Walter M. Rafelsberger

@walterra.dev

882 Followers 2242 Following

Data Visualization Engineer @ Elastic. walterra.dev

Lord of the Rings book close up
Screenshot tirol.orf.at Artikel Tiroler Schützen
Screenshot orf.at: "PV-Fördercall: Topf nach 33 Sekunden ausgeschöpft"
Blick von der Steinplatte nach Erpfendorf und Kirchdorf. Im Hintergrund Niederkaiser und Hohe Salve.
Screenshit mit Text: Auch beim zweiten Fördercall für Investitionszuschüsse Photovoltaik wurden fast 28.000 Förderanträge eingereicht. Aufgrund der deutlich geringeren Fördermittel konnten jedoch leider nur knapp 3000 Förderanträge berücksichtigt werden. Die Prüfung dieser Anträge wurde bereits abgeschlossen.
Gwirchtalm.
Eingang des Raiffeisen Haus Oberndorf.
Screenshot from AP Exclusive: Nvidia’s Jensen Huang says society needs ‘new social norms’ in the age of AI with snippets: Huang contended that there is a need for some government regulation and safety standards for AI, emphasizing that national security also needed to be a priority for the technology that has been powering stock market gains and U.S. economic growth in recent years. Huang said society will adapt to AI just as it did to automobiles. He said cars were once portrayed as killing children, but the world changed its norms by having sidewalks and crosswalks and stopping kids from playing in the streets.
Screenshot Fronius App mit Live Data
Blick vom Fuschertörl runter auf die Grossglockner Hochalpenstrasse.
Pre-Glocknerkönig Nudelparty. Zwei Töpfe mit Tomatensauce und ein Topf mit kochenen Nudeln auf dem Herd.
Bergamont gravel bike with dark olive/bronze carbon frame and Shimano GRX groupset, leaning against a red KitzSki banner outside a building at a ski area base station.
A utility closet with a Fronius Symo GEN24 10.0 Plus hybrid inverter wall-mounted above a Fronius Solar Battery (Reserva) 9.45 kWh stack on the floor. A gray expansion vessel and plumbing fittings are mounted on the adjacent wall. Wiring and cable trays run along the ceiling.
Screenshot von X (Twitter). Oben ein Post von profil (@profilonline), der einen Artikel von Franz Schellhorn mit dem Titel „Wie man 1,7 Millionen Arme erfindet” teilt. Dazu der Text: „Würde man jedem Haushalt eine Million Euro vor die Tür legen, wären genauso viele Menschen armutsgefährdet wie am Tag zuvor.” Das Vorschaubild zeigt ein Porträtfoto eines Mannes im Anzug mit dem profil-Logo. Darunter ein Kommentar von Gabriel Felbermayr (@GFelbermayr): „Das mag vielleicht ein polemisch formulierter Titel sein, stimmen tut er aber trotzdem …“​​​​​​​​​​​​​​​​
Screenshot derStandard Milo Rau Interview
Screenshot ORF Tirol Brenner Demo.
TIWAG Dashboard Versorgung.
Screenshot ORF Tirol.
Strava Screenshot mit Tour im Kaiserwinkl.
Gravel Bike und Wilder Kaiser.
A man wearing a tan baseball cap, orange-mirrored sunglasses, and a grey t-shirt featuring a VW van/Star Wars AT-AT hybrid illustration sits in the driver’s seat of a VW T4 van. He’s smiling slightly and looking down at a small Grogu (Baby Yoda) plush puppet tucked into the passenger seat beside him, secured under the seatbelt. Sunlight comes through the window on a bright day.
Blick vom Scheibenwald auf Kössen im Kaiserwinkl: saftig grüne Almwiese im Vordergrund, dahinter das Inntal mit den Dörfern im Tal, umrahmt von den Chiemgauer Alpen. Am Horizont die Kampenwand. Blauer Himmel, Sommerlicht, ein Paragleiter schwebt über dem Tal.
A traveler in black rolls a silver suitcase down platform 6 at Venezia Santa Lucia station, heading toward a red ÖBB Railjet locomotive waiting for the 11:35 departure.
Zhanna Kadyrova’s Origami Deer — a concrete sculpture in angular, folded geometric form — suspended by pink straps from a crane on a flatbed truck near the Giardini entrance at the 2026 Venice Biennale. Originally installed in Pokrovsk, eastern Ukraine, the work was evacuated as the Russian frontline advanced and traveled through six European capitals before arriving here. Part of Ukraine’s “Security Guarantees” pavilion, it hangs in permanent limbo — displaced art mirroring a displaced nation.
Thousands of postcards covering every wall floor-to-ceiling inside the Spanish Pavilion at the 2026 Venice Biennale — Oriol Vilanova’s “Los restos” (The Remains), a grid of images collected over 20 years from flea markets across Europe, organized by theme without hierarchy. Landscapes, sculptures, churches, and crucifixes tile the space like a vast anti-museum of discarded memory.
“DANGER! Beware of seagull (they eat your food!)” — a bilingual warning sign plastered on the glass of a Biennale café in the Giardini, complete with dive-bombing gull illustrations. The real apex predators of Venice aren’t in the pavilions.
Biennale Arte 2026 sponsor board in the Giardini sunshine — Bulgari tops the bill, followed by illy, American Express, Bloomberg Philanthropies, Venezia Unica, Quattro Gatti, and media partner Rai. The price of admission to the world’s most political art show, brought to you by Roman luxury and Italian espresso.
A crowd gathers in the sun outside the Austrian Pavilion at the 2026 Venice Biennale, necks craned upward as a blue Felbermayr crane hoists a large bronze bell and a sculpture above the rooftop — part of Florentina Holzinger’s “Seaworld Venice,” blurring spectacle and provocation against a clear blue sky.
Detail of the German Pavilion at the 2026 Venice Biennale — the name “ENZO” rendered in mosaic tile on the building’s exterior, framed by geometric panels in muted earth tones. Green tree canopy and blue sky peek above the pavilion’s heavy stone cornice.
A scrappy yucca plant and trailing herbs sprouting from a repurposed Billa supermarket basket, wired to a crumbling stone windowsill with iron lattice grating behind. Peak Venetian resourcefulness meets urban gardening.
A blue cargo boat loaded with silver beer kegs and crates makes its way down a narrow Venice canal — the original draft delivery service. A gondolier in stripes navigates in the opposite direction while colorful mooring poles and sun-baked palazzi line both sides.
A delivery boat piled high with cardboard boxes and red crates navigates a Venice canal, a worker leaning casually against the stack — proof that even Amazon Prime needs a boat in this city. Weathered palazzi and wooden moorings line the waterway behind.
A two-scoop gelato cone — what looks like vanilla on the bottom and chocolate-swirled hazelnut on top, already starting to melt in the sun — held up against a sun-drenched Venetian canal with water taxis and boats passing below a stone bridge railing.
Fresh tagliolini showered with generous shavings of black truffle, served alongside a towering fritto misto of calamari, shrimp, and vegetables with aioli dipping sauces at Osteria Da Bubi, Venice.
Bagger in Venedig.
Abendstimmung am Schlosserbergsee (Speicherteich) im Skigebiet St. Johann in Tirol. Ein stiller Bergsee spiegelt die schneebedeckten Gipfel des Wilden Kaisers und den Sonnenuntergang. Im Mittelgrund eine dunkle Fichtenreihe, im Vordergrund grüne Almwiese mit Zaunpfahl am Uferrand. Zarte Schleierwolken am goldorange gefärbten Himmel.
A mountain bike leans against a wooden wayside crucifix on the Harauer Alm in the Kaiserwinkl region. Behind it, the jagged peaks of the Wilder Kaiser and the Kitzbüheler Horn rise under a dramatic sky of sunlit cumulus clouds. Green alpine pastures, scattered boulders, and a gravel trail frame the foreground, with patches of late-spring snow still lingering by the shrine.​​​​​​​​​​​​​​​​
Screenshot der faltershop.at-Webseite mit dem Buchcover von „Ab nach Hause” von Gerald Grosz, eingeordnet unter Buch > Sozialwissenschaften > Allgemeines. Das Cover zeigt drei Personen von hinten mit Reisetaschen, darunter eine Person in einer Burka, die eine Straße entlanggehen. Am unteren Bildrand ein Banner mit „Jetzt portofrei bestellen”.​​​​​​​​​​​​​​​​
Screenshot der SPIEGEL-Bestseller-Webseite mit dem orangefarbenen SPIEGEL-Bestseller-Logo und einem Textabschnitt, der erklärt, dass der Begriff „SPIEGEL-Bestseller” zu einem wertvollen Prädikat für Bücher und Autoren geworden ist und DER SPIEGEL mit seiner Marke für Qualität und Seriosität steht.
Rocket at Achenloch.
Achendelta.
Blick vom Chiemsee zur Kampenwand.
Mehrere Bäume in einem Ufergehölz mit sichtbaren Biberfraßspuren an verschiedenen Stämmen. Die Rinde ist stellenweise großflächig abgenagt, das freiliegende Holz leuchtet orangefarben. Im Hintergrund sind ein Geröllbett und ein Fluss zu erkennen.
Terrier mix Rocket stands on his snow-covered rocky outcrop at Achenloch lake in Kaiserwinkl, Tirol, during gentle snowfall. The dog is on a leash, looking down at the clear, unfrozen water while snowflakes fall around him. Snow blankets the surrounding willows and branches, creating circular ripples in the calm water. The scene has a peaceful, wintry atmosphere with bare trees lining the distant shore under an overcast sky
Beaver cut a tree that now blocks a gravel road. Dog Rocket on a leash tries to pass.
Agent Skills for Elastic, install using: npx skills add elastic/agent-skills
A hand holding a vintage German children’s non-fiction book titled “Computer und Roboter” (Computers and Robots), Band 37 (Volume 37) from the “Was ist Was” (What is What) series, published by Tessloff. The cover features a collage of 1980s-era photos: a child and adult using an early home computer with Atari game cartridges visible, a CGI blue humanoid figure from what appears to be the film Tron, an industrial robotic arm, the golden robot C-3PO from Star Wars, and an early personal computer with a colorful bar chart on screen.
Wilder Kaiser von der Angereralm aus.
Terrier mix Rocket drinks from the clear, shallow water at the edge of Achenloch lake in Kaiserwinkl, Tirol, standing on his familiar rocky outcrop. The dog is on a leash, tail raised, as he leans down to the water. Golden-brown grasses and bare winter branches frame the scene on the left, while the calm lake reflects the overcast sky. Snow patches dot the distant shoreline, with bare trees and forested hills visible through the winter haze.
skinning Schneiderberg.
TFU Dust Collector
Bambulab 3D printiner inside cam look printing TFU.
eddo v0.8.0 project dependencies view (zoomed in)
A 10-year-old terrier mix named Rocket wearing a plastic cone (Elizabethan collar) squeezes through a beaded doorway curtain on a tiled floor, bathed in warm golden sunlight. A stainless steel food bowl filled with kibble sits in the foreground, just out of reach.
1 fogthed the spuce shi it Bluerints were coing i he the largest project I' ever work on. I was wrong. Our game's edtor has more lines of code. - Bavid Ray, Were ef Wereraft database/teels programmer At ite Nevember 2004 launeh, World of Wareraft (WeW) was the biggest game ever made, pushing past twe million lines of code, roughly four times the size of meet top-tier computer games. Ite development team and budget were larger than any of Blizzare Entertainment's previous projecte, Ite subscriber base grew to t size of the world'e biggest alties and generated a virtual ge economy comparable to the GDP of small nations. The cor became
Terrier mix Rocket.
screenshot of eddo teaser page, a todo app with GTD heritage for developers and thei AI coding agents.
3D model of a hairdryer holder in Tinkercad. The design is a dark gray cylindrical cup with a flat back edge for wall mounting and a U-shaped cutout at the bottom front for the hairdryer handle to hang through. Dimensions shown: 57mm wide, 40mm deep, 46.23mm tall. The model sits on Tinkercad's signature blue grid workspace.
### Authentication: "Brittle Auth" The MCP server uses a simple header-based authentication called "brittle auth" (named because it's straightforward HTTP headers without tokens/OAuth). It validates users against a CouchDB user registry.