University of Notre Dame Press

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The University of Notre Dame Press, the largest Catholic university press in the world, publishes academic and general interest books that engage the most enduring questions of our time.

Cover of Slade’s "Fusionism." Full author name and subtitle on cracked plaster. "Fusionism" in all caps over exposed cement wall. Five stars above and below wall. Color scheme red, blue, and off-white. Accompanying text: "How the American conservative movement lost its philosophical compass--and why it must be recovered."
The cover of Travis Curtright's "The Controversial Thomas More" rests on a plain navy background.
Photograph of a grassy field. Foreground shows grassy stalks. Background is blurred. “Summer Sale. Save 40% with code NDPSUM26. Plus, receive free shipping over $50! Buy now!”
The cover of Joshua Furnal's "Being before God" rests on a plain navy background.
Cover for Thames's "Endling Persecution." Full title and author name are in rust colored abstract representing roads or paths. "New in Paperback"
The cover of Pierre Manent's "Challenging Modern Atheism and Indifference" rests on a plain navy background.
Photograph of a grassy field. Foreground shows grassy stalks. Background is blurred. “Summer Sale. Save 40% with code NDPSUM26. Plus, receive free shipping over $50! Buy now!”
The cover of Jin Lu's "Translingual Catholics" rests on a plain navy background.
The cover of Robert J. Miller's "Faith of the Fathers" rests on a plain navy background.
Cover of "Political Institutions and Party System Change in Chile" by Eduardo Alemán. Features a government building and a centered red star. "Alemán offers the most comprehensive analysis to date of Chile's party system."
The cover of Daniel K. Williams's "Abortion and America's Churches" rests on a plain navy background.
The cover of Angela Franks's "Body and Identity" rests on a plain navy background.
The cover of David Bentley Hart's "The Light of Tabor" rests on a plain navy background.
Photograph of a grassy field. Foreground shows grassy stalks. Background is blurred. “Summer Sale. Save 40% with code NDPSUM26. Plus, receive free shipping over $50! Buy now!”
Cover for Curtright’s "The Controversial Thomas More." The full title and author’s name appear below a painting of a well-dressed man in a black and brown robe and a woman in a blue, red, and white dress. The man looks out of a window. "An original and critical intervention on the writings of Thomas More."
The cover of Joshua McMuller's "The Glacier Priest" sits on a navy background.
Cover of "A Gathering of Leaves" by David Bentley Hart features a pastoral landscape with trees and figures, under a serene sky. Title on a green background of the lower half.
Cover of "The Saint's Life and the Senses of Scripture" by Ann W. Astell, featuring an angel shown reading a book with a bearded man. "New in Paperback"
Cover for Purpura’s "Women in the Orthodox Tradition." The full title appears below and the author’s name appears at top. The central image is a colorful abstract painting of a robed woman holding a child in her arm. Circles surround the woman’s head. "An advocacy for women's voices, contributions, and diverse humanity within the church."
Cover of Slade’s "Fusionism." Full author name and subtitle on cracked plaster. "Fusionism" in all caps over exposed cement wall. Five stars above and below wall. Color scheme red, blue, and off-white. Accompanying text: "How the American conservative movement lost its philosophical compass--and why it must be recovered."
Cover of "Reason and Politics" by Mark Blitz, featuring an illustration of a classical column's capital and architectural geometry. Accompanying text: "New in Paperback."
Cover of Slade’s "Fusionism." Full author name and subtitle on cracked plaster. "Fusionism" in all caps over exposed cement wall. Five stars above and below wall. Color scheme red, blue, and off-white. Accompanying text: "How the American conservative movement lost its philosophical compass--and why it must be recovered."
Cover for "Theology of Health." Full title and author name on a being background with a tree of life with roots symbol centered in the middle. "New in paperback"
Cover for Curtright’s "The Controversial Thomas More." The full title and author’s name appear below a painting of a well-dressed man in a black and brown robe and a woman in a blue, red, and white dress. The man looks out of a window. "An original and critical intervention on the writings of Thomas More."
Cover of "Reason and Politics" by Mark Blitz, featuring an illustration of a classical column's capital and architectural geometry. Accompanying text: "New in Paperback."
Cover of "Fictions, Lies, and the Authority of Law" by Steven D. Smith. Features an aerial view of a beach with vivid orange and teal hues. "New in Paperback"
Cover for Zubia’s "The Political Thought of David Hume." The full title appears above and the author’s name appears below the central image of well-dressed man with a white powdered wig sitting in profile at a writing desk on an outdoor balcony. Accompanying text: "New in Paperback"
Cover for Thames's "Endling Persecution." Full title and author name are in rust colored abstract representing roads or paths. "New in Paperback"
Cover for O’Toole and McBride’s For and Against a United Ireland. The title and authors’ names appear in white text over a simple map of Ireland and Northern Ireland in pale green and dark green, respectively, and a dark blue background. Background repeats cover motif and states: "An accessible and measured approach to the polarized debate about Irish unification."
Cover for Duns's "Theology of Horror." Full title and author name are split by a zombie hand with nails scratching across the cover leaving bloody streaks. "New in Paperback"
Cover for Selçuk’s "The Authoritarian Divide." The full title appears above and the author’s name appears below. The central image is a black background with geometrical shapes in yellow, red, and blue toward the bottom. Accompanying text: "New in Paperback"
Cover of Slade’s "Fusionism." Full author name and subtitle on cracked plaster. "Fusionism" in all caps over exposed cement wall. Five stars above and below wall. Color scheme red, blue, and off-white,
Cover of "A Gathering of Leaves" by David Bentley Hart features a pastoral landscape with trees and figures, under a serene sky. Title on a green background of the lower half.
Cover for Robert J. Miller’s "Faith of the Fathers". At top is the full title and the author and foreword author’s names. Below, in black and white, is a group of uniformed soldiers. Behind them is a tent and flag, and in front is a large wooden cross.
Cover of Slade’s "Fusionism." Full author name and subtitle on cracked plaster. "Fusionism" in all caps over exposed cement wall. Five stars above and below wall. Color scheme red, blue, and off-white. Accompanying text: "How the American conservative movement lost its philosophical compass--and why it must be recovered."
Cover for Mian’s "Islamic Ethics and Spiritual Sovereignty." The full title and author’s name appear in a white box to the right of a painting of light and dark clouds and a dark blue sky. Accompanying text: "'Opens up new avenues, not only in the study of Islam and modernity, but in broader dimensions of comparative religions and cultures.' -Marcia Hermansen"
Cover for Knight and Wicks’s "Alasdair MacIntyre on Practical Philosophy." The full title appears above and the editors’ names appear below on a white background. The central image is an older man with glasses speaking over a yellow boxed background.
Cover for Robert J. Miller’s "Faith of the Fathers". At top is the full title and the author and foreword author’s names. Below, in black and white, is a group of uniformed soldiers. Behind them is a tent and flag, and in front is a large wooden cross.
Cover for Hertzke’s "Why Religious Freedom Matters." The author’s name and the main and subtitle each appear in their own white circles over a blue background image of slightly curved columns with dozens of horizontal diamond cutouts in each of them. Accompanying text: "'Allen Hertzke shows why everyone concerned about human flourishing should come to the aid of religious freedom.' -Mary Ann Glendon"
A person in a blue outfit stands smiling, holding a book titled "Translating Christ in the Middle Ages" They are in front of a Notre Dame Press book display.
Cover for Hart’s "Protestants and Patriots." The full title and author’s name appear below a painting of a large room, with a man in black robes raising his arm outward in front of a crowd of well-dressed people in the foreground and background. Accompanying text: "Discover a new history of Presbyterianism"
Book cover for Case's "Doubting Thomas." Painting of men in brown robes indoors. One gestures toward a man at right. Books line a shelf behind them. Accompanying text: "A deep analysis of four key debates between Aquinas and his contemporaries."
Book cover for 'You Are Gods' by David Bentley Hart features religious imagery set against a textured backdrop. The cover highlights themes of Christian thought, encouraging reflection on theological perspectives. The image conveys a scholarly and contemplative tone.
Smiling person holding a book titled "Medieval Holy Women and the Desire for Death" at a Notre Dame Press booth, surrounded by various displayed books.
Cover for Hancock’s "Love and Virtue in a Secular Age." The full title and author’s name appear above a statue of a robed Jesus, pointing outward with one hand and holding a thin cross in the other arm against his side. Accompanying text: "Hancock reveals the pressing need for renewed confidence in virtue and agency."
Cover of "A Gathering of Leaves" by David Bentley Hart features a pastoral landscape with trees and figures, under a serene sky. Title on a green background of the lower half.
“61st International Congress on Medieval Studies. Visit our Virtual Exhibit! Save 40% and Receive Free Shipping with Code 14ICMS26”. Left: A religious woman wears a thorned crown and holds Jesus on a flowery cross in her stigmata hands. A book and skull sit below her.
Stylized poster for "America's Future" Annual Gala. It shows a person running towards a large glowing doorway. Event details at the bottom, for May 28, 2026
“61st International Congress on Medieval Studies. Visit our Virtual Exhibit! Save 40% and Receive Free Shipping with Code 14ICMS26”. Left: A religious woman wears a thorned crown and holds Jesus on a flowery cross in her stigmata hands. A book and skull sit below her.
Cover for Zubia’s "The Political Thought of David Hume." The full title appears above and the author’s name appears below the central image of well-dressed man with a white powdered wig sitting in profile at a writing desk on an outdoor balcony. Accompanying text: "New in Paperback"
“61st International Congress on Medieval Studies. Visit our Virtual Exhibit! Save 40% and Receive Free Shipping with Code 14ICMS26”. Left: A religious woman wears a thorned crown and holds Jesus on a flowery cross in her stigmata hands. A book and skull sit below her.
Cover for Smith’s The Disintegrating Conscience and the Decline of Modernity. The title appears above and the author’s name appears below, with the central image of a dark smoky silhouette of a person standing in a field with grey clouds behind. Accompanying text: "New in Paperback"
“61st International Congress on Medieval Studies. Visit our Virtual Exhibit! Save 40% and Receive Free Shipping with Code 14ICMS26”. Left: A religious woman wears a thorned crown and holds Jesus on a flowery cross in her stigmata hands. A book and skull sit below her.
Cover for Selçuk’s "The Authoritarian Divide." The full title appears above and the author’s name appears below. The central image is a black background with geometrical shapes in yellow, red, and blue toward the bottom. Accompanying text: "New in Paperback"