Terry Moore

@trm5591.bsky.social

1059 Followers 2255 Following

Retired Clinical Social Worker interested in: #science #climate #journalism #cats #photography #movies #democracy đźš« No DMs please

A storefront window of Tattoo Boogaloo in San Francisco shows a tall, curvy mid‑century‑style sign that spells “boogaloo,” with “TATTOO” stacked vertically beside it. The glass is covered with taped notices about deliveries, appointments, masks, and limited occupancy. A small disco ball hangs inside, catching bits of light. Reflections of nearby buildings and passing cars ripple across the window, blending the shop’s quirky personality with the street outside.
A dimly lit room inside a Napa Valley winery shows a long row of enormous wooden fermentation barrels stretching into the distance. Each barrel is bound with metal hoops and glows with warm amber tones under soft overhead lighting. A wooden walkway and staircase run above and between the barrels, giving workers access to the tops. The space feels quiet, cool, and cavernous, with the scale of the barrels emphasizing traditional, large‑batch winemaking craftsmanship.
A modern bar interior with soft, warm lighting. Several patrons sit at small tables and along the bar, chatting quietly. Behind the counter, rows of green and brown glass bottles line tall shelves. Above them, a TV shows a football game—players in motion with partially visible text on the screen. The room feels busy but relaxed, with a cozy, contemporary design.
Two museum visitors stand in front of Grant Wood’s American Gothic. One person holds up a smartphone to take a photo of the painting. The artwork shows a stern-faced farmer with a pitchfork beside a woman in a dark dress, set against a house with a pointed Gothic window. The scene captures a modern moment of people photographing a famous piece of American art.
A partially collapsed stone and brick industrial ruin sits beside a calm river. Broken walls, rusted machinery parts, and scattered vegetation show its age. A modern metal walkway crosses the site, where a person in a bright yellow jacket stands looking down. Two other visitors explore near the base of the ruins. The water reflects the dark stonework, and green plants grow through cracks in the structure. https://en.wikipedia.org/wiki/Mill_Ruins_Park?wprov=sfla1
A collapsed wooden fish cannery sits in a grassy clearing surrounded by dense Alaskan forest. The roof has caved in and the remaining walls tilt inward, their boards weathered gray and softened by decades of rain and snow. Moss and small plants cling to the broken beams, showing how the structure is slowly being reclaimed by the landscape. Bright green grass and tall trees frame the ruins, creating a quiet, overgrown scene of abandonment and natural decay.
A tall indoor wooden signpost stands in a rustic, Western‑themed room. Several weathered planks point in different directions, each painted with white place names including HYTON, DESQUITE FLAT, DEVILS PLAYGROUND, LAGOON, CURIOUS FARM, MISSION, BADWATER BASIN 13, and DODDS SPRING. At the top of the post sits a large horned animal skull. Behind it, embossed metal ceiling tiles and wooden railings frame a taxidermy mountain lion posed on a rock. A small plaque on the railing reads “W. T. ZUKER.” The overall scene feels like a museum or themed lodge display.
A lush tropical scene with wide green palm fronds filling the foreground. In the distance, a tall volcanic mountain rises sharply, its upper slopes wrapped in soft white clouds. The sky is bright blue with scattered clouds, and a single bird glides high on the left side of the frame. The overall mood is warm, vibrant, and full of natural energy.
A 2025 photo of a lush Costa Rican mountain landscape. Tall grasses and a weathered wooden fence post fill the foreground, leading into rolling green hills packed with dense tropical vegetation. Layers of mountains fade into soft mist under a blue sky streaked with white clouds, giving the scene a calm, expansive feel.
Close-up of a weathered piece of wood in Rocky Mountain National Park, showing swirling, wavy grain patterns carved by age and wind. The surface shifts from warm reddish-brown to pale tan and soft gray, with ridges and folds that look almost sculpted. The texture appears dry and sunworn, highlighting the organic curves and layered lines of the old wood.
A wide view of the World War II Memorial in Washington, D.C., taken in 2016. Dozens of thin water jets arc up from the large circular fountain in the foreground, with visitors walking around the stone plaza. Beyond the fountain, the long Reflecting Pool stretches toward the Lincoln Memorial, which rises in the distance with its white columns glowing in the sunlight. Trees line both sides of the Mall under a bright, cloudless blue sky.
Actor Hal Holbrook stands alone under a warm spotlight on the Orpheum Theatre stage in Omaha during his 2016 performance of Mark Twain Tonight!. He’s dressed in a light-colored suit with his signature white hair, captured mid‑monologue. Behind him sits an ornate red-upholstered chair, a wooden desk cluttered with books, papers, and water glasses, and a lectern, all arranged on a patterned rug. The dark wooden panels in the background and the focused stage lighting create an intimate, theatrical atmosphere that evokes the feeling of Mark Twain brought to life.
A Sentinel from the 3d U.S. Infantry Regiment (The Old Guard), dressed in a formal dark blue dress uniform with a yellow trouser stripe, white gloves, and sunglasses, marches with a rifle on his shoulder along a black mat. He is guarding the Tomb of the Unknown Soldier at Arlington National Cemetery, which stands prominently on the right. The white marble tomb bears the faint inscription, "HERE RESTS IN HONORED GLORY AN AMERICAN SOLDIER KNOWN BUT TO GOD." In the background between the guard and the tomb, a red, white, and blue floral wreath stands on a tripod against a backdrop of dense green trees.
An ornate bronze‑green clock juts from the corner of the historic Marshall Field’s building on State Street in Chicago. The double‑faced clock is framed in elaborate scrollwork and decorative metalwork, its Roman‑numeral dials set to about 10:10. The aged copper patina gives it a soft green glow against the stone façade, capturing one of the city’s most iconic architectural details.
“A 2005 street‑level view of the National Debt Clock mounted high on a brick building in Midtown Manhattan. The large electronic display glows with bright orange digits showing the U.S. national debt at the time, along with the average family share. A faded mural of oversized U.S. currency forms the backdrop behind the clock. The surrounding scene hints at a busy New York block, with the sign standing out sharply against the muted building façade.”
A phone screen shows an app page titled “Posts” with an error message: “Oops, something went wrong.” A “Retry” button sits below it. A gray bar at the bottom adds, “Cannot retrieve activity at this time. Please try again later.”
A row of brightly colored classic muscle cars is parked outdoors at a car show, each with its hood open to display polished, high‑gloss engines. Closest to the camera is a red Chevrolet Nova SS with a “396” badge on the fender; beside it sits an orange Dodge Challenger and a lime‑green Ford Mustang Mach 1. The cars are arranged diagonally across the frame, their chrome details catching the sunlight. People wander in the background, stopping to look under the hoods, and a set of portable restrooms stands off to the right. The overall scene feels lively, colorful, and full of automotive pride.
A small group of pale gray‑white pelicans stands on partially submerged tree branches in calm water. Their reflections appear clearly on the glassy surface. Some birds rest while others look alert. Behind them, dense green foliage and clusters of white flowers line the shore, creating a quiet, natural scene.
A tranquil garden scene at The Inn at Death Valley in 2025: a small reflective pond bordered by smooth stones sits beneath tall, feathery palms and dense green foliage. Pink flowering shrubs spill color along the water’s edge, and broad-leafed plants frame the scene. Sunlight filters through the trees, brightening the vivid greens and casting soft reflections across the clear, still water, creating a peaceful, oasis-like atmosphere in the desert setting.
A large white paddlewheel riverboat, *The American Queen*, is docked along the Mississippi River in Hannibal, Missouri. The multi‑deck vessel is trimmed with red, white, and blue bunting, and its bright red paddlewheel sits at the stern. A small group of visitors stands near the gangway on the grassy riverfront. In the foreground, a decorative sign features an illustration of Mark Twain and a quote about the beauty of the Mississippi. Across the river, a tree‑lined shoreline sits under soft, hazy daylight.
Two people sit on a shaded wooden porch at Dudley Family Farm in Florida. One woman wears a bright purple bonnet and dress, focused on hand‑sewing a piece of white fabric held in an embroidery hoop. Beside her, a visitor in modern clothing reads a black‑and‑white informational pamphlet. Both rest in wooden rocking chairs, surrounded by weathered boards and simple farm furnishings that evoke the site’s 19th‑century history. The scene captures a quiet moment of traditional craft demonstration and visitor engagement.
https://www.theworldwar.org/ | Early‑20th‑century Ford ambulance on display at the National WWI Museum in Kansas City, Missouri. The vehicle has a wooden, boxy medical transport body mounted on a Model‑T–style chassis with spoked wheels and a front radiator grille. It sits behind low protective barriers. Behind it, brightly lit wartime posters line the wall, including a large “Fourth Liberty Loan” image of a classical figure with shield and sword and another depicting Kaiser Wilhelm. The scene highlights the medical and propaganda elements of the World War I era.
**Alt text:** A restored 1906 Ford Model N displayed outdoors on a brick street. The car is deep red with bright red spoked wheels, polished brass lamps, and a brass radiator plate engraved with “Ford 1906.” Its exposed front engine and black leather seat highlight the simple, early automotive design. People stand nearby, suggesting a car show setting.
Outdoor scene at a garden-themed gift shop in Micanopy, Florida. Rows of bright red poinsettias and other potted plants sit on a brick patio surrounded by colorful pinwheels, small flags, and whimsical garden ornaments. A small white Buddha-like statue rests among the plants. Behind them is a white shed decorated with signs, including one that says “GARDEN.” Three people move through the shaded space—one near the shed, one in a yellow shirt and wide-brimmed hat, and another by a table with plants and bottles. Tall trees frame the cozy, lush setting, giving the shop a vibrant, lived‑in feel.
ALT: Three brightly colored novelty sodas sit on a storefront shelf in Estes Park, Colorado, photographed in September 2020. Each bottle has a playful, gross‑out theme from the “Always Ask for Avery’s” line: a yellow “Worm Ooze” soda with a cartoon worm, a pale pink “Dog Drool” soda with a drooling dog, and a neon green “Bug Barf” soda with a bug mid‑vomit. All three labels read “Totally Gross Soda” and “SODAsgusting,” giving the display a humorous, kid‑friendly, intentionally icky vibe.
Close-up of pet food packaging showing the top half of an illustrated orange cat with green eyes and white-tipped ears. Beside it, partial text reads “Salmon & Pumpkin R” and “Bone Broth Infused” on a cream and maroon background.
A full Tyrannosaurus rex skeleton towers in a grand museum hall, its massive skull and sharp teeth angled toward the viewer. The long ribcage curves back into a powerful tail, and the bones are lit softly against tall white columns and ornate architectural details. This is SUE, the Field Museum’s iconic T. rex, displayed in a dynamic, lifelike stance. https://en.wikipedia.org/wiki/Sue_(dinosaur)
Inside the Guggenheim Museum’s iconic spiral atrium, white ramps curve upward in smooth, stacked rings. Soft green lights line each level, and visitors lean over the railings as they explore the space. On the ground floor, a person in an orange jacket with a black backpack lifts a camera toward the sweeping architecture. The photo, taken in 2005, captures the museum’s bright, airy openness and its signature circular design.
A close-up shot of a bracket fungus with distinct horizontal rings on its brown and gray top surface, growing on a moss-covered tree trunk. The underside of the fungus is a pale cream color.
Here’s a clear, sensory-forward alt text tailored for Bluesky: **Alt text:** A large tree has split and fallen across a front yard and driveway in a suburban neighborhood after heavy rain. Thick branches sprawl across the wet grass and pavement, with scattered leaves and debris on the street. Two mailboxes stand near the curb, and the house behind the fallen tree appears intact. The scene shows storm damage and a blocked driveway.
A man stands at the base of an enormous sequoia in Sequoia National Park, his figure dwarfed by the tree’s massive trunk. A dark vertical burn scar runs up the bark, emphasizing its height and age. Surrounding pines rise tall but still look small beside the giant sequoia. Sunlight filters through the forest, highlighting the immense difference in scale between the man and the towering trees.
A hand holds a turkey–almond–cranberry protein bar close to the camera, showing its reddish‑brown, textured surface studded with small bits. Behind it, the package is partly visible, with bold text noting “Turkey,” “Almond + Cranberry,” “14 g of protein,” and “Gluten Free,” along with the brand’s slogan “Be Epic. Eat Epic.”
A row of bright red utility carts sits on their sides along a wooden dock in Friday Harbor, each chained to the railing. Their blue painted numbers appear out of order—12 beside 13, then 10 and 8—creating a slightly jumbled sequence. The wheels face outward like small black circles in a tidy line. Behind them, calm water and a tree‑covered shoreline frame the scene.
The Palmer House lobby feels like stepping into a living piece of Chicago’s history—glowing chandeliers, a soaring painted ceiling, and warm gold details that make the whole space shimmer. Plush seating clusters fill the room with a relaxed buzz as people chat, read, or work beneath the grand staircase leading to the Empire Room. It’s a blend of old‑world glamour and everyday life, where ornate architecture and quiet activity meet in a way that feels both majestic and welcoming.
This text comes from the Smithsonian website: The Hamons family business exemplifies the culture of roadside communities that sprang up as long-distance automobile travel increased. Carl and Lucille Hamons lived on Carl's mother's farm until the late 1930s, when they moved to the town of Hydro, Oklahoma. In 1941 they used Carl's inheritance to purchase a gasoline station with seven tourist cabins at Provine, a sparsely settled crossroads on Route 66 one mile southwest of Hydro. Neighboring businesses included a Texaco station and the Hill Top Café. Carl drove a truck for a living, and Lucille operated the gas station and cabins. They lived in the second story of the gas station; Lucille prepared breakfast and sandwiches for travelers on a hotplate in the first story. Lucille lived in the gas station until her death in 2000.
Inside Baxter Arena during the 2017 U.S. Olympic Team Trials for curling, several sheets of bright white ice stretch across the floor, each marked with red, white, and blue curling houses. Teams are mid‑play—some athletes sliding stones, others sweeping in quick, coordinated strokes. Spectators fill the stands on both sides, bundled in winter layers and watching intently. Overhead, a large scoreboard hangs from the rafters, showing live video and scores. Banners for Team USA and event sponsors line the rink, giving the space a crisp, patriotic feel. The whole scene has the focused quiet of high‑stakes competition, punctuated by the scrape of brooms and the low rumble of stones gliding down the ice.
A bright, whimsical piece of wall art from New Belgium Brewing’s Fort Collins tasting room, featuring a miniature red bicycle perched inside a little wooden house frame. Behind it, shredded green paper mimics playful foliage under a soft blue sky with fluffy clouds. Yellow gear-shaped accents sit in the top corners like sunny bursts. Bold lettering reads “Fat Tire Amber Ale” above a red “New Belgium” label, giving the whole display a warm, nostalgic brewery vibe full of color and charm. https://www.newbelgium.com/company/story/
Located on the Central Coast of California, this is the Hearst Castle. A grand Mediterranean‑style estate with white stone walls, red‑tiled roofs, and two ornate towers rising into a bright sky. The towers feature arched windows, carved details, and decorative spires, one topped with a cross. In the foreground, a person in a white outfit sits near classical sculptures, including a twisted column and marble figures. Palm trees, manicured hedges, and potted plants frame the scene, giving the space a lush, formal garden feel.
Early 20th-century Ford ambulance on display at the National WWI Museum in Kansas City, Missouri. The black metal vehicle with a wooden cab is surrounded by wartime posters and Liberty Loan propaganda, including one reading “FOURTH LIBERTY LOAN.” A digital screen offers historical context. Exhibit lighting highlights the ambulance’s role in World War I medical transport. https://theworldwar.org/
A vivid sky at sunrise or sunset, filled with dramatic clouds streaked in deep blue, orange, and gold. Sunlight streams through in radiant beams, creating layered texture and movement. At the bottom edge, a dark roofline and tree silhouettes anchor the scene, offering contrast and grounding the composition. The image captures a moment of intense natural beauty with rich color and dynamic light.
Close-up of a passion flower in full bloom, showcasing its intricate radial filaments—white-tipped and purple—surrounding a central cluster of green and yellow reproductive structures. The pink petals and sepals fade into soft gradients, framed by lush green leaves. The flower’s complex symmetry and vivid colors evoke a sense of botanical wonder.
This image captures the "Unknown First Family" statue in the Golden Heart Plaza in downtown Fairbanks, Alaska.
A geometric sculpture composed of dark metal rods forms a complex lattice of interlocking triangles and tetrahedrons. The structure casts sharp, angular shadows against a pale background, emphasizing its precise symmetry and architectural depth. The overall effect is both mathematical and sculptural — a striking interplay of light, form, and spatial tension.
Stone monument in the foreground marks the launch site of the Wright brothers’ first powered flight on December 17, 1903. A straight gravel pathway stretches across a grassy field, with several low markers spaced along the route—each indicating the landing point of one of the four historic flights that day. The scene captures the modest but groundbreaking distances achieved at Kitty Hawk, North Carolina.
Bustling seafood stall at Pike Place Market in Seattle, Washington. Fresh fish and shellfish are arranged on crushed ice, with handwritten signs listing prices for wild king salmon, halibut, oysters, trout, and buffalo fish. Smoked salmon and dried fruit are also visible. Overhead signage promotes nationwide shipping and hotel delivery. Behind the counter, vendors and customers interact in a lively, crowded atmosphere.
Scoreboard at Werner Park showing the Toledo Mud Hens lineup before a game against the Omaha Storm Chasers; crowd visible below.
take home a shark, if desired. we opted out of that.
a hotel lobby displays fabulous blooms in a miniaturized version of the carts that were traditionally used to transport coffee beans from farms to the cities for processing and distribution.
Vintage pickup truck with its hood open, painted in a bold American flag theme—blue with white stars on the front, red and white stripes along the sides. A U.S. flag is mounted at the rear, and the Nebraska license plate reads “OLGLORY.” The truck was an entry at the 2025 West Point Nebraska Car Show.
Live concert scene with red stage lighting and circular spotlights framing the band. A guitarist, Jeff Tweedy, stands center stage at the mic, while a drummer plays behind a vividly painted bass drum. Amplifiers, keyboards, and other gear fill the setup as the audience watches from below.
Rectangular retirement cake with white frosting, colorful confetti sprinkles, and a bright red, yellow, and blue border. Cartoon images show a person conducting a counseling session, and a cheerful computer character holding hand tools. Blue and green icing reads “Terry Enjoy Retirement,” with “Best Wishes ACP!” below. https://www.acpcounseling.com/
Close-up of a vivid pink begonia bloom with delicately layered petals, set against dark green and reddish leaves. Fine hairs from a nearby cottonwood tree give the foliage a soft texture, while the blurred background draws focus to the flower’s rich color and intricate detail.
Tranquil lakeside scene with tall grasses in the foreground, reflecting a sky filled with billowing clouds. Dense green trees line the far shore, framing the still water and creating a peaceful, immersive natural setting. https://www.visitomaha.com/listings/zorinsky-lake-park/63952/
Display case at the Borax Museum in Death Valley featuring vintage Boraxo hand soap containers, a boxed “20 Mule Team” boric acid tin, and a sample of borax crystals beside a large white mineral rock. The packaging uses bold red and black text on cylindrical tins with black lids, evoking mid-century industrial design. A small sign explains how borax crystals form as the saturated solution cools. The exhibit highlights the historical branding and chemical origins of borax-based cleaning products, rooted in Death Valley’s mining legacy.