Louise Weard

@weard.moe

3891 Followers 309 Following

maker responsible for all unnecessary sex scenes https://louiseweard.com/

Louise Weard and Avalon Fast at Fantasia Film Festival, standing in front of the Castration Movie 3 poster designed by stupid twink, featuring Avalon’s character as a drawing standing next to a coffin.
aoife josie clements wearing a castration movie 2 t shirt. on the shirt is lex walton holding the geese gun with the text “will the circle be unbroken”, designed by remy boydell
adeline in a maid outfit
Castration Movie Anthology ii. The Best of Both Worlds Blu Ray artwork by Cate Wurtz, featuring a drawing of Lex Walton holding a gun to her head while light shines down on her.
pam from the office: “it’s the same picture”
photoshop doc with a michaela avatar on side a of a record design
Hi Louise Weard, We have reviewed your appeal for the following: Channel: Louise Weard We reviewed your channel carefully, and have confirmed that it violates our sex and nudity policy. We know this is probably disappointing news, but it's our job to make sure that YouTube is a safe place for all. How this affects your channel We won't be putting your channel back up on YouTube. Learn about your resolution options. Thanks, The YouTube team
I also wanted to give an update for the release date of Anthology iii. -- as of right now it looks like we will be pushing it back to 2027. I want it to build on the momentum of Chapter 3.2 and there's some great scenes we have left to film, so I'll be shooting for the next several months to get it to perfection. Once again, if you pledged for the online premiere ticket, tune into the Discord as there will likely be the random chance to see some test screenings of certain sequences as I work on it. We are currently planning to split Chapter 3.2 Junior Ghosts-Premorphic Drift out as its own movie (consider it Castration Movie Part 2.5) as Anthology iii. is pushing five hours without it and the story flows better this way as we are moving a planned arc from Anthology iv. into Anthology iii. This feels like the best way to present the overall story of Castration Movie and it means there will be more movie sooner. Our anticipated release date for Anthology iii. is now early 2027, so Chapter 3.2 will be having it's full release in the Fall.
In 2023, the Parliament of Canada passed the Online Streaming Act to update Canada’s broadcasting system for the digital age. On May 21, 2026, the CRTC, which is responsible for implementing the Act, announced new requirements for large foreign streaming services and Canadian broadcasters to spend a portion of their Canadian revenues on the acquisition or production of Canadian programming. The CRTC’s new requirements would impose new costs on the companies providing these services, which could ultimately fall on Canadian consumers through higher prices. At a time when Canadians face cost-of-living pressure, now is not the time to make culture and entertainment more expensive. To that end, the government will develop new policy directions to adjust the implementation of the Online Streaming Act.
Henri Gillespi and Avalon Fast smoke cigarettes on a stoop
felt pen written on a restaurant ceiling “avalon+louise camp miasma 2026 team vfx emilia perez 18.05.24”
Camp Miasma team at the Cannes premiere.
louise weard and avalon fast at cannes
Avalon Fast at Cannes
louise as a cat, drawn by remy
louise holds a vhs tape that says "louise weard's castratin mix tape: the 100 best kills live show" with art that is crudely drawn dicks being cut up and shot and lit on fire.
Lex Walton holding a revolver to Emily Green in Ezra Furman music video
Criterion Channel web page 404 error. Sorry!
Criterion Channel web page with Castration Movie Anthology i. Traps.
But, in terms of the history of trans cinematic representation and of trans feminine cinematic representation, it’s so often expressed as, like, a trope of the trans woman sex worker who’s, like, a dead body on a CSI or whatever, SVU type show. This idea of like the dead trans sex worker’s body as an object of fixation within the cinema is very interesting. And I think that, for me, it was really important to pull that character more towards something in real life that humanizes her and deepens her and makes the sex work the least interesting or significant part of her identity. It’s kind of a way of, like, interrogating the existing images of trans feminine bodies on screen and also presenting something that’s very real. You know, like, lots of my friends are sex workers, that’s a community I’ve been a part of, why not make a film that depicts it in a way that’s sophisticated and mature.
like, mythological structure to it. I have very traditional structure to my work where his doesn’t. I was a big Joseph Campbell fan, I love the idea of, like, monomyths and sort of like what I’m trying to tap into in terms of the storytelling of Castration Movie is like, you know, taking a story about a sad, lonely trans sex worker and making it like something that has, like, an Odyssean quality to it. Or, you know, Part ii is very like an orphic tradition, like Dante’s Inferno and Paradiso and stuff like that. I have high literary benchmarks, and my cinematic benchmarks are moreso from the more experimental art world and early cinema. I think those are the cleanest answers to that question. You know, actually? I will add I’m such a bottomless pit of hunger for art, like the influences on this are, like, everything I’ve ever seen or read, or every conversation I’ve encountered on a street or heard in a coffee shop.
Film Obsessive: So, to lighten it up a little bit, what or who would you say are some of your biggest influences as a filmmaker? Weard: Oh, that’s a really good question. I try to always try to mix up the answers to this. I’m really a huge fan of silent cinema, or maybe more appropriately, early cinema, like pre-sound-era cinema. I mean, there was always sound, people played music, so silent isn’t an appropriate term. But, G.W. Pabst’s adaption of Pandora’s Box is phenomenal, I’m also a huge huge fan of his movie Diary of a Lost Girl starring Louise Brooks, where I took my first name from her. She’s one of my favorite actresses of all time. I’m a huge fan of those because they’re very intimate human portrayals of sex workers. Both as movies from 1929, it’s honestly just, like, phenomenally beautiful to see something, especially, like, Louise Brook’s performance as the lead characters in both of those are just kind of awe inspiring
castration movie anthology iii now on kickstarter image or angel holding a crucifix
louise weard and avalon fast stand in front of a projected screenshot of castration movie part 3 with henri gillespi and avalon smoking cigarettes
Castration Movie on Kanopy
Aoife Josie Clements as Adeline. She has a blonde wig on and an unlit cigarette in her mouth.
Weard was praised by the Sicilia Queer fest for pioneering a “radically nonconformist — but also rebellious and romantic, comical and humanist” body of work that “can truly be called ‘New Trans Cinema.'” The fest added: “Through these two figures, the SQFF confirms its role as a hotbed of exploration and discovery and will host an unprecedented intergenerational dialogue, a symbolic passing of the baton from a director who has helped shape visions of freedom and revolutionary fantasies to a filmmaker who today explores the contradictions and paradoxes of the queer community with pathos and humor, highlighting the need for new forms of freedom.”
a dvd copy of Night School with art of a vampire with a stake in its heart
Night School text on black background
chapter three polygon!!!! heartmoder
A film by louise weard
timecode going up to 4:39:21
Video shows Aoife Josie Clements holding a cigarette. Followed by company logos for Muscle, Matchbox Cine, Static Vision, and Hentai Cop
One second video clip of Adeline in the blonde wig with a cigarette in her mouth, looking haunted.
Aoife Josie Clements as Adeline in a screenshot from Castration Movie Part 3. She wears a blonde wig and has an unlit cigarette.
A photo of a laptop with OBS studio importing footage of Aoife Josie Clements in Castration Movie. Next to it is an orange hard drive and a Hi8 Camcorder.
Louise holds a copy of Castration Movie on blu ray. She is wearing a hat that says Gay24 and a shirt that says castration movie.
Louise Weard as Michaela in Castration Movie in a still image of her smoking a cigarette in close up, her eyes looking towards the camera. Filmed on 16mm Kodak Vision3 250D stock.
text message chain. 1. Get the money to shoot the rest of the movie in 35mm 2. No that's the right call 3. We'll shoot it all in 35mm and transfer back to hi8 4. Now we are cooking
Robyn Adams Liv Agar Carley Aggromito Penny Andrews Magda Baker Dakota Blais Rebecca Chalon Aoife Josie Clements Dionne Copland Greta Doyle Vera Drew Avalon Fast Davia Lee Fiddler Henri Gillespi Audrey Kerridge Sepi Mashiahof Charlotte Miller Tess Paul Edith R.Y. Kalika Rose Ada Rook Lila Ann Sangha Jane Schoenbrun Audrey Storey Abigail Thorn Louise Weard Marissa Wright And featuring music by Isobel Fox, Lex Walton, Prairie Princess, Estelle Allen, Uboa, Ravine Angel, and more. And guest writing by Alison Rumfitt and Heather Landsman.
castration movie shirt
Twin Peaks: Fire Walk With Me (1992) Breaking the Waves (1996) The End of Evangelion (1997) Crime Wave (1985/John Paizs) The Flicker (1966) The Texas Chain Saw Massacre (1974) Tongues Untied (1989) Pandora's Box (1929) Forrest Gump (1994) To Boldly Flee (2012)
art by remy boydell. adeline and the cast of castration movie as animals in a theatre.
louise weard in the umbrella blu ray closet, wearing a lex walton t shirt and an umbrella hat
Castration Movie Chapter iii. Junior Ghosts—Premorphic Drift; a fragmentary passage In this bold new chapter of Louise Weard’s trans epic, a heterosexual couple are upended by an abrupt transition.
Paris Hilton in front of the text See Paris Die! May 6th with a second image of a t shirt with the same text. Promo for House of Wax.
[Brooklyn] What do you mean, you were building something?
vera drew wearing the castration movie scarf with the text “this is not really the right way to wear the scarf (it’s falling down)”
a reddit post from r/mildlyinteresting with the caption “walked by this opened and abandoned “i got castrated” ribbon in my apartment’s mail room” and an image with a castration movie rosette
Louise Weard wearing the Castration Movie “For your consideration” scarf
Castration Movie poster by Remy Boydell
a review of Love Exposure dated Sep 26, 2012
castration movie anthology i on letterboxd. says “rent now on letterboxd”