ValentinaPaz

@valentinapaz.com

2046 Followers 326 Following

Artist of things Fantastique. She/her. Drawing and painting #Art #OriginalArt #FurryArt #Fanart tags: #ControlRemedy #AlanWake #DragonAge contact@valentinapaz.com Commissions valentinapaz.com/commissions/ Prints inprnt.com/gallery/valentinapazart

A female Drifter kissing The Lotus/Natah's cheek.
First panel: Emily walking toward Jesse, a small metallic object hanging from her left hand. In the middle of the room is Dylan inside a containment unit, still in a coma. Jesse is sat down on a couch's arm, she's hunched over her pack. Second panel: Jesse is holding her backpack tight with one hand, the other hand she's holding to her mouth, as if whispering into it. Third panel: Emily touches Jesse's back to call her attention. Dylan's chest can be seen on the foreground, the Aberrant inserted in his chest and distorted. Fourth panel: Emily searches Jesse's face but she's looking at Dylan in the containment unit. Fifth panel: Emily demands an answer from Jesse but Jesse is avoiding looking at her.
Portrait painting, an interpretation of Melita from Zero Parades: For Dead Spies. Her eyes and half of her face are obscured by saturated red shading.
Hershel Wilk and Melita from Zero Parades: For Dead Spies.
Hershel and Melita from Zero Parades: For Dead Spies. The left side of the bed is empty, a telephone has clumsily fallen on the bed, the cord is stretched and wrapped around Hershel's wrist. Hershel is looking doe-eyed at Melita, she's resting her hand on Hershel's chest, gently covering her the bullet scar
Jesse Faden from Control: Resonant.
Melita from Zero Parades: For Dead Spies. Image on the left is the intact portrait from the game. On the right is a poorly re-assembled version of the scrambled image, done in a failed attempt to stave off the grief caused by finishing the game.
Eleanor Nightingale from Warframe
Eleanor Nightingale sitting on the floor, resting her arms on Natah's lap, looking up at her face. Natah is looking down and smiling at Eleanor.
Natah from Warframe
A humanoid creature gently holding a big snake.
A humanoid creature holding a snake.
A scene after an Old Gods of Asgard concert, featuring a myriad of characters from Alan Wake and Control videogames.
A blue Kobold sat at a dinning table illuminated by candlelight. The kobold is rising a glass of wine.
Jesse and Dylan Faden. Dylan is painting a portrait of the two of them. Behind them are scattered props representing their separate journeys.
A surrealistic humanoid creature fused to a wall.
catnip plant
Two humanoid creatures.
Young man and his fantasy pet.
Feline anthro character.
A humanoid creature struggling to remove a red string or worm-like substance from its ear. The creature has a skull instead of a face, it's yelling and distressed. Bones of lower jaws belonging to reptile-like creatures are behind the humanoid in a circular formation.
Pink humanoid creature.
Dylan imprisoned. The glass walls are covered in drawings of trees.
Ahti and Jesse Faden
Dylan screaming. The word "REDACTED" covering his eyes. The Hiss incantation is written on the background.
Jesse and Dylan playing on the Shüm arcade machine.
Jesse and Emily talking outside the Board room. The black pyramid looming behind them.
Kiran looking at Rose.
Jesse sleeping next comatose Dylan.
A scene after an Old Gods of Asgard concert, featuring a myriad of characters from Alan Wake and Control videogames.
jesse looking at emily with homosexual intent
Surrealistic humanoid creature.
A humanoid reptilian creature. A small gecko rests on its tail.
Big dragon blowing bubbles.
Muscular lizard man changing a light bulb.
Panel 1: An enormous cubical structure, distorted and disintegrating into the air, sits on an infinite body of still water. On the foreground there are remains of a bridge that in a distant past led to the structure, a boat waits on the edge. Captions (the black box containing the captions has a distortion on the right edge): NARRATOR: Some doors are better left closed. Panel 2: A figure holding a mop stands in front of the boat, wearing torn pants and worn shoes. The boat is full of cleaning products. Panel 3: Warlin Door is rowing on the boat towards the distorted structure. A myriad of objects can be seen on its base. Panel 4: Warlin holds a piece of a painting depicting a young Freya holding baby Saga. On the background can be seen a desk with a picture of Door and Ahti, and on the floor, a framed poster of Ahti and the Janitors. Captions (The caption box has distortions on both edges now): NARRATOR: Because this…
Panel 1: Inside the Oldest House. Arish is struggling, holding Emily from the waist. She’s yelling and about to hurl an HRA to a group of researchers. Underhill is behind her trying to take the HRA from her. Emily’s face and fingers are covered in scars, her hands are bandaged. Her wedding band looks particularly bright. No one is wearing an HRA. On the wall behind them can be seen design plans for a cubical structure, on one of them it can be barely read “SARCOPHAGUS”. On the desk below there are a myriad of documents, folders and instruments, and a small framed picture of a couple wearing white suits. Captions: EMILY: FUCK OFF! No one is separating them until— UNDERHILL: Doctor, be careful with your hands. Panel 2: On the left, the group of researchers are standing still. On the center, Arish is angrily pointing at them, he’s wearing a full protective black armor. Underhill standing in front of him is holding the HRA she took from Emily. Emily is walking away towards Langston who’s manning a console. The room is in disarray, full of computers, whiteboards, documents and folders, and consoles. Caption: ARISH: We gave you an order: Shut the fuck up and wait. LANGSTON: He's ready for the check-up, Doctor. Panel 3: Langston is standing in front of a control console. Behind him, screens show what appears to be a camera feed of a containment cage. He’s holding both his hands in front of him. His suit and tie look well put together, unlike his saddened expression. Behind him, Emily is walking past an opening containment gate into a blinding white light. Arish pats Langston on the shoulder on his way following Emily. A few warning signs can be read on the shelter gate: CONTAIN CHAMBE INTERDIMENSIO HAZARD NO HRAs ALLOWED Captions: EMILY: Thank you, Frederick. LANGSTON: Sure.
Panel 1: Parliament Tower entrance hallway. An FBC agent wearing a contamination suit closes a black body bag laid on a stretcher. Next to it, Sarah Breaker is talking on the phone, a troubled expression on her face. Another FBC agent in a contamination suit is walking away, carrying a containment box housing the Angel Lamp. Its lightbulb is broken. Captions: SARAH: Hey, Timmy. Yeah, it was Wake, so I'll need you with me at Wheeler's place. Panel 2: Outside Valhalla Nursing Home. The windows on the Writer’s Room are broken, water coming out of it and down the entire building, as if there was a sudden, explosive flood from within. In the foreground, to the right are two FBC agents. One is wearing a contamination suit and holding a black suitcase. The other is holding a clipboard on one hand and with the other is pointing at the bench in the center. On the left, sitting on a bench is Rose. She's wearing her nurse outfit and looks worse for wear, her pants and shoes are damp. She has a blanket drapped on her shoulders and is holding a coffee cup while staring down at the bench in the center. On the center bench, an analogue camera is resting on a white towel. Captions: FBC AGENT: That's the camera she found with Wake's body. Panel 3 Barry Wheeler has opened the door to his apartment, outside Sarah and Tim Breaker are waiting. Captions: BARRY: And who the hell are you supposed to— Sheriff Breaker? SARAH: Hi, Barry.
Panel 1: A limp hand is barely holding the frayed remains of a red charm bracelet. On the background, Casey and Kiran are running towards it. Panel 2: Close-up of Casey and Kiran. The framing obscure Casey’s eyes, yet tears can be seen running down his face. Kiran has a troubled expression. Captions: KIRAN: ...fuck. Panel 3: Casey has fallen to his knees, Kiran behind him. In front of them Tor and Odin are walking out of Cauldron Lake. Odin is holding Tor’s shoulder while Tor is carrying Saga’s body, his head resting on top of hers. Mirror Peak is looming over the tragedy. Panel 4: Outside a house. Tor and Odin are waiting as Kiran and Casey are at the door. Kiran is holding Casey by his shoulder with a worried expression on her face. Casey is snarling at her while knocking on the door. Captions: KIRAN: Alex, wait! You don't have to do this. Let me— CASEY: Fuck off, Kiran.
Remedy Connected Universe Timeline
Jesse and Dylan Faden.
Jesse and Emily sharing the last hair left in the Oldest House.
Ahti's image on a screen illuminating a desktop.
Graphics showing an explosive amount of bandwidth used today.
A scene after an Old Gods of Asgard concert, featuring a myriad of characters from Alan Wake and Control videogames.