Zonie

@zonisic.bsky.social

72 Followers 38 Following

an archive of doodles ~~ ✏️: scenery • furries • artistic nudity (mdni) 🎻: i make orchestra music too i guess ~~

Timelapse of the above art. 3 hours and 30 minutes of work condensed into 1 minute.
A yellow cat wearing a red scarf on his neck and leaf on his head, holding a red motorcycle helmet in one hand, checking his watch on the other. The background is a cloudy sky in the afternoon. Zonie • August 02, 2026 • Digital • 3 hours and 30 mins.
A pine marten lays on the ground, his right hand reaching and almost touching an enormous screen on the ceiling that says “LIVE.” His body twists over to the side, with his other hand resting near an open laptop. The scene is in fisheye perspective. Zonie • August 01, 2026 • Digital • 4.5 hours.
Timelapse of the above art. 10 hours of work condensed into 1 minute.
Timelapse of the above art. 2 hours of work condensed into 1 minute.
Minimalist depiction of a green-and-white cat using a flat, folded paper aesthetic. The name Phish runs down along the upper left corner. OC by Deenboi. Zonie • July 24, 2026 • Digital • 2 hours.
Full canvas of the above drawing. Zonie • July 23, 2026 • Digital, mouse, MS Paint.
Zonie • July 23, 2026 • Digital, mouse, MS Paint.
An arctic fox wearing pink and blue leg warmers, fishnet stockings, face stickers, a pink-and-gold collar, black skirt, and a black crop top with a heart cut out revealing his chest fluff. He is floating-sitting against a pink and cream minimalist backdrop, side-eyeing the viewer with a knowing smile. Slay! Zonie • July 20, 2026 • Digital.
An expert navigator and grounded soul, this dragon has a compass that always points to him so he never loses himself. Zonie • July 16, 2026 • Digital.
A three-panel comic featuring a red fox coming home to his apartment after watching the Backrooms (2026). He enters his unit only to find out it leads him inside the Backrooms itself, with the entrance outlined in the movie version's iconic blue tape. Zonie • June 14, 2026 • Digital • 1 hour 20 mins.
Timelapse of the above art. 1 hour and 40 minutes of work condensed into 1 minute.
Drawing of a white, red-eyed fennec (or a long-eared arctic), sitting dejected in a massive crystal throne aglow with a golden hue. Accepting the seat was his only choice. He looks at you: “It’s cold, but at least I can rest.” Zonie • June 07, 2026 • Digital • 1 hour 40 mins.
Painterly sketch of a blue fox lounging on a white bean bag in the corner of a white room fitted with a wooden baseboard and well-polished wood flooring. Warm sun filters through the blinds, texturing the whole room in stripes of light. Zonie • May 31, 2026 • Digital.
Timelapse of the above art. 35 minutes of work condensed into 1 minute.
Painterly sketch of a fennec fox holding onto a rope, climbing against the cliffside. The mountains are bathed in golden hues, sharp against the purple shadows. The range stretches out into the background, grand and stately. Zonie • May 28, 2026 • Digital.
Napkin sketch of a fennec fox looking disappointedly at a mall storefront blocked by a deployed rolling shutter door. A giant sign affixed to the shutter door reads: CLOSED. Just my luck. Zonie • May 11, 2026 • Pen on napkin paper.
Speedpaint of the above art. 1 hour of process condensed into 1 minute.
A painting of a canid looking out onto the sea. The heavy, suffocating clouds press against the air. A piece of heaven breaking through, in all its glorious anarchy. Now what mortals should not know, through hubris, was laid bare. Zonie • May 21, 2026 • Digital • 1 hour.
Raw scan of the above drawing.
Drawing of a yellow fox looking up at a massive statue. A window, a door, and a vertical line are the only hints of a background Zonie • May 05, 2026 • Digital traced to pencil on paper.
The above art with a black and white filter applied over it.
Timelapse of the above art. It condenses 2.5 hours of work into 1 minute.
Drawing of a yellow fox maneuvering a box with an absurdly tall orange forklift. He is in between massive blur and orange industrial shelving filled to the brim with boxes. If not for the rhythm of steel trusses, the warehouse ceiling blurs into grey expanse with no end in sight. Zonie • May 03, 2026 • Digital • 2.5 hours.
Close up of the ornate wallpaper pattern.
The above art but with a black and white filter applied on it.
Timelapse for the above art. It compresses 3 hours worth of work into 1 minute.
Drawing of a yellow fox peeking out of tall red curtains looking into a grand dining room with ornate dark olive wallpaper and rich hardwood flooring. Lighting the scene is a large rose window beaming with red light from an unknown source outside. The table is laid with a banquet made of gold, and one golden apple sits at the edge of the table closest to the fox. Go on, take it. No one’s looking. Zonie • May 01, 2026 • Digital • 3 hours.
Timelapse of the above art. It condenses 2 hours of work into 1 minute.
Drawing of a yellow fox putting up a poster of red hand against a white background, using a very long implement. Its corner overlaps with an older brown agricultural poster with slightly weathered edges, which in turn overlaps an even older, decrepit grey poster of an anonymous fox. A hole punctures through its head. This is all on the shadowed side of a building in the middle of a sunlight-basked crop field. A caption reads: “where did the time go?” Where indeed. Zonie • May 01, 2026 • Digital • 2 hours.
Timelapse of the above art. 1 hour and 10 minutes of process is condensed into 1 minute.
Drawing of a yellow fox harnessed to a cable, crashing through the roof into an empty wooden church. He is tiny compared to the blinding gothic window behind him. On the altar is a golden relic, protected by a glass case. Something tells me it won’t be there for long. Zonie • April 29, 2026 • Digital • 1 hour.
Quick restaurant napkin sketch of a fox chewing happily. He holds up a spoon on one hand, fork in the other. He is seated in upholstered furniture. Behind him on the wall are paintings. On the table is a bowl of food and a glass of drink. Zonie • April 27, 2026 • Ink on napkin.
Sketch of a yellow fox sprinting down an empty road. We are viewing him in side profile through an alleyway tucked in the shadows. The world around him—the buildings in the foreground, the brick colonnade shading the sidewalk across the street—slants back from the sheer speed. Zonie • April 19, 2026 • Digital • 1 hour.
Quick line art sketch of a fennec fox sitting abnormally in an office chair, its backrest facing the desk. One of his hands is on the mouse, the other on the keyboard. It looks uncomfortable, but he's clearly unfazed. Zonie • April 10, 2026 • Digital • 10 mins.
Photo of the cafe napkin sketch, partially folded to show the reverse side with the cafe's logo. Part of the drawing is still visible under the fold.
Two foxes are sitting across each other in a coffee cup jacuzzi. They’re talking the day away, speech bubbles drifting aimlessly like the steam of fresh coffee. Zonie • April 06, 2026 • Blue ink on napkin.
Drawing of an orange and yellow dragon whose white button-up polo shirt is being pulled off of him by two white fox-shaped sprites. Zonie • March 15, 2026 • Digital.
Art of a faux-Wordle board with 13 rows. The guesses, in order: "painting," "practice," "personal," "pleasure," "pressure," "paycheck," "prestige," and "progress" five times. The board is full and the correct word has not been guessed. At the bottom, a yellow fox leans forward, chalk in hand having just finished a sixth "PROGRESS" in scratchy letters. Progress is stubborn. Keep trying even when the game tells you there's no more. Zonie • March 06, 2026 • Digital.
Photograph of the same drawing above, before processing. Zonie • February 28, 2026 • Ink and marker on paper.
Sketch of a fox sitting on a yellow floor. His ears cover his face as they are pulled down by his right arm, with his left hand on the floor providing support to his hunching over. The scene is in isometric view in an almost cut-out section aesthetic. The only visible wall beams down behind him, as if acting like a spotlight. Zonie • February 28, 2026 • Pencil and marker on paper with post-processing.
Raw scan of the same drawing above, before digital overlay. Zonie • February 24, 2026 • Pencil on paper.
Sketch of a fox trying to get up. He is struggling but almost there. Zonie • February 24 and 28, 2026 • Digital on top of pencil on paper.
Raw scan of the same drawing above, before processing. Zonie • February 07, 2026 • Ink and marker on paper.
Sketch of a fox in a crawling pose, weary but gathers enough strength to look up and point towards someplace in the distance. “There, do you see it?” He knows he cannot be with you. Zonie • February 06-07, 2026 • Ink and marker on paper with post-processing.
Raw scan of the same drawing above, before processing. Zonie • February 03, 2026 • Ink and marker on paper.
Sketch of a fox sneaking around a corner, only to realize he is being watched by a surveillance camera above him. Zonie • February 03-04, 2026 • Ink and marker on paper with post-processing.
Tiny rendition of a fox in a tired, languishing pose, pushing against the walls of the box he is trapped in. Zonie • February 01, 2026 • Ink on paper.
Pencil sketch of a fox, tired and languishing, hunched down inside a box. He lost track of how long he’s been pushing against the walls. Zonie • February 01, 2026 • Pencil on paper.
4-panel silent comic of a fox who retrieves a banner from a snow-ridden, desolate city, all in the hopes of keeping a loved one warm. [This was for an art challenge whose constraints were a pre-selected 4-color palette and the theme of “Shelter.”] Zonie • January 25–26, 2026 • Digital • 2 hours.
Drawing of a fennec in a tall upholstered chair, languid and weary. Perhaps the image is of his perspective, the chair legless and floating high above the world, isolating him with the thoughts he has to face. Lineage, bloodline, royalty. What’s it worth? Zonie • January 23–24, 2026 • Digital.
A fennec rests on a hilltop bench. His only company is the gravestone in front of him, which over time had been split by the growth of what is now an imposing tree. Its branches embrace him in the frame, curled by weather and age, a few red leaves to its name. The storm steps aside, letting the sun blanket over them. Zonie • January 21, 2026 • Digital • 43 mins.
Drawing of a yellow fox resting against a tree. Light filters through its protective shade, spots of sun landing on the grass. One spot warms his snout. Eyes closed and sketchbook out, he lets the empty field envelope him with its sounds, aromas, and textures. Rustling, petrichor, blades, and bark. Zonie • January 15, 2026 • Digital • 1 hour.
A surreal sci-fi-esque scene. A mustelid is stationed at a sink (canvas left), red footprints tracing back to copious amounts of blood pooling out from a single doorway (canvas right). The perspective makes it impossible to peer inside. He looks behind him, making sure no one is watching. A mirror dangles with his reflection staring silently. The lone sink is out of place, in a clinically sterile hallway with metal panel walls and diffused lighting ceiling. What did he do? Zonie • January 14, 2026 • Digital.