@tldoerr.bsky.social

@tldoerr.bsky.social

1122 Followers 342 Following

I don’t follow trends. I burn them to the ground. Whether it’s music, culture, or the twisted undercurrents of human nature. https://ko-fi.com/c/1a47a33208

Willem Dafoe slipping a drink into an inner pocket of his black Prada leather jacket as the villain In Grand Budapest hotel.
Man in bed reaches for stack of magazines whilst on the telephone
A woman with a blonde bob haircut stands outdoors, squinting with a skeptical or disgusted facial expression. She is wearing an oversized, vibrant teal-blue satin bomber jacket over a white top. She holds a smartphone in one hand while her other hand is tucked into the jacket pocket. The background is slightly blurred, showing the dark silhouette of a vehicle.
A film still from David Cronenberg's 1979 horror film The Brood showing three children standing in a school cubby area. The central child, a young girl with blonde bangs, wears a bright red and navy blue snowsuit with a pointed hood. To her left and right are two other children in heavy, vintage winter gear: one in a mustard orange and green parka with a red-and-white striped scarf, and another in a light blue snowsuit. The background features white wooden cubbies filled with colorful children's belongings, creating a stark, domestic contrast to the tense atmosphere.
A close-up, side-profile photograph of Carolyn Bessette-Kennedy. She is wearing a thick, tortoiseshell-patterned headband holding back her blonde hair, paired with small, black oval sunglasses. She wears a black coat with a plush faux-fur collar. The lighting is soft and natural, emphasizing a clean, minimalist aesthetic.
A medium-to-large mixed-breed dog with tan and black markings, similar to a German Shepherd mix, sits patiently on a light-colored tiled floor. The dog has large, expressive brown eyes, floppy ears, and its tongue is slightly poking out in a relaxed expression. A pink leash and collar with a heart-shaped tag are visible. The background shows a blue wall and medical equipment, suggesting a veterinarian's office setting.
A 1953 publicity photograph of Milicent Patrick, the designer of the "Gill-man" monster, sitting on a stool and smiling as she uses a fine brush to paint details onto the mask of the Creature from the Creature from the Black Lagoon. She is dressed in a dark sleeveless dress with a light-colored jacket draped over her shoulders and is surrounded by various Creature masks and sculpting tools in a workshop.
Weather vane against a light blue sky
A black and white long shot of a forest
A grainy, black-and-white candid photograph of the artist and author Edward Gorey walking briskly down a crowded New York City sidewalk. Gorey, a tall man with a full, bushy white beard and dark sunglasses, is dressed in his signature eccentric style: an oversized, floor-length fur coat with a thick, hand-knitted scarf wrapped high around his neck. He wears casual light-colored trousers and white canvas sneakers, creating a sharp contrast with the heavy fur. In the background, other pedestrians in 1970s-style winter coats—including a woman in a leopard-print coat—look on as he passes by. The scene captures the high-contrast, gritty atmosphere of mid-century Manhattan.
Grace Jones leaning on Nicola L’s Red Lip Lamp (1969) in Richard Bernstein's Chelsea Hotel apartment.
Red Lip Lamp by 1960s and 1970s famed artist.
Man Ray & Lee Miller, 1930