Webster Film Series

@wufilmseries.bsky.social

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The Webster University Film Series, St. Louis' cinematic alternative since 1979. www.webster.edu/film-series

A woman standing at the sink in a bathroom, wearing an aquamarine coat and surrounded by aquamarine tiling
Grid-style calendar of our August schedule, replete with an assortment of stills from the films we are showing: pixilated flowers, a still from Seeds, Maggie Cheung a couple of times
A girl is practicing boxing in a ring with an older coach
A man gently hugs a woman from behind
July calendar with little stills of movies in the boxes of dates when they will be playing
A young girl and her mother press their hands together on a train, with a window between the two of them
Paula Beer's character rests her chin on her palm as she gazes into the middle distance
The backs of seven or eight people's heads in the foreground as they watch many more people and tent in the distance
An animated monkey director in the Dennis Hopper mold explains something to a glasses- and rings-wearing blue monkey
Tony Leung thoughtfully admiring the leaves of a tree from close range
Hedwig on stage, all glam-rocked-up, opening a large cape that has "Yankee go home with me" painted on the inside
A young woman standing on some rocks by the sea looks at a young man, who is also standing on some rocks by the sea
A little girl sits on a bench and looks out into the distance while a doppelganger of her head, the size of a small hill, stares at her
The theatrical one-sheet for Marc by Sofia, featuring an image of a doll or something with its hair in its face sitting on a chair and leaning against a wall
The back of a woman's head and neck in focus in the foreground and a man facing her, slightly out of focus, in the middleground in a still from The Hand
Tony Leung, slightly out of focus and in the background, looks intensely at Maggie Cheung, in focus and in the foreground, in a still from Wong Kar Wai's In the Mood for Love.
Frankie Chan looks incredulously at Joan Chen, who is sporting a Mona Lisa smile, in a grainy still from Goodbye My Love, which graininess is an accurate representation of how the film will be presented.
May calendar listing when movies are showing, on what dates, and stills from various films being shown
Sylvia Chang on the beach in That Day, on the Beach
Tony Leung and Leslie Cheung on a rooftop in Buenos Aires in Wong Kar Wai's Happy Together
Maggie Cheung in In the Mood for Love, wearing a red coat and with a red curtain as a backdrop