Aeon Flux
A very stylized version of the character Rain from Big Trouble in Little China. Standing in the rain, face hidden behind his giant straw hat.
A caprine entity, feminine features, eyes wide apart, ears and nose like that of a goat. Glowing horns. Ritualistic scarring on her cheeks, forehead and chest.
It's Baphomet but he's blue and he's cute. Rendered in a chibi style.
An abstraction of a human face integrated with technology. Monochromatic, in tans or sepia. There are shapes and shadows that hint at an environment with harsh industrial lighting.
Portrait of a plump nymph, she has a pair of tiny horns, hair made of yellow flame, grinning slyly.
A rework on the fantasy Dwarf trope. Blue skinned, horns, purple beard, glowing tattoos, pentagram ( also glowing ) on the forehead. Shirtless, tattooed, leather harness holding four scabbards on his back.
A work in progress. A pair of inktense pencils, a paintbrush, and a bottle of acrylic ink flank a page from a sketchbook. On it: A dwarf with somewhat caprine features, pan-like, horns, pointed ears. We see him from the mid section up. He's covered in glowing yellow markings.
Process pic of inking phase of a blue skinned purple bearded dwarf with glowing tattoos.
A pair of young warriors back-lit by a huge yellow sun and green sky. The boys appear Asian and are modeled after the children of my client. The boy on the left wields a sword and a half-tower shield. His compatriot to the right holds a spear and hoplite inspired shield.