Edwina Hay Photography

@thisisnotaphotograph.com

715 Followers 316 Following

NYC based photographer available for hire. Contact via my website or email (remove spaces in address): hellothere @ thisisnotaphotograph.com https://bio.site/edwina

Screenshot of the Rolling Stone review. Rolling Stone logo appears at the top menu followed by website options. Underneath that is a red box w/ white text states LIVE REVIEW. Underneath the Live Review box is the title of the review, "Yeah Yeah Yeahs Bring the Quiet Intimacy of 'Hidden in Pieces' to New York. More text under that reads: The band’s three-night run at the Beacon Theatre included orchestral reinventions of their music, emphasizing feeling and vulnerability. Article is by Julyssa Lopez published July 30, 2025. Underneath this is an image by me (Edwina Hay) of Nick Zinner in the background playing acoustic guitar w/ a music stand in front of him. Karen O is in the foreground wearing a headpiece, that is gold and resembles a snake. She is singing wearing a blue beaded cape over a red jumpsuit. Underneath the image is a caption that states: Karen O. and Nick Zinner onstage at the Beacon Theatre. The first two paragraphs of the review follow: So much of the appeal of early Yeah Yeah Yeahs is the thrash of the music. Song after song, the art-punk band found a way to convert a maelstrom of pent-up energy into no-fucks-given liberation that soundtracked a generation of teen rebellions in the aughts. The freedom to let go was fueled, in part, by the kinetic powers of frontwoman Karen O, described once for her “reckless, whirling-dervish stage demeanor.” Her form of release was to rasp and howl as loud as she wanted, and she invited anyone listening to find catharsis by belting out some wild screams by her side. And yet at the core of it all, slightly costumed up in the brash spirit of the band’s younger days, their discography is one with a softer pulse, with songs subtly constructed from a quiet sentimentality and a deft poetry in the lyrics. Maybe that’s why the Yeah Yeah Yeahs’ current Hidden in Pieces Tour feels so special; it’s a bare-naked revelation of the intimacy and emotion that has always been there.
Photo of Jarvis Cocker of Pulp performing. There is a projection of the moon behind him and he appears as a black silhouette with one arm bent at an angle and all five fingers outstretched
Jeff Mills during "Tomorrow Comes the Harvest" at BAM from Saturday, May 4, 2024. Mills is surrounded by two bongos, plus DJ equipment in front of him. He is striking a cymbal with a drumstick and looking downward. Mills has bleached blonde hair and is wearing a black outfit with a silver fringe sash and you can see his muscular arms.
Image of Jack Egglestone (drummer) and singer/guitarist Andrew Falkous (a.k.a. Falco) of Mclusky. Jack is positioned behind a clear barrier and wearing over the ear headphones while drumming. Falco is also wearing large over the ear headphones and playing guitar while facing Jack with one foot positioned in front and the other behind.