@unseconds.bsky.social

@unseconds.bsky.social

271 Followers 217 Following

I want you to pretend that you know me, and because you know me everything I do makes sense. Lead developer on PUTRID/SHARP and the background artist on Parasensor :]

a dark photo with one bright lamp in the middle and a warm reflection of the light to the left.
a painting of a chair with an empty potplant on it next to a bench, the space is enclosed and dark but strong purple light hits the chair.
2/12/25. A comic. its split into three wide stacked panels. Panel 1 is of a car driving down a road with a big dust cloud behind it. Panel 2 is a closer up of that car with a dog furry looking cool leaning out of the window with sunglasses on. Panel 3 is that dog panting like how real life dogs would with a window. At the bottom is the text BEEEEEP. 12 mins
A two page comic. Page one has a wide panel at the top with two dog furry characters, one leans on the others shoulder. Panel 2 is another wide panel, a shot of their silhouettes staring at the city. There are two text bubbles. 1: "It's a really nice view" 2: "Yeah, I'm glad you let me drag you out" then a square panel of the dog looking nervous, with two linked text bubbles next to it. "To be honest -- Staring at pretty things never really "hits" for me" page two starts with a portrait of a dog with no panel, it has a text bubble under it: "Too focused on the fact it should mean something, effect me in some way, I guess" Under that is a wide panel of a dog staring up from someones lap. "Hm" Underneath the text bubble continues: "To be honest I think you have to have those thoughts to let them pass" theres a final bubble under it "and stare at more pretty things" Next to that bubble is a portrait of a dog looking cute.
A comic. The first panel is wide and contains a rabbit furry on the left and a dog furry on the right. The rabbit has a neutral expression and a speech bubble that is cut off so that the viewer cant see what they have just said, the dog looks concerned and has a speech bubble that says "Doesn't that scare you?". There is a smaller square panel under that of the rabbit looking surprised. then a square of the rabbit looking concerned. There is a wide panel of the rabbit looking kinda sad to the bottom left while the dog stares at them with a self conscious expression. Finally at the bottom of the comic outside of a panel is the rabbit looking resigned, they have a speech bubble that is cut off so that the viewer cannot see what theyre about to say.
29/11/25. a comic of 4 vertically stacked wide panels. The top panel is a hand pulling a clump of wool from a grotty sweater sleeve. The second is the same as above but the wool stretched abnormally. the third continues, the same as the second but more zoomed in with the wool clump almost looking like some kind of octopus clinging to the sweater. the bottom panel is that clump with splayed appendages, it has two small lines next to it to indicate its surprised. overlaid on the bottom panel is a drawing of the wool clump running away on spider-like legs. 9 mins
28/11/25. black and white comic. the top panel has an inset panel of an eye looking stressed, down to the right at a drawing of some kind of pupae overlaid on the right panels. the pupae has a text bubble in the top panel that reads "did you want anything?" under the eye says "no". the bottom right pannel has the text: the eye: "i figured you'd ask me for something actually..." the pupae: "why?" the eye: "i could be a part of it -" the text bubble is connected to the final bottom right panel "you changing". 8 mins
27/11/25. A square evenly divided into four panels. panel 1: "lately my art has been permeated by being sick". panel 2: a drawing of a bunch of overlapping tubes, they maybe evoke veins or roots. panel 3: a drawing of what looks like lungs but has moth appendages coming out. panel 4: "when youre sick long enough you forget what being not sick is. then you forget what being sick is, youre well. noticing feels- it takes you over"
A video of a tortoise shell cat playing on a rug
27/11. A hastily drawn comic. The top panel is a furnature store front with my mothsona looking at some form of cylinder, with two exclamation marks next to its head. there is an inset panel with a drawing of a rug with a price tag that is a crossed out $89 then $69 under it. overlayed across that panel and the bottom panel is a drawing of my mothsona holding the rug and walking with it. the bottom panel is a square that is the rug itself with a cat smiling on it. 6 mins
25/11. A comic with one large sqaure panel and a smaller panel off-centre inside it. The large panel shows leaves and plants for most of its frame, and then houses and a sun in the top corner. the smaller panel shows a bedroom thats mostly dark with an office and a figure drawing at their computer. 5 mins
23/11. a small comic with 2 small top panels and one larger bottom panels. panel 1: drawing of my mothsona looking to the bottom right clutching the bottom of its panel. panel 2: a close up of my mothsona looking to the bottom left with raised cautious/curious eyebrows. panel 3: a drawing of my mothsona from futher away taking up less of the frame, with the text "its wild how a limitation like this makes you think so hard about the form of the thing". 3 mins
22/11. A drawing with a lined orange box in the background, there is a rough black lined sketch of a cat looking a little annoyed in a sort of diagonal offset panel, and then a sketch of my fursonas head and a hand pointing to the cat with the hurried text "my cat got mad at me for getting my book to draw this". 2 min
A lined drawing with an orange box with two curved lines in the background, and then a navy drawing of a face made from 3 circles and simple spiky hair, with a text box that says "hi?" under it
A shot of a decaying person with eggs growing in their vaguely insectoid ribcage, behind them muscular strands of growth extend across the wall. They sit leaned on a table next to some kind of radio, there's a shuttered window behind them.
A room full of monitors and devices above an L shaped desk, its dark except for light emitted by a wall of monitors to the right.
a page that is a collection of sketches that have been digitally coloured on top of a brown almost inked butterfly wing pattern, there is a cut out photo of a glass dinosaur figurine and a sketch of it next to it, some teeth with their gums, someone lying on their side on the bottom left corner with their face mostly cut off by the frame, and a sketch of a moth person to the right. neon pink accents fill in the dinosaur, teeths gums and moths pants.
a night-time landscape painting, the sky is a vibrant blue, there is a footpath in the foreground and then a bridge with buildings fading into the distance.
a painting of a dog furry, their features are sharp and lean closer to a fox or rodent, they have long kinda wild hair. the colours in the piece are strange and saturated.
a mirror selfie of me with my face tilted, i have fun eyeliner on and a cool mullet.
Don’t touch me. You shouldn’t touch me. I wasn’t born good. But I thought I still could be. You know, I actually liked when the captain talked about how heaven was on merit; as long as you do good things, maybe you can one day be good… But then they said we don’t believe that anymore and it’s only what’s in your heart that matters. Just when I think I got it right, they changed it. I can try hard, but I think… God knows my heart isn’t really in it. And that was my only shot, right? Mom taught me to not touch others. It's just polite, you know. And dad taught me not to let others touch me. You gotta protect yourself if you're a girl, you know. But if it's only what I feel inside that matters, what am I supposed to do? I can't stop that kind of touch. So what if I just stopped trying not to, you know? It feels so strange and weird and bad to stop but I could, I really could, I think? And how nice that would be. - Jupiter
A digital painting of a a person from behind with red wavy hair hugging a scary entity with look root like fingers and two melded faces, the creatures first face seems distant and surprised, the second face is couched in the persons shoulder, returning the hug. they are in front of a simple door. the palette is of blues and greens contrasted with reds and oranges, there are a lot of noisy black shadows in the piece, the person is also hard to tell apart from the creature on first glance.
A digital painting of someone casually lying down propped up by their arms. Their face is cropped off just before their eyes would be in the frame, and they're smiling slightly. the colours are very saturated and the background is very textural. The palette is bright oranges, blues and purples with dark tones being desaturated greens.
A digital painting of a person sat casually on grass next to a fence staring at the viewer calmly. The painting takes place at night and leans into a night time feel, with a palette of pinks and very cool greens and a bunch of different textures including scratchy hatched lines. A lot of background elements subtly warp around the subject with combined with an unnaturally light eye makes her seem almost supernatural.
a portrait of james from silent hill 2 from a three quarter perspective, there is slight texture to the piece.
A digital painting of a person sitting on a concrete bench in a city setting at night staring at the viewer and smiling slightly. A lot of the background elements are abstracted and the painting leans very heavily into a purple and blue colour palette.
a grainy painting of a human crossed with a bird, the tone is horror with the creature squatting unnaturally and a long sharp opened beak. the palette is of off pinks and greens. there is an almost intestinal tendril texture on the creatures tail and torso
An illustration of a pine ladybird, a largely spherical ladybug like bug, the lines were made seemingly without pen pressure but the thinness of the lines and line quality makes them organic, the colours lean towards greens with the red markings on the bugs carapace the main point of contrast.
A painting of a tree trunk with smudged thick paint strokes, the background is a light yellow grey and it extends into the trunk as silhouetted grass blades
a drawing of the pokemon shinx, they are standing in side view but facing the viewer with a pleasant expression. there are saturated and varied colours as well as crunchy post processing. the ears are notably larger than an average shinx.
A page of cluttered overlapping sketches with a soft purple green and red palette, from top left to bottom right the sketches are of half a face, a shirtless person with top surgery scars and odd blank face stylisation, a golemn looking entity with top surgery scars, a harpy, and a red silhouetted face with a dot for an eye as the only detail.